This is the first volume on the history of the Nile Delta to cover the c.7000 years from the Predynastic period to the twentieth century. It offers a multidisciplinary approach engaging with varied aspects of the region's long, complex, yet still underappreciated history. Readers will learn of the history of settlement, agriculture and the management of water resources at different periods and in different places, as well as the naming and mapping of the Delta and the roles played by tourism and archaeology. The wide range of backgrounds of the contributors and the broad panoply of methodological and conceptual practices deployed enable new spaces to be opened up for conversations and cross-fertilization across disciplinary and chronological boundaries. The result is a potent tribute to the historical significance of this region and the instrumental role it has played in the shaping of past, present and future Afro-Eurasian worlds.

Autobiographical writings have been a major cultural genre from antiquity to the present time. General questions of the literary as, e.g., the relation between literature and reality, truth and fiction, the dependency of author, narrator, and figure, or issues of individual and cultural styles etc., can be studied preeminently in the autobiographical genre. Yet, the tradition of life-writing has, in the course of literary history, developed manifold types and forms. Especially in the globalized age, where the media and other technological / cultural factors contribute to a rapid transformation of lifestyles, autobiographical writing has maintained, even enhanced, its popularity and importance. By conceiving autobiography in a wide sense that includes memoirs, diaries, self-portraits and autofiction as well as media transformations of the genre, this three-volume handbook offers a comprehensive survey of theoretical approaches, systematic aspects, and historical developments in an international and interdisciplinary perspective. While autobiography is usually considered to be a European tradition, special emphasis is placed on the modes of self-representation in non-Western cultures and on inter- and transcultural perspectives of the genre. The individual contributions are closely interconnected by a system of cross-references. The handbook addresses scholars of cultural and literary studies, students as well as non-academic readers.