NATIONAL BESTSELLER • INSPIRATION FOR THE MGM+ ORIGINAL SERIES • ONE OF TIME MAGAZINE'S 100 BEST MYSTERY AND THRILLER BOOKS OF ALL TIME • In his triumphant fictional debut, Stephen Carter combines a large-scale, riveting novel of suspense with the saga of a unique family. The Emperor of Ocean Park is set in two privileged worlds: the upper crust African American society of the Eastern seabord—families who summer at Martha’s Vineyard—and the inner circle of an Ivy League law school. “Beautifully written and cleverly plotted. A rich, complex family saga, one deftly woven through a fine legal thriller.” —John Grisham Talcott Garland is a successful law professor, devoted father, and husband of a beautiful and ambitious woman, whose future desires may threaten the family he holds so dear. When Talcott’s father, Judge Oliver Garland, a disgraced former Supreme Court nominee, is found dead under suspicioius circumstances, Talcott wonders if he may have been murdered. Guided by the elements of a mysterious puzzle that his father left, Talcott must risk his marriage, his career and even his life in his quest for justice. Superbly written and filled with memorable characters, The Emperor of Ocean Park is both a stunning literary achievement and a grand literary entertainment.

A sumptuously illustrated, landmark book tracing African American history from the arrival of the conquistadors to the election of Barack Obama. Including more than eight hundred images--ancient maps, art, documents, photographs, cartoons, posters--Life Upon These Shores focuses on defining events, debates, and controversies, as well as the achievements of people famous and obscure.

The book describes the movement by African American authors from slave narratives and antebellum newspapers into fiction writing, and the subsequent developments of black genre fiction through the present. It analyzes works by modern African American mystery writers, focusing on sleuths, the social locations of crime, victims and offenders, the notion of "doing justice," and the role of African American cultural vernacular in mystery fiction. A final section focuses on readers and reading, examining African American mystery writers' access to the marketplace and the issue of the "double audience" raised by earlier writers. Instructors considering this book for use in a course may request an examination copy here.

Perry argues that racism in America has moved into a new phase--post-intentional For a nation that often optimistically claims to be post-racial, we are still mired in the practices of racial inequality that plays out in law, policy, and in our local communities. One of two explanations is often given for this persistent phenomenon: On the one hand, we might be hypocritical—saying one thing, and doing or believing another; on the other, it might have little to do with us individually but rather be inherent to the structure of American society. More Beautiful and More Terrible compels us to think beyond this insufficient dichotomy in order to see how racial inequality is perpetuated. Imani Perry asserts that the U.S. is in a new and distinct phase of racism that is “post-intentional”: neither based on the intentional discrimination of the past, nor drawing upon biological concepts of race. Drawing upon the insights and tools of critical race theory, social policy, law, sociology and cultural studies, she demonstrates how post-intentional racism works and maintains that it cannot be addressed solely through the kinds of structural solutions of the Left or the values arguments of the Right. Rather, the author identifies a place in the middle—a space of “righteous hope”—and articulates a notion of ethics and human agency that will allow us to expand and amplify that hope. To paraphrase James Baldwin, when talking about race, it is both more terrible than most think, but also more beautiful than most can imagine, with limitless and open-ended possibility. Perry leads readers down the path of imagining the possible and points to the way forward.

The edited collection brings together social and biological anthropology scholars, biologists, and geneticists to examine the interface between Genetic Admixture, Identity and Health, directly contributing to an emerging field of 'bio-cultural anthropology.

A riveting spy thriller, Jericho's Fall is the spellbinding story of a young woman running for her life from shadowy government forces. In a secluded mountain retreat, Jericho Ainsley, former CIA director and former secretary of defense, is dying of cancer. To his bedside he has called Rebecca DeForde, a young, single mother, who was once his lover. Instead of simply bidding farewell, however, Ainsley imparts an explosive secret and DeForde finds herself thrown into a world of international intrigue, involving ex-CIA executives, local police, private investigators, and even a US senator. With no one to trust, DeForde is suddenly on the run, relying on her own wits and the lessons she learned from Ainsley to stay alive.

Tells the fascinating story of African American women who traveled to France to seek freedom of expression. During the Jazz Age, France became a place where an African American woman could realize personal freedom and creativity, in narrative or in performance, in clay or on canvas, in life and in love. These women were participants in the life of the American expatriate colony, which included F. Scott Fitzgerald, Gertrude Stein, and Cole Porter, and they commingled with bohemian avant-garde writers and artists like Picasso, Breton, Colette, and Matisse. Bricktop’s Paris introduces the reader to twenty-five of these women and the city they encountered. Following this nonfiction account, T. Denean Sharpley-Whiting provides a fictionalized autobiography of Ada “Bricktop” Smith, which brings the players from the world of nonfiction into a Paris whose elegance masks a thriving underworld. “Bricktop’s Paris vibrantly recreates and reimagines the fascinating world of Jazz Age Paris by placing black women at the center of the story. T. Denean Sharpley-Whiting gives us a valuable new perspective on Ada “Bricktop” Smith, giving her the prominence usually attributed to Josephine Baker. She also provides detailed portraits of other singers, musicians, writers, and artists who left America for the French capital. Written with enthusiasm and insight, Bricktop’s Paris underscores the importance of women to transatlantic black modernity.” — Tyler Stovall, author of Paris Noir: African Americans in the City of Light “Bricktop’s Paris is a remarkable feat. Sharpley-Whiting’s book is a woman’s story about dreaming and making dreams happen. It is a political story, a story about migration, and re-creation. It is a dazzling account of bold women reshaping their lives as New Women/Modern Women and black women in Europe. A woman’s place is not only viewed in the sphere of domesticity through Sharpley-Whiting’s writing, she also reimagines the complexity of life far away from home and on stage, in the studio, and in the nightclub. She captures their spirit and desires and walks us through this history arm and arm, singing, writing, dancing, and making art. I fell in love with these women as I empathized with their struggles, some of them I knew through other writings but through Sharpley-Whiting I felt as if I knew them intimately as they made their lives count some fifty years after Reconstruction. She restores their voices and their bodies and makes them present for the contemporary reader. Brilliant!” — Deborah Willis, author of Posing Beauty: African American Images from the 1890s to the Present “Bricktop’s Paris is a marvelous book that further consolidates Sharpley-Whiting’s record of pioneering research, a meticulous archeological excavation of the artistic, cultural, political, and social contributions made by African American women in Paris during the interwar years. This was a period that increasingly linked racial advocacy with colonial emancipation and during which African American women achieved unprecedented levels of creative and personal freedom while shaping broader conversations on identity and race. Bricktop’s Paris promises to inspire a new generation of researchers and will become an incontrovertible point of reference in assessing the intellectual history of the era.” — Dominic Thomas, Madeleine L. Letessier Professor of French and Francophone Studies, University of California, Los Angeles