James Hollis examines society's fixed views and fantasies in regards to relationships. This text is not a practical guide on how to fix a relationship, but rather a challenge to greater personal responsibility, a call for individual growth as opposed to seeking rescue through others.

The world had fallen. The mostly vacant cities were silent now. For those who had not been turned or consumed, remote locations proved the best chance to live a while longer before the inevitable end landed its teeth marks on their flesh or its disease in their blood. To eat or be eaten was the last imperative of the once noble species. All the accoutrements of being the most civilized of creatures had faded away and the human beast had been returned to the savagery of the primordial forest. This was the truth everywhere in the world, except one place—a small island, forgotten before and after the fall, a place where the sun yet shined down onto hopeful souls, 117 souls, the children of the Eden Project, who lived all their days until now in a great, glass dome. They were the children of light, pure blooded, uninfected, but they all knew (down to the smallest among them) that these hours of eternal incandescence were numbered. They all knew, every moment they breathed, that their destinies awaited them outside the glass, where darkness forever reigned. NIGHT WITHOUT END (Book Two of The Eden Project) now available

The interest in botanical art is still growing and the authors of the bestselling 'Botanical Illustration Course with the Eden Project' bring fresh ideas to the genre. "Contemporary Botanical Illustration" covers some of the unusual colours that can be included in botanical art, from black flowers and plants – including seaweed – to green, blue and puce pink. The tricky subject of texture in both pencil and paint is covered in detail. And to ensure you are at the cutting edge of botanical art, the book covers the latest ideas for presentation of botanical art, including new ideas, some from the Far East, for arranging flowers before painting. Fantastically illustrated with drawings, stunning finished paintings and many step-by-step demonstrations, the book covers : An overview of contemporary botanical illustration • Your workplace and materials • Pencil drawing • Sketchbook practice • Composition • Basic colour theory • Colour and subjective colour exercises • Primary colours and their uses • Painting techniques • Paint it black • Challenging texture, pattern and colours • Food plants.

Botanical Illustration Course - published with the Eden Project - is your personal guide to the study of botanical drawing and watercolour painting. Devised by an award-winning botanical artist who teaches at the Eden Project, this course takes you from basic drawing techniques to advanced skills required for the analysis of complex forms in watercolour. Following the syllabus of the botanical illustration course at the acclaimed Eden Project in Cornwall, this book offers you the opportunity to perfect the many techniques used to produce beautiful and informative plant portraits. Full of practical information, and with easy-to-follow exercises, the book includes: Pencil Drawing; Shapes in Nature; Plant dissection and bisection; Perspective; Use of tonal contrast; Line drawing and pencil shading; Colour and pigment mixing; Application of watercolour; Highlights and shiny surfaces; Composition and arrangement.

Focusing on plants, this book covers plants in each of the three biomes - Humid Tropics, Warm Temperate and Temperate. It also tells the stories of some of the stars in this living theatre of plants and people: where the plants come from; how they grow and are harvested; what people use them for, and how and when some of them arrived in Britain.

In a new approach to environmental photography, Dana Fritz explores the world’s largest enclosed landscapes: Arizona’s Biosphere 2, Cornwall’s Eden Project, and Nebraska’s Lied Jungle and Desert Dome at the Henry Doorly Zoo. In these vivaria, plants are grown amid carefully constructed representations of the natural world to entertain and educate tourists while also supporting scientific research. Together, these architectural and engineering marvels stand as working symbols of our complex relationship with the environment. Giant terraria require human control of temperature, humidity, irrigation, insects, weeds, and other conditions to create otherwise impossible ecosystems. While technical demands inform the design of these spaces, the juxtapositions of natural and artificial elements generate striking visual paradoxes that can go unnoticed. Here Fritz turns away from visitors’ prepared sight lines, revealing alternate views that dispel the illusion of natural conditions. Inviting questions about what it means to create and contain landscapes, Terraria Gigantica inspires contemplation of our ecological future.

An exciting approach to botanical illustration featuring exotic and extraordinary plant specimens. Striking plants, flowers, fruits and vegetables provide new challenges in colour, texture and form. Stunning finished paintings accompany simple instructions and step-by-step projects for a beautiful book that both guides and inspires. Strange and unusual specimens have never been more accessible – as more and more exotic fruit and vegetables appear regularly in our shopping baskets and our florists fill with flowers from every corner of the globe, this practical and beautiful guide to capturing strange and striking plants on paper has never been more timely. There is something for beginners and more experienced botanical illustrators alike, whether you wish to paint more familiar bananas, pineapples and other exotic fruits that are now widely available, or more complex orchids and even carnivorous plants. Acclaimed artists Rosie Martin and Meriel Thurstan (authors of the bestselling Contemporary Botanical Illustration and Botanical Illustration Course) run the popular botanical painting course at the Eden Project and are thus uniquely placed for this exciting take on the genre. The unusual colours and complex textures of exotic plants present a new challenge to the botanical artist, but this book guides you through each stage of the painting process with plenty of exercises and step-by-step projects. Fantastically illustrated with worksheets, colour swatches, sketches and stunning finished paintings this practical and inspirational guide is a must-have for botanical artists of all levels.