A rare and brilliant story from Zadie Smith, taking us deep into the life of a young woman, Fatou, domestic servant to the Derawals and escapee from one set of hardships to another. Beginning and ending outside the Embassy of Cambodia, which happens to be located in Willesden, NW London, Zadie Smith's absorbing, moving and wryly observed story suggests how the apparently small things in an ordinary life always raise larger, more extraordinary questions. 'It's scale is superficially small, but its range is lightly immense; in the first couple of pages, the world from Ghana to London to Cambodia enters. It is a fiction of consequences both global and heartrenchingly intimate. This voice is global, plural and local, with a delicate grip on historic consequences...... Works on an awesomely global scale, and the relations of slavery and mastership are traced in both personal and international scale.' Philip Hensher, The Guardian 'Reading it is a bit like having a starter in a restaurant that is so good you wish you had ordered a big portion as a main course, only to realise, as you finish it, that it was exactly the right amount.' 'A perfect stocking-filler of a book that shows that short-form fiction can be as vibrant and as healthy as any densely realised full-length novel.' Louise Doughty, The Observer 'Smith serves up a smasher.' Leyla Sanai, The Independent On Sunday

A Pulitzer Prize-winning journalist describes how Cambodia emerged from the harrowing years when a quarter of its population perished under the Khmer Rouge. A generation after genocide, Cambodia seemed on the surface to have overcome its history -- the streets of Phnom Penh were paved; skyscrapers dotted the skyline. But under this façe lies a country still haunted by its years of terror. Although the international community tried to rebuild Cambodia and introduce democracy in the 1990s, in the country remained in the grip of a venal government. Pulitzer Prize-winning journalist Joel Brinkley learned that almost a half of Cambodians who lived through the Khmer Rouge era suffered from P.T.S.D. -- and had passed their trauma to the next generation. His extensive close-up reporting in Cambodia's Curse illuminates the country, its people, and the deep historical roots of its modern-day behavior.

A man stabs an MP at a Meet-the-People Session. But this is not their story. It is the story of the man’s girlfriend, an Indonesian maid who wants to get married and become a Singaporean citizen. It is the story of the MP’s wife, who tries to cope with her husband’s injury and the media spotlight. It is the story of the maid’s employer, who is also struggling with her own tragedy. These three women may mean nothing to each other, but they need one another to survive. The maid, the employer and the MP’s wife. Are they all model citizens? Written by veteran Singaporean playwright Haresh Sharma, Model Citizens won Best Director (Alvin Tan) and Best Actress (Siti Khalijah Zainal) at the 2011 The Straits Times Life!Theatre Awards.

Between 1970 and 1975 Jon Swain, the English journalist portrayed in David Puttnam's film, The Killing Fields, lived in the lands of the Mekong river. This is his account of those years, and the way in which the tumultuous events affected his perceptions of life and death as Europe never could. He also describes the beauty of the Mekong landscape - the villages along its banks, surrounded by mangoes, bananas and coconuts, and the exquisite women, the odours of opium, and the region's other face - that of violence and corruption.

This book tells the story of the conflict from 1636 to 1645 between Cambodia and the Dutch East India Company (VOC), which has the dubious distinction of being history's first conflict between a mainland Southeast Asian state and a European power. It affords a glimpse into the largely unknown period in Cambodian history between the fall of Angkor in the mid-fifteenth century and the arrival of the French in the late-nineteenth century.

For most Americans, the "exit" from Indochina occurred in 1973, with the withdrawal of the U.S. military from South Vietnam. In fact, the final exit did not occur until two decades later, after the collapse of the Republic of Vietnam in 1975, the Cambodian revolution, and a decade of Vietnamese occupation of Cambodia. Only in the early 1990s were the major powers able to negotiate a settlement of the Cambodia conflict and withdraw from the region. This book recounts the diplomacy that brought an end to great power involvement in Indochina, including the negotiations for a UN peace process in Cambodia and construction of a "road map" for normalizing U.S.-Vietnam relations. In so doing, this volume also highlights the changing character of diplomacy at the beginning of the 1990s, when, at least temporarily, an era of military confrontation among the major world powers gave way to political management of international conflicts.

This monograph analyses Zadie Smith’s White Teeth, On Beauty, NW, The Embassy of Cambodia, and Swing Time as trauma fictions that reveal the social, cultural, historical, and political facets of trauma. Starting with Smith’s humorous critique of psychoanalysis and her definition of original trauma, this volume explores Smith’s challenge of Western theories of trauma and coping, and how her narratives expose the insidiousness of (post)colonial suffering and unbelonging. This book then explores transgenerational trauma, the tensions between remembering and forgetting, multidirectional memory, and the possibilities of the ambiguities and contradictions of the postcolonial and diasporic characters Smith depicts. This analysis discloses Smith’s effort to ethically redefine trauma theory from a postcolonial and decolonial standpoint, reiterates the need to acknowledge and work through colonial histories and postcolonial forms of oppression, and critically reflects on our roles as witnesses of suffering in global times.