Herman Melville’s picturesque account of the Galapagos Islands will make you want to abandon all responsibilities and travel there to see for yourself. Melville wrote this series of "sketches" – or short prose works – from his own experiences sailing around the islands, yet at the same time they are clearly a product of his extraordinary imagination. Originally appearing in Putnam’s Magazine in 1854, the novella was later published alongside five other Melville short stories in the collection ‘The Piazza Tales’, which was very well received. Herman Melville (1819-1891) was an American writer, best known for his whaling novel, ‘Moby Dick’, which was poorly received at the time but considered a classic today.

This collection features 14 of Melville's short stories reprinted from Harper's and Putnam's magazines, including "The Encantadas or Enchanted Isles," a dramatic story set on the Galapagos Islands, plus "The Bell-Tower," more.

A standalone hardcover edition of Herman Melville's novelette in ten sketches, "The Encantadas," with original illustrations by Eric Tonzola and a new introduction by Elizabeth Hennessy, author of On the Backs of Tortoises: Darwin, the Galápagos, and the Fate of an Evolutionary Eden.

Sail to the exotic Galapagos Islands with Herman Melville, author of "Moby-Dick." Let History and Legend, Fiction and Fact, Myth and Mystery swirl around you as you enter "The Encantadas," a unique island world stretching along our planet's Equator. Discover teeming seabird rookeries, stark volcanic landscapes, and world famous giant tortoises . . . Meet buccaneers and explorers, colonists and castaways, whalers and naturalists . . . Explore these Enchanted Isles with one of America's greatest writers . . . Enrich your once-in-a-lifetime visit to . . . The Galapagos Islands. Travelers have been arriving in the Galapagos Islands since at least 1535. While naturalist Charles Darwin made these volcanic peaks famous, Spanish explorers, English buccaneers, American whalers, Ecuadorian colonists, and a United States President all put in appearances here over the centuries. Herman Melville was one such visitor. He first glimpsed the Galapagos Islands as a young seaman on the whaler "Acushnet" out of New Bedford, Massachusetts. Years later, after the failure of his novel "Moby-Dick," he tried to regain his lost popularity with the reading public by writing a series ten of magazine sketches recalling the strange worlds he found in these Enchanted Isles. This current book was created for today's visitor-or armchair visitor. Bring it with you, or read it before you leave home. Enhance your enjoyment of the Galapagos Islands with these glimpses of its captivating natural and human history written over 150 years ago by that famous fellow traveler. Discover . . . - Herman Melville's ten sketches called "The Encantadas or Enchanted Isles." - Forty of Moses Michelsohn's striking b&w photographs (in color in the ebook) from the Galapagos islands: birds, iguanas, giant tortoises, sea lions, exotic plants, and volcanic landscapes. - Lynn Michelsohn's introduction to the work, and to each individual sketch. Enjoy your visit to the Galapagos Islands! About the Authors Herman Melville wrote in the genre that has been called "dark romanticism." "The Encantadas," like "Moby-Dick" (considered by many to be the best novel ever written) and his well respected novella "Billy Budd," draws on his shipboard experiences in the South Seas as a young man. Lynn Michelsohn has written such diverse books as "Roswell, Your Travel Guide to the UFO Capital of the World!" and "Gullah Ghosts, Stories and Folktales from the South Carolina Lowcountry." Her longstanding interests in both the Galapagos Islands and Herman Melville led to this work. Like Melville, biologist and wildlife photographer Moses Michelsohn found tortoises on the Galapagos Islands fascinating. Tree frogs in Ecuador, Costa Rica, and the southeastern United States remain his primary research interest, however.

"With fairest flowers, Whilst summer lasts, and I live here, Fidele-" When I removed into the country, it was to occupy an old-fashioned farm-house, which had no piazza-a deficiency the more regretted, because not only did I like piazzas, as somehow combining the coziness of in-doors with the freedom of out-doors, and it is so pleasant to inspect your thermometer there, but the country round about was such a picture, that in berry time no boy climbs hill or crosses vale without coming upon easels planted in every nook, and sun-burnt painters painting there. A very paradise of painters. The circle of the stars cut by the circle of the mountains. At least, so looks it from the house; though, once upon the mountains, no circle of them can you see. Had the site been chosen five rods off, this charmed ring would not have been. The house is old. Seventy years since, from the heart of the Hearth Stone Hills, they quarried the Kaaba, or Holy Stone, to which, each Thanksgiving, the social pilgrims used to come. So long ago, that, in digging for the foundation, the workmen used both spade and axe, fighting the Troglodytes of those subterranean parts-sturdy roots of a sturdy wood, encamped upon what is now a long land-slide of sleeping meadow, sloping away off from my poppy-bed. Of that knit wood, but one survivor stands-an elm, lonely through steadfastness.

Herman Melville’s The Piazza Tales is the only collection of short fiction that he published in his lifetime, and it includes his two most famous short stories, “Bartleby, the Scrivener” and “Benito Cereno,” along with the less well-known but deeply engaging sketches of the Galapagos Islands that make up “The Encantadas,” as well as three more short stories: “The Piazza,” “The Bell-Tower,” and “The Lightning-Rod Man.” This new edition places these stories in the context of nineteenth-century debates over slavery, free will and determinism, science and technology, and the nature and value of literary artistry. The stories in The Piazza Tales demonstrate the global range of Melville’s cultural and aesthetic concerns, as Melville set his stories in locales ranging from rural western Massachusetts and Wall Street in the United States to the Pacific coast of South America and southern Europe. This edition is especially concerned with Melville’s engagement with both political questions related to slavery and imperialism and aesthetic questions germane to the short-story tradition as developed by his near-contemporaries Nathaniel Hawthorne and Edgar Allan Poe.