Tutu (Tithoes) was a popular god in the Ptolemaic and Roman periods of Egyptian history, with his origins in the earlier Egyptian religious tradition. The god provided protection against demons, and his appearance as a striding sphinx was often combined with symbols of his power and visual references to demons and other divinities. The god Tutu demonstrates the continuing vitality of the pharaonic religion under the pressure of foreign cultures and ideas. This monograph provides the first comprehensive study of the god Tutu. It is based upon a collection of attestations, largely unpublished, which derive from monuments in various parts of Egypt and from museum collections all over the world. Moreover, the results of recent archaeological field work in Shenhur and in the temple of Tutu in the Dakhla Oasis have been included in full. The catalogue of monuments is accompanied by an analysis of the god Tutu, his iconography and his place in the Egyptian religion.

Kit Nelson was thrown into the world of demons and cults as a child. He's learned to depend on no one, and to do all he can to keep himself safe from dark forces. He also knows he can't trust anyone else with his life. He knows what the demons who hunt him have in mind for him, and he'll fight it every step of the way. Tommy Smythe and his sister Lola have been fighting what they know is a rising tide of evil for years. They're prepared with all their paranormal weaponry, including the assistance of an ancient god who has fought demons his whole existence. Tutu, the Egyptian god and Master of Demons has chosen Tommy to be his vessel and his sword when needed to destroy any and all demons. A new threat ripples through the dark underworld, one that will be felt across all mankind. A demon has chosen one whose body he will use to return to the land of the living. But only if Kit, Tommy, and Lola can't stop him. Only Tutu has the power and knowledge to protect them from the demon Rerek, and he also knows even with his help, this is not going to be an easy battle.

Collections of scenes and texts designated variously as the "Book of the Earth," "Creation of the Solar Disc," and "Book of Aker" were inscribed on the walls of royal sarcophagus chambers throughout Egypt's Ramessid period (Dynasties 19-20). This material illustrated discrete episodes from the nocturnal voyage of the sun god, which functioned as a model for the resurrection of the deceased king. These earliest "Books of the Earth" employed mostly ad hoc arrangements of scenes, united by shared elements of iconography, an overarching, bipartite symmetry of composition, and their frequent pairing with representations of the double sky overhead. From the Twenty-First Dynasty and later, selections of programmatic tableaux were adapted for use in private mortuary contexts, often in conjunction with innovative or previously unattested annotations. The present study collects and analyzes all currently known Book of the Earth material, including discussions of iconography, grammar, orthography, and architectural setting.

"Robert Armour's classic text, long cherished by a generation of readers, is now complemented with more than 50 new photographs by Egyptologist Edwin Brock and drawings by Elizabeth Rodenbeck that show the gods in their characteristic forms." "Armour maintains a strong narrative thread with illuminating commentary in his lively retelling of stories from Egyptian mythology, including those of the sun god Ra, the tragic tale of Isis and Osiris, the burlesque of Horus' battle with the evil Seth, and the "gods of the intellect" Thoth and Maat. Now with an updated bibliography and new appendices, this book is sure to inform and enchant a new generation of readers."--Jacket.

The diffusion of the cults of Isis is recently again intensively studied. Research on this fascinating phenomenon has traditionally been characterised by its focus on L'Égypte hors d'Égypte, while developments in Hellenistic and Roman Egypt itself were often seen as belonging to a different domain. This volume tries to overcome that unhealthy dichotomy by studying the cults of Isis in Hellenistic and Roman Egypt itself in relation to developments in the Mediterranean at large. The book not only presents an overview of the most important deities, often based on new or unpublished material, but also pays ample attention to the cultural processes behind Isis on Nile, like relations between style and identity, religious choice, social- and cultural memory and Egypt’s view of its own past.