Parker Peevyhouse's The Echo Room is a smart, claustrophobic, speculative young adult thriller with an immersive psychological mystery. The only thing worse than being locked in is facing what you locked out. Rett Ward knows how to hide. He's had six years of practice at Walling Home, the state-run boarding school where he learned how to keep his head down to survive. But when Rett wakes up locked in a small depot with no memory of how he got there, he can't hide. Not from the stranger in the next room. Or from the fact that there's someone else’s blood on his jumpsuit. Worse, every time he tries to escape, he wakes up right back where he started. Same day, same stranger, same bloodstained jumpsuit. As memories start to surface, Rett realizes that the logo on the walls is familiar, the stranger isn't a stranger, and the blood on his jumpsuit belongs to someone—or something—banging on the door to get in. “The Maze Runner meets Memento in this clever, engrossing sci-fi mystery!” —New York Times bestselling author Jeanne Ryan “The Echo Room is just brilliant.... Full of twists and blinding turns. Peevyhouse is a master storyteller.” —New York Times bestselling author Brittany Cavallaro At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

From Michael Bazzett, poet and translator of The Popol Vuh, a collection that explores the myth of Echo and Narcissus, offering a reboot, a remix, a reimagining. “Narcissus was never one to see himself // in moving water. // He liked his image / still.” In The Echo Chamber, myth is refracted into our current moment. A time traveler teaches a needleworker the pleasures of social media gratification. A man goes looking for his face and is first offered a latex mask. A book reveals eerie transmutations of a simple story. And the myth itself is retold, probing its most provocative qualities—how reflective waters enable self-absorption, the tragic rightness of Echo and Narcissus as a couple. The Echo Chamber examines our endlessly self-referential age of selfies and televised wars and manufactured celebrity, gazing lingeringly into the many kinds of damage it produces, and the truths obscured beneath its polished surface. In the process, Bazzett cements his status as one of our great poetic fools—the comedian who delivers uncomfortable silence, who sheds layers of disguises to reveal light underneath, who smuggles wisdom within “rage-mothered laughter.” Late-stage capitalism, history, death itself: all are subject to his wry, tender gaze. By turns searing, compassionate, and darkly humorous, The Echo Chamber creates an echo through time, holding up the broken mirror of myth to our present-day selves.

A room’s acoustic character seems at once the most technical and the most mystical of concerns. Since the early Enlightenment, European architects have systematically endeavored to represent and control the propagation of sound in large interior spaces. Their work has been informed by the science of sound but has also been entangled with debates on style, visualization techniques, performance practices, and the expansion of the listening public. Echo’s Chambers explores how architectural experimentation from the seventeenth through the mid-twentieth centuries laid the groundwork for concepts of acoustic space that are widely embraced in contemporary culture. It focuses on the role of echo and reverberation in the architecture of Pierre Patte, Claude-Nicolas Ledoux, Carl Ferdinand Langhans, and Le Corbusier, as well as the influential acoustic ideas of Athanasius Kircher, Richard Wagner, and Marshall McLuhan. Drawing on interdisciplinary theories of media and auditory culture, Joseph L. Clarke reveals how architecture has impacted the ways we continue to listen to, talk about, and creatively manipulate sound in the physical environment.

Kathleen Hall Jamieson and Joseph Cappella-two of the nation's foremost experts on politics and media-offers a searching analysis of the conservative media establishment, from talk radio to Fox News to the editorial page of The Wall Street Journal. Echo Chamber is the first serious account of how the conservative media arose, what it consists of, and how it operates. Jamieson and Cappella find that Limbaugh, Fox News, and The Wall Street Journal opinion pages create a self-protective enclave for conservatives, shielding them from other information sources and promoting highly negative views toward conservatism's political opponents. A thoughtful and incisive study, Echo Chamber offers the most authoritative and insightful account of this revolutionary phenomenon and its indelible effect on the American political landscape.

'His relish is infectious' Times 'The funniest book I've read in ages. Savage but compelling' Ian Rankin 'Funny, rumbustious, unstinting and wonderfully Hogarthian' The Observer 'Sharp, funny, and beautifully written... a brilliant reflection on the landscape we now live in' Joanna Cannon _______________ What a thing of wonder a mobile phone is. Six ounces of metal, glass and plastic, fashioned into a sleek, shiny, precious object. At once, a gateway to other worlds - and a treacherous weapon in the hands of the unwary, the unwitting, the inept. The Cleverley family live a gilded life, little realising how precarious their privilege is, just one tweet away from disaster. George, the patriarch, is a stalwart of television interviewing, a 'national treasure' (his words), his wife Beverley, a celebrated novelist (although not as celebrated as she would like), and their children, Nelson, Elizabeth, Achilles, various degrees of catastrophe waiting to happen. Together they will go on a journey of discovery through the Hogarthian jungle of the modern living where past presumptions count for nothing and carefully curated reputations can be destroyed in an instant. Along the way they will learn how volatile, how outraged, how unforgiving the world can be when you step from the proscribed path. Powered by John Boyne's characteristic humour and razor-sharp observation, The Echo Chamber is a satiric helter skelter, a dizzying downward spiral of action and consequence, poised somewhere between farce, absurdity and oblivion. To err is maybe to be human but to really foul things up you only need a phone. The new novel by John Boyne, WATER, is available for pre-order now.

"Epic and engrossing. Magic pulsates through every page.” —Kirkus, starred review "...a compelling, satisfying romantic adventure with metafictional undertones.” —Publishers Weekly, starred review “A marvelous, enchanting tale about the power of love and stories.” —Rosamund Hodge, New York Times bestselling author of Cruel Beauty "...beautifully written retelling..." - School Library Journal Echo Alkaev’s safe and carefully structured world falls apart when her father leaves for the city and mysteriously disappears. Believing he is lost forever, Echo is shocked to find him half-frozen in the winter forest six months later, guarded by a strange talking wolf—the same creature who attacked her as a child. The wolf presents Echo with an ultimatum: if she lives with him for one year, he will ensure her father makes it home safely. But there is more to the wolf than Echo realizes. In his enchanted house beneath a mountain, each room must be sewn together to keep the home from unraveling, and something new and dark and strange lies behind every door. When centuries-old secrets unfold, Echo discovers a magical library full of books- turned-mirrors, and a young man named Hal who is trapped inside of them. As the year ticks by, the rooms begin to disappear and Echo must solve the mystery of the wolf’s enchantment before her time is up otherwise Echo, the wolf, and Hal will be lost forever.

Kidnapped as a teenage girl, Ma has been locked inside a purpose built room in her captor's garden for seven years. Her five year old son, Jack, has no concept of the world outside and happily exists inside Room with the help of Ma's games and his vivid imagination where objects like Rug, Lamp and TV are his only friends. But for Ma the time has come to escape and face their biggest challenge to date: the world outside Room.