This book follows the hapless Lieutenant Otto Prohaska in the waning years of the Austro-Hungarian Empire and finds Otto taking an ill-considered break from duties to engage in a mad fling with a Polish actress. After a desperate attempt to elude his lover's husband, he finds himself mistaken by anarchists as one of their own. Otto soon masters their code names and secret handshakes, but when he also learns of their plans to assassinate the Archduke Ferdinand in Sarajevo, his duty is clear. He must alert his superiors—now, if only he can find someone who will believe him!

Falmouth, September 1803: As Bolitho faces the grim reality of war at close quarters, he will be called upon to anticipate the strategies of the French fleet. But the conflict has also taken on a personal note, reviving his vendetta with the French Admiral, Jobert, who once commanded the Argonaute.

In this ironic, hilarious, and poignant story, Otto Prohaska is a submarine captain serving the almost-landlocked Austro-Hungarian Empire. He faces a host of unlikely circumstances, from petrol poisoning to exploding lavatories to trigger-happy Turks. All signs point to the total collapse of the bloated empire he serves, but Otto refuses to abandon the Habsburgs in their hour of need.

The notion of the frame in art can refer not only to a material frame bordering an image, but also to a conceptual frame. Both meanings are essential to how the work is perceived. In Framing Russian Art, art historian Oleg Tarasov investigates the role of the frame in its literal function of demarcating a work of art and in its conceptual function affectingthe understanding of what is seen. The first part of the book is dedicated to the framework of the Russian icon. Here, Tarasov explores the historical and cultural meanings of the icon’s,setting, and of the iconostasis. Tarasov’s study then moves through Russian and European art from ancient times to the twentieth century, including abstract art and Suprematism. Along the way, Tarasov pays special attention to the Russian baroque period and the famous nineteenth century Russian battle painter Vasily Vereshchagin. This enlightening account of the cultural phenomenon of the frame and its ever-changing functions will appeal to students and scholars of Russian art history.

Keeping track of prolific authors who write fiction series was quite challenging for even the most ardent fan until To Be Continueddebuted in 1995. Noew, readers will be happy that the soon-to-be-released second edition has added 1,600 new books and 400 new series. To Be Continued, Second Edition, maintians the first volume's successful formula that featured concise A-to-Z entries packed with useful information, including titles, publishers, publication dates, genre categories, annotations, and subject terms. Among the genre categories that can be found in To Be Continued are romance, science fiction, crime novel, horror, adventure, fantasy, humor, western, war, Christian fiction, and others.