This book is about California. Specifically, this third volume is about Joshua Tree--the dry, sparsely populated landscape known for its strange topography and spiritual pull. Jacqueline Suskin spent winters on a ranch at the far edge of the desert for many years, caring for mustangs and goats, walking the long sand roads in solitude. This book explores the richness of her experience in a place many view as barren, exposing its unique offerings through personal narrative. In this collection, Suskin invites readers into the often unseen magic of the desert, a place where silence and open space bring gifts of potent healing and ancient insight to those who are willing to sit still and listen.

Excerpt from The Edge of the Desert From the minaret in the courtyard there is a lovely View, the holy city crouched below with the frequent bubbles of its domed tombs and mosques, and beyond the wall, wide Spaces stretching to distant hills. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

“If you’re looking to get still, turn inward, and learn to trust your voice, this is the book for you.” —Alexandra Elle, New York Times bestselling author of How We Heal “The seasons and cycles of nature have incredible power to affect everything in our lives—especially our creativity,” says poet Jacqueline Suskin. “The Earth shows us when our creative reserves might wax and wane. When we listen and follow nature’s lead, we tune in to an inexhaustible source of imagination, inspiration, and beauty.” With A Year in Practice, this inspiring teacher shares holistic practices to help creatives of all sorts access the limitless potential that flows with the rhythms of nature. Set in sync with the progression of the seasons, A Year in Practice is a program of techniques and journaling prompts to guide the creative seeker all year long. Four seasonally themed chapters keep you connected to natural phases of creative contraction and expansion: • Winter invites restoration so you can come back to your craft with renewed energy• Spring is a time of balance, focusing on the magic of emergence while embodying discretion• Summer is the season of togetherness, instilling confidence to bring our creations into the light• Autumn asks us to turn back toward ourselves as we prepare for another winter of introspection Used regularly, you will move through creative blocks, deepen your capacity for self-reflection, expand imaginative growth, and find new levels of inspiration and contentment. “It’s crucial that we spend time dreaming, crafting, and resting in a state of reverie,” says Suskin. Here she offers practical tools and creative customs to help you tune in to the energies of each season—to enrich your creativity through playfulness, emotional expression, explorative whimsy, and ever-deepening levels of imagination.

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How does the human mind transform space into place, or land into landscape? For more than three decades, William L. Fox has looked at empty landscapes and the role of the arts to investigate the way humans make sense of space. In Terra Antarctica, Fox continues this line of inquiry as he travels to the Antarctic, the “largest and most extreme desert on earth.” This contemporary travel narrative interweaves artistic, cartographic, and scientific images with anecdotes from the author's three-month journey in the Antarctic to create an absorbing and readable narrative of the remote continent. Through its images, history, and firsthand experiences—snowmobile trips through whiteouts and his icy solo hikes past the edge of the mapped world—Fox brings to life a place that few have seen and offers us a look into both the nature of landscape and ourselves.

A whopping tale about a California ranching family (1923 to 1940) who are already rich but become crazy rich when one of the sons discovers oil—giving them a money printing machine they can use any way they like—which they proceed to do and then some. The oil business and endless stockholders meetings, horse racing, show business, movie stars, art, politics, oh yes, sex―that about covers it. Sometimes hitting it just right, but mostly going on too long and meandering too far, Busch opted for more when he should have aimed for less.