This book provides a multi-scale reading of the spatial “elements” in which the extensive urbanity in Yangtze River Delta is constructed, and from there an imagination of a new paradigm of urbanization. The urbanization in Yangtze River Delta today is in need of a new interpretation and paradigm. The delta is a territory with city cores but it also has vast dispersed urbanization where the agricultural and non-agricultural activities and spaces are mixed and interlinked, a desakota (McGee, 1991). This book attempts to answer a basic question: what is the desakota in the Yangtze River Delta made of? The research Horizontal Metropolis led by Prof. Paola Viganò at EPFL, Switzerland focuses on the form of the contemporary city – the fragmentary spatial condition and dispersed urbanity all over the world. The study on Yangtze River delta is part of its research frame.

This second volume of a new three-part series of Antonio Negri's work is focussed on the consequences of the rapid process of deindustrialisation that has occurred across the West in recent years. In this volume Negri investigates exactly what happens when the class subjects of industrial capitalism are demobilised and the factories close. Evidently capital continues to make profit, but how and where? According to Negri, the creation of value extends beyond the factory walls to embrace the whole of society; the 'mass worker' of industrialism gives way to the 'socialised worker' (operaio sociale) and the terrain of exploitation now becomes the whole of human life. In postmodernity, the metropolis becomes the privileged arena of value extraction. We must therefore understand the global city, with its stratifications, its enclosures and its resistances. Old categories of the private and the public are inadequate to describe the new matrix of production, which is characterised rather by the 'common', the productive space of cognitive and immaterial labour. Today's metropolis can be defined as a space of antagonisms between forms of life produced, on the one hand, by finance capital (the capital that operates around rents), and on the other by the 'cognitive proletariat'. The central question is then how 'the common' of the latter can be mobilised for the destruction of capitalism. In an analysis that runs from the Italian workerism (operaismo) of the 1970s to the present day, From the Factory to the Metropolis offers readers valuable insight into the far-reaching impact of deindustrialisation, presenting both the challenges and opportunities. It will appeal to the many interested in the continuing development of Negri's project and to anyone interested in radical politics today.

This book draws together classic and contemporary texts on the “Horizontal Metropolis” concept. Taking an interdisciplinary approach, it explores various theoretical, methodological and political implications of the Horizontal Metropolis hypothesis. Assembling a series of textual and cartographic interventions, this book explores those that supersede inherited spatial ontologies (urban/rural, town/country, city/non-city, society/nature). It investigates the emergence of a new type of extended urbanity across regions, territories and continents up to the global scale through the reconstruction of a fundamental but neglected tradition. This book responds to the radical nature of the changes underway today, calling for a rethinking of the Western Metropolis idea and form along with the emergence of new urban paradigms. The Horizontal Metropolis concept represents an ambitious attempt to offer new instruction to take on this challenge at the global scale. The book is intended for a wide audience interested in the emergence and development of new approaches in urbanism, architecture, cultural theory, urban and design education, landscape urbanism and geography.

Sixteen-year-old Thea Holder's mother is cursed with a spell that's driving her mad, and whenever they touch, Thea is chilled by the magic, too. With no one else to contribute, Thea must make a living for both of them in a sinister city, where danger lurks and greed rules. Thea spends her nights waitressing at the decadent Telephone Club attending to the glitzy clientele. But when her best friend, Nan, vanishes, Thea is compelled to find her. She meets Freddy, a young, magnetic patron at the club, and he agrees to help her uncover the city's secrets???even while he hides secrets of his own. Together, they find a whole new side of the city. Unrest is brewing behind closed doors as whispers of a gruesome magic spread. And if they're not careful, the heartless masterminds behind the growing disappearances will be after them, too. Perfect for fans of Cassandra Clare, this is a chilling thriller with a touch of magic where the dead don't always seem to stay that way.

When it comes to the discourse of military intervention, the market is saturated with all sorts of books of war. Such books, for the most part, tend to be narrative accounts of heroic militarism which often do not address the aspect of [societal] rehabilitation. Scores of these books do not highlight the relevance of “interactive socialization” as regards politically embattled nations that harbour [sociologically] shattered societies. So, there is a gap in the market when it comes to the rehabilitation of battled-scarred societies with psychologically distressed masses. Garrison Metropolis explores the adaptive rehabilitation of this embattled universe through a regenerative doctrine of military intervention called “Pure militarism”.

At the end of the 19th and at the beginning of the 20th century, a number of African American and Caribbean intellectuals and immigrants of the African Diaspora with all their apprehensions set out in steamships en route and carried with them a certain presence to the metropoleis of Europe and North America. These individuals traversed the "middle passage" in the opposite direction from the forced journey undertaken by their enslaved ancestors. Later they began to arrive in large numbers as free men and women in London, Paris, Berlin, Madrid, Brussels, Lisbon, New York, and other places in the metropolis by steam ships and later by planes, and were actors in the larger history of empire from which the imperatives of forced migration, uprooting, displacement, and exile had arisen. The texts selected offer critical examination of a broad range of African Diaspora experiences in the metropole drawn from Senegal, the Caribbean, United States, Britain, Nigeria and France. Bringing together comparative and diasporic perspectives, the book explores the complex roles that race, gender, sexuality and history have played in the formation of African Diaspora identities in the metropole since the 19th century. This book was published as a special issue of African and Black Diaspora: An International Journal.

Variations on the theme of the ornament in Kracauer's urban writings, suggesting ways in which the subjective can reappropraite urban life. For Siegfried Kracauer, the urban ornament was not just an aspect of design; it was the medium through which city dwellers interpreted the metropolis itself. In Ornaments of the Metropolis, Henrik Reeh traces variations on the theme of the ornament in Kracauer's writings on urbanism, from his early journalism in Germany between the wars to his "sociobiography" of Jacques Offenbach in Paris. Kracauer (1889-1966), often associated with the Frankfurt School and the intellectual milieu of Walter Benjamin, is best known for his writings on cinema and the philosophy of history. Reeh examines Kracauer's lesser-known early work, much of it written for the trendsetting newspaper Frankfurter Zeitung in the 1920s and early 1930s, and analyzes Kracauer's continuing reflections on modern urban life, through the pivotal idea of ornament. Kracauer deciphers the subjective experience of the city by viewing fragments of the city as dynamic ornaments; an employment exchange, a day shelter for the homeless, a movie theater, and an amusement park become urban microcosms. Reeh focuses on three substantial works written by Kracauer before his emigration to the United States in 1940. In the early autobiographical novel Ginster, Written by Himself, a young architect finds aesthetic pleasure in the ornamental forms that are largely unused in the profession of the time. The collection Streets of Berlin and Elsewhere, with many essays from Kracauer's years in Berlin, documents the subjectiveness of urban life. Finally, Jacques Offenbach and the Paris of His Time shows how the superficial—in a sense, ornamental—milieu of the operetta evolved into a critical force during the Second Empire. Reeh argues that Kracauer's novel, essays, and historiography all suggest ways in which the subjective can reappropriate urban life. The book also includes a series of photographs by the author that reflect the ornamental experience of the metropolis in Paris, Frankfurt, and other cities.