The Enchanted Castle (1907) is a children’s fantasy novel by English writer Edith Nesbit. Using elements of magic and mystery familiar to readers of her beloved Bastable and Psammead Trilogies, Nesbit crafts a tale of wonder and adventure for children and adults alike. While on a school holiday, children Jerry, Jimmy, and Kathy explore the open landscape of rural southwestern England. One day, they discover an immense country estate, designed like an ancient castle and complete with towers, gardens, groves, and even a lake. In the middle of its central rose garden, they find a maze at the end of which a young girl lies asleep. Waking, she reveals that she is the princess of the castle, and agrees to show them some of its mysteries. One of these is the ring of invisibility, which, when she slips it on her finger to demonstrate its power, actually works. Startled, the princess reveals that she is really the housekeeper’s niece, and admits that she was only fooling around. Scared at first, the children begin to experiment with the ring, unleashing its powers in fantastic and terrifying ways. The Enchanted Castle is an entertaining, endearing novel, a masterpiece of mystery and adventure with enough excitement to ignite the wonder of children, and to fill any adult with a sense of childish wonder. With a beautifully designed cover and professionally typeset manuscript, this edition of Edith Nesbit’s The Enchanted Castle is a classic of English children’s literature reimagined for modern readers.

The Enchanted Castle is a children's fantasy novel by Edith Nesbit first published in 1907.The enchanted castle of the title is a country estate in the West Country seen through the eyes of three children, Gerald, James and Kathleen, who discover it while exploring during the school holidays. The lake, groves and marble statues, with white towers and turrets in the distance, make a fairy-tale setting, and then in the middle of the maze in the rose garden they find a sleeping fairy-tale princess. The "princess" tells them that the castle is full of magic, and they almost believe her. She shows them the treasures of the castle, including a magic ring she says is a ring of invisibility, but when it actually turns her invisible she panics and admits that she is the housekeeper's niece, Mabel, and was just play-acting. The children soon discover that the ring has other magical powers.

The enchanted castle: during their vaction from schoo, english siblings Gerald, Jimmy, and Kathleen, with their freind, Mabel, discover an enchanted ring that makes wishes come true, but with enexpected consequences.

Marie Rutkoski's startling debut novel, the first book in the Kronos Chronicles, about the risks we take to protect those we love, brims with magic, political intrigue, and heroism. Petra Kronos has a simple, happy life. But it's never been ordinary. She has a pet tin spider named Astrophil who likes to hide in her snarled hair and give her advice. Her best friend can trap lightning inside a glass sphere. Petra also has a father in faraway Prague who is able to move metal with his mind. He has been commissioned by the prince of Bohemia to build the world's finest astronomical clock. Petra's life is forever changed when, one day, her father returns home – blind. The prince has stolen his eyes, enchanted them, and now wears them. But why? Petra doesn't know, but she knows this: she will go to Prague, sneak into Salamander Castle, and steal her father's eyes back. Joining forces with Neel, whose fingers extend into invisible ghosts that pick locks and pockets, Petra finds that many people in the castle are not what they seem, and that her father's clock has powers capable of destroying their world. The Cabinet of Wonders is a 2009 Bank Street - Best Children's Book of the Year.

Dan and Una perform their shortened version of A midsummer night's dream and accidentally conjure up Puck. For many afternoons Puck brings them the bold adventurers who made their fortunes and left their marks everywhere on the English countryside.

Since its emergence in the seventeenth century as a distinctive cultural system, children's literature has had a culturally inferior status resulting from its existence in a netherworld between the literary system and the educational system. In addition to its official readership—children—it has to be approved of by adults. Writers for children, explains Zohar Shavit, are constrained to respond to these multiple systems of often mutually contradictory demands. Most writers do not try to bypass these constraints, but accept them as a framework for their work. In the most extreme cases an author may ignore one segment of the readership. If the adult reader is ignored, the writer risks rejection, as is the case of popular literature. If the writer utilizes the child as a pseudo addressee in order to appeal to an adult audience, the result can be what Shavit terms an ambivalent work. Shavit analyzes the conventions and the moral aims that have structured children's literature, from the fairy tales collected and reworked by Charles Perrault and the Brothers Grimm—in particular, “Little Red Riding Hood”—through the complex manipulations of Lewis Carroll in Alice's Adventures in Wonderland, to the subversion of the genre's canonical requirements in the chapbooks of the eighteenth century, and in the formulaic Nancy Drew books of the twentieth century. Throughout her study Shavit, explores not only how society has shaped children's literature, but also how society has been reflected in the literary works it produces for its children.

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