An in-depth study of artifacts in the Mathạf al-Misṛī (known in America as the the Egyptian Museum in Cairo).

The Egyptian Museum houses the world's greatest collection of Egyptian treasures and antiquities, tens of thousands of stunning and fascinating objects dating from the earliest Predynastic times right through to the Greek and Roman Periods. Visitors to this great storehouse may become easily overwhelmed by the vast number of objects on display. But here for the first time is the world's best-known Egyptologist's personal introduction to the unmissable highlights of the Museum--Zahi Hawass's own selection of his favorite 200 exhibits. For each piece, he gives some background to its discovery and significance, and describes what it means for him in terms of the art or the history of ancient Egypt, and why it strikes a personal chord. "Due to my love of the Egyptian Museum, I thought that it would be wonderful to write a guide to its treasures, and to talk about my favorite objects within."--Zahi Hawass

The ideal souvenir or gift from a visit to the great storehouse of antiquity. Cairo's Egyptian Museum, one of the greatest storehouses of ancient art and artifacts in the world, is at the top of the agenda for millions of visitors to Egypt every year. People come to see the fabulous gold treasures of King Tutankhamun, the monumental royal statuary, the elaborately painted coffins and funerary masks, the model houses, ships, and armies, the tools, furnishings, and games of everyday life, and all the other paraphernalia of three thousand years of ancient Egyptian civilization. But what to take home from all this? How to remember the highlights of a visit to such a wonderful house of treasure? Here in this light and compact book, Egyptologist extraordinaire Zahi Hawass has collected the very gems of the Museum, illustrated in full color and succinctly described-more than thirty significant objects that stand out in the memory, making the perfect souvenir of one of the world's truly great museums.

In January 2002, the Egyptian Ministry of Culture ran a competition for an innovative design for a new Grand Museum of Egypt. This two-volume publication contains sketches, plans, elevations and computer models of the prize-winning design and all other second-phase entries.

This catalogue presents the ancient Egyptian footwear in the collection of the Coptic Museum in Cairo. The catalogue contains detailed descriptions and measurements, photographs and drawings. Each description of a footwear category is followed by short discussions, addressing topics such as typology and dating. In addition a fairly large corpus of comparative material is presented as well, none of which has been published before. The present work will form an important resource for future study. This catalogue is one of the results of the Nuffic Tailor Made Training for the curators of the Coptic Museum in Cairo, jointly organized by the Netherlands-Flemish Institute in Cairo and the American University in Cairo in close collaboration with the Bibliotheca Alexandrina, the Coptic Museum Authorities and the Ministry of State for Antiquities Affairs. Dr. André J. Veldmeijer is Assistant Director for Egyptology of the Netherlands-Flemish Institute in Cairo and has worked as archaeologist in Egypt since 1995 as specialist in, among others, leatherwork and footwear. He (co-)directs several projects, such as the Ancient Egyptian Leatherwork Project, which includes the Egyptian Museum Chariot Project, and the Tutankhamun Sticks & Staves Project. He has published extensively, both scientifically as popular. Dr. Salima Ikram is Professor of Egyptology at the American University in Cairo, and has worked as an archaeologist in Egypt since 1986, directing the Animal Mummy Project, and co-directing the Predynastic Gallery project, the Egyptian Museum Chariot Project, and the North Kharga Oasis Survey. Dr. Ikram has lectured and published extensively, both for children and adults.

This architectural history of the Citadel of Cairo uses indices from maps, photographs, plans of hitherto unstudied structures, and a large array of historical documents to chronologically reconstruct the Citadel's development from its foundation by Salah al-Din until it reached its most monumental form in the middle of the fourteenth century. The study analyzes the influence of Mamluk socio-political hierarchy on the conceptualization of the Citadel's spaces and forms; assesses its impact on medieval Cairo; proposes a new interpretation for the development of Mamluk royal architecture; and presents new definitions for a number of medieval architectural terms. By weaving the history of the Citadel together with the history of Cairo and the Mamluk system, this book is relevant to historians of architecture and urbanism and medieval historians.

Since cinema's earliest days, literary adaptation has provided the movies with stories; and so we use literary terms like metaphor, metonymy and synecdoche to describe visual things. But there is another way of looking at film, and that is through its relationship with the visual arts – mainly painting, the oldest of the art forms. Art History for Filmmakers is an inspiring guide to how images from art can be used by filmmakers to establish period detail, and to teach composition, color theory and lighting. The book looks at the key moments in the development of the Western painting, and how these became part of the Western visual culture from which cinema emerges, before exploring how paintings can be representative of different genres, such as horror, sex, violence, realism and fantasy, and how the images in these paintings connect with cinema. Insightful case studies explore the links between art and cinema through the work of seven high-profile filmmakers, including Peter Greenaway, Peter Webber, Jack Cardiff, Martin Scorsese, Guillermo del Toro, Quentin Tarantino and Stan Douglas. A range of practical exercises are included in the text, which can be carried out singly or in small teams. Featuring stunning full-color images, Art History for Filmmakers provides budding filmmakers with a practical guide to how images from art can help to develop their understanding of the visual language of film.