Get ready for an exciting summer adventure in the countryside with three brave kids! Lisa and her brother Tom are enjoying their summer vacation in their cozy house by the river when a crafty fox starts causing trouble in the village. Determined to put an end to the fox's shenanigans, Lisa and Tom team up with their friend Michael and set out together in search of the cunning creature. During the search, the trio encounters all kinds of difficulties and obstacles that test their skills and courage. They explore the surroundings of the village, using their wit and resourcefulness to outwit the cunning fox. But can they catch her before it's too late? Join the plucky trio on their exciting adventure full of twists and turns, unexpected surprises, and teamwork. Can they catch the elusive fox and save their village from further chaos? Find out in this thrilling story that will captivate young readers and spark their imaginations.

Chronicles the life of Maggie Fox, a young woman who, in 1848, claimed she and her sisters had received messages from the spiritual world, beginning the spiritualist movement that swept the country.

Timothy C. F. Stunt has gathered a range of his essays, both published and unpublished in a collection of largely biographical studies. His subjects range from discontented Quakers hesitating over their identity, to respectable Anglicans who were fascinated with the charismatic phenomena of tongue speaking and healing. Some of the characters with whom he is concerned can be described as "mavericks" on account of their strikingly individualist inclinations. Occasionally their unpredictability takes on a quasi-comic identity, which could even qualify them to be described as "loose cannons." On the other hand, some of them like Edward Irving, Norris Groves, and John Darby played a crucial part in the development of nineteenth-century evangelicalism. In their quest for the ideal church of their dreams, they were often disappointed but one cannot but admire the single-mindedness of their quest.

Barbara Weisberg’s Talking to the Dead blends biography and social history in this revelatory story of the family responsible for the rise of Spiritualism. A fascinating story of spirits and conjurors, skeptics and converts in the second half of nineteenth century America viewed through the lives of Kate and Maggie Fox, the sisters whose purported communication with the dead gave rise to the Spiritualism movement—and whose recanting forty years later is still shrouded in mystery. In March of 1848, Kate and Maggie Fox—sisters aged eleven and fourteen—anxiously reported to a neighbor that they had been hearing strange, unidentified sounds in their house. From a sequence of knocks and rattles translated by the young girls as a "voice from beyond," the Modern Spiritualism movement was born. Talking to the Dead follows the fascinating story of the two girls who were catapulted into an odd limelight after communicating with spirits that March night. Within a few years, tens of thousands of Americans were flocking to séances. An international movement followed. Yet thirty years after those first knocks, the sisters shocked the country by denying they had ever contacted spirits. Shortly after, the sisters once again changed their story and reaffirmed their belief in the spirit world. Weisberg traces not only the lives of the Fox sisters and their family (including their mysterious Svengali–like sister Leah) but also the social, religious, economic and political climates that provided the breeding ground for the movement. While this is a thorough, compelling overview of a potent time in US history, it is also an incredible ghost story.

Codiscoverer of the theory of evolution by natural selection, Alfred Russel Wallace should be recognized as one of the titans of Victorian science. Instead he has long been relegated to a secondary place behind Darwin. Worse, many scholars have overlooked or even mocked his significant contributions to other aspects of Victorian culture. With An Elusive Victorian, Martin Fichman provides the first comprehensive analytical study of Wallace's life and controversial intellectual career. Fichman examines not only Wallace's scientific work as an evolutionary theorist and field naturalist but also his philosophical concerns, his involvement with theism, and his commitment to land nationalization and other sociopolitical reforms such as women's rights. As Fichman shows, Wallace worked throughout his life to integrate these humanistic and scientific interests. His goal: the development of an evolutionary cosmology, a unified vision of humanity's place in nature and society that he hoped would ensure the dignity of all individuals. To reveal the many aspects of this compelling figure, Fichman not only reexamines Wallace's published works, but also probes the contents of his lesser known writings, unpublished correspondence, and copious annotations in books from his personal library. Rather than consider Wallace's science as distinct from his sociopolitical commitments, An Elusive Victorian assumes a mutually beneficial relationship between the two, one which shaped Wallace into one of the most memorable characters of his time. Fully situating Wallace's wide-ranging work in its historical and cultural context, Fichman's innovative and insightful account will interest historians of science, religion, and Victorian culture as well as biologists.

Lady Jean Conway is wildly in love with Owen Davies, a Shellesque poet who is cataloguing the Brecon library, whereas her twin, Lady Margaret, has a tendre for Lord Clanross's private secretary, who is in love with Jean. Both Johnny Dyott, the secretary, and Owen are involved in Radical politics. So is the Earl of Clanross, who wants an immediate reform of Parliament, to the horror of Lady Anne, his political sister-in-law. His wife, Lady Elizabeth, wants to study comets, and his best friend can't decide whether to give away the fortune he's inherited or buy his wife the country estate she yearns for. These intertwined stories play against a canvas of public events, including the divorce of Queen Caroline, in 1820, the silliest year in English history.