The Educational Background to the English Musical Renaissance (1840-1900).
Title | The Educational Background to the English Musical Renaissance (1840-1900). PDF eBook |
Author | Colin JONES |
Publisher | |
Pages | 0 |
Release | 1970 |
Genre | |
ISBN |
English Musical Renaissance, 1840-1940
Title | English Musical Renaissance, 1840-1940 PDF eBook |
Author | Meirion Hughes |
Publisher | Manchester University Press |
Pages | 356 |
Release | 2001-12-07 |
Genre | History |
ISBN | 9780719058301 |
This controversial study isolates and identifies the intellectual, social, and political assumptions which surrounded English music in the early-20th century. The authors deconstruct the established meanings of music in this period, arguing that music was not just for the elite, but it had come to represent a stronghold of national values, reflecting the reassuring "Englishness" of middle-class life as well.
The English Musical Renaissance and the Press, 1850-1914
Title | The English Musical Renaissance and the Press, 1850-1914 PDF eBook |
Author | Meirion Hughes |
Publisher | Routledge |
Pages | 276 |
Release | 2002 |
Genre | History |
ISBN |
The second half of the nineteenth-century witnessed a significant revival of interest in English music. Meirion Hughes argues that this 'English Musical Renaissance' could not have happened without the pivotal support of British music journalists who championed the idea of a national music.
The English Musical Renaissance and the Press 1850-1914: Watchmen of Music
Title | The English Musical Renaissance and the Press 1850-1914: Watchmen of Music PDF eBook |
Author | Meirion Hughes |
Publisher | Routledge |
Pages | 261 |
Release | 2017-07-05 |
Genre | Music |
ISBN | 1351544845 |
The importance of nineteenth-century writing about culture has long been accepted by scholars, yet so far as music criticism is concerned, Victorian England has been an area of scholarly neglect. This state of affairs is all the more surprising given that the quantity of such criticism in the Victorian and Edwardian press was vast, much of it displaying a richness and diversity of critical perspectives. Through the study of music criticism from several key newspapers and journals (specifically The Times, Daily Telegraph, Athenaeum and The Musical Times), this book examines the reception history of new English music in the period surveyed and assesses its cultural, social and political, importance. Music critics projected and promoted English composers to create a national music of which England could be proud. J A Fuller Maitland, critic on The Times, described music journalists as 'watchmen on the walls of music', and Meirion Hughes extends this metaphor to explore their crucial role in building and safeguarding what came to be known as the English Musical Renaissance. Part One of the book looks at the critics in the context of the publications for which they worked, while Part Two focuses on the relationship between the watchmen-critics and three composers: Arthur Sullivan, Hubert Parry and Edward Elgar. Hughes argues that the English Musical Renaissance was ultimately a success thanks largely to the work of the critics. In so doing, he provides a major re-evaluation of the impact of journalism on British music history.
The English Musical Renaissance
Title | The English Musical Renaissance PDF eBook |
Author | Frank Howes |
Publisher | London : Secker & Warburg |
Pages | 410 |
Release | 1966 |
Genre | Music |
ISBN |
History of English music and composers, the influences on them during the 19th century, the folk-song revolution and the growth of an English tradition in music in the 20th century.
Music and the New Global Culture
Title | Music and the New Global Culture PDF eBook |
Author | Harry Liebersohn |
Publisher | University of Chicago Press |
Pages | 352 |
Release | 2019-09-27 |
Genre | Music |
ISBN | 022664930X |
Music listeners today can effortlessly flip from K-pop to Ravi Shankar to Amadou & Mariam with a few quick clicks of a mouse. While contemporary globalized musical culture has become ubiquitous and unremarkable, its fascinating origins long predate the internet era. In Music and the New Global Culture, Harry Liebersohn traces the origins of global music to a handful of critical transformations that took place between the mid-nineteenth and early twentieth century. In Britain, the arts and crafts movement inspired a fascination with non-Western music; Germany fostered a scholarly approach to global musical comparison, creating the field we now call ethnomusicology; and the United States provided the technological foundation for the dissemination of a diverse spectrum of musical cultures by launching the phonograph industry. This is not just a story of Western innovation, however: Liebersohn shows musical responses to globalization in diverse areas that include the major metropolises of India and China and remote settlements in South America and the Arctic. By tracing this long history of world music, Liebersohn shows how global movement has forever changed how we hear music—and indeed, how we feel about the world around us.
British Music and Literary Context
Title | British Music and Literary Context PDF eBook |
Author | Michael Allis |
Publisher | Boydell Press |
Pages | 334 |
Release | 2012 |
Genre | Literary Criticism |
ISBN | 1843837307 |
Despite several recent monographs, editions and recordings devoted to the reassessment of British music in the late nineteenth and early twentieth century, some negative perceptions still remain--particularly a sense that British composers in this period somehow lacked literary credentials. British Music and Literary Context counters this perception by showing that these composers displayed a real confidence and assurance in refiguring literary texts in their music. The book explores how a literary context might offer modern audiences and listeners a 'way in' to appreciate specific works that have traditionally been viewed as problematic. Each chapter of this interdisciplinary study juxtaposes a British composer with a particular literary counterpart or genre. Issues highlighted in the book include the vexed relationship between words and music, the refiguring of literary narratives as musical structures, and the ways in which musical settings or representations of literary texts might be seen as critical 'readings' of those texts. Anyone interested in nineteenth-century British music, literature and Victorian studies will enjoy this thought-provoking and perceptive book.