The complete Edinburgh Vampire Series together in one volume. Follow the Regency Edinburgh characters through tall medieval buildings and narrow, twisty streets. Ominous preternatural beings. And oh, those Edinburgh vampires. Now complete in one volume: Ravensclaw, Vampire, Bespelled, and A Judgement of Vampires

Explores the intersection of the vampire and zombie with 21st Century dystopian and post-apocalyptic cinemaTwenty-first century film and television is overwhelmed with images of the undead. Vampires and zombies have often been seen as oppositional: one alluring, the other repellant; one seductive, the other infectious. With case studies of films like I Am Legend and 28 Days Later, as well as TV programmes like Angel and The Walking Dead, this book challenges these popular assumptions and reveals the increasing interconnection of undead genres. Exploring how the figure of the vampire has been infused with the language of science, disease and apocalypse, while the zombie text has increasingly been influenced by the trope of the areluctant vampire, Stacey Abbott shows how both archetypes are actually two sides of the same undead coin. When considered together they present a dystopian, sometimes apocalyptic, vision of twenty-first century existence.Key featuresRather than seeing them as separate or oppositional, this book explores the intersection and dialogue between the vampire and zombie across film and televisionMuch contemporary scholarship on the vampire focuses on Dark Romance, while this book explores the more horror-based end of the genreOffers a detailed discussion of the development of zombie televisionProvides a detailed examination of Richard Mathesons I Am Legend, including the novel, the script, the adaptations and the BBFCs response to Mathesons script

Emily Dinwiddle recruits the help of Count Revay-Czobar--a beautiful creature she suspect to be a vampire--to help solve her father's murder. His knowledge of London's underworld will help Emily navigate the city--and his seductive aura is something Emily doesn't mind, either. Original.

Perhaps more than any region, the American South is haunted by the mythology of the vampire, returned from the dead to drain life from the living.

Rousing pulp action and steampunk come together in a heartbreaking story of high adventure and alternate history. In the year 1870, a horrible plague of vampires swept over the northern regions of the world. It is now 2020 and a bloody reckoning is coming. Princess Adele is heir to the Empire of Equatoria, a remnant of the old tropical British Empire. When she becomes the target of a merciless vampire clan, her only protector is the Greyfriar, a mysterious hero who fights the vampires from deep within their territory. Their dangerous relationship plays out against an approaching war to the death between humankind and the vampire clans. The first book in a trilogy of high adventure and alternate history. Combining rousing pulp action with steampunk style, the Vampire Empire series brings epic political themes to life within a story of heartbreaking romance, sacrifice, and heroism.

This book explores vampire narratives that have been expressed across multiple media and new technologies. Stories and characters such as Dracula, Carmilla and even Draculaura from Monster High have been made more "real" through their depictions in narratives produced in and across different platforms. This also allows the consumer to engage on multiple levels with the "vampire world," blurring the boundaries between real and imaginary realms and allowing for different kinds of identity to be created while questioning terms such as "author," "reader," "player" and "consumer." These essays investigate the consequences of such immersion and why the undead world of the transmedia vampire is so well suited to life in the 21st century.

Adam is the only person in his family who isn't a vampire. How can he keep Mom and Dad away from his friends?