Union list catalog of the lithographic views of cities and towns made during the 19th century.

Prior to the Civil War, the United States did not have a single, national currency. Counterfeiters flourished amid this anarchy, putting vast quantities of bogus bills into circulation. Their success, Mihm reveals, is more than an entertaining tale of criminal enterprise: it is the story of the rise of a country defined by freewheeling capitalism and little government control. Mihm shows how eventually the older monetary system was dismantled, along with the counterfeit economy it sustained.

A transcription of Lucy Peel’s wonderfully readable journal was recently discovered in her descendent’s house in Norwich, England. Sent in regular installments to her transatlantic relatives, the journal presents an intimate narrative of Lucy’s Canadian sojourn with her husband, Edmund Peel, an officer on leave from the British navy. Her daily entries begin with their departure as a young, newlywed couple from the shores of England in 1833 and end with their decision to return to the comforts of home after three and a half years of hard work as pioneer settlers. Lucy Peel’s evocative diary focuses on the semi-public world of family and community in Lower Canada’s Eastern Townships, and fulfils the same role as Susanna Moodie’s writings had for the Upper Canadian frontier. Though their perspective was from a small, privileged sector of society, these genteel women writers were sharp observers of their social and natural surroundings, and they provide valuable insights into the ideology and behaviour of the social class that dominated the Canadian colonies during the pre-Rebellion era. Women’s voices are rarely heard in the official records that comprise much of the historical archives. Lucy Peel’s intensely romantic journal reveals how crucially important domesticity was to the local British officials. Lucy Peel’s diary, like those of such counterparts as Catherine Parr Traill, also suggests that genteel women were better prepared for their role in the New World than Canadian historians have generally assumed.

Interpretations of Canada's emerging identity have been largely based on a relatively small corpus of literary writing and landscape paintings, overlooking the influence of the British and American travel writers who published hundreds of books and articles that did much to fix the image of Canada in the popular imagination. In Fashioning the Canadian Landscape, J.I. Little examines how Canada, much like the United States, came to be identified with its natural landscape. Little argues that in contrast to the American identification with the wilderness sublime, however, Canada’s image was strongly influenced by the picturesque convention favoured by British travel writers. This amply illustrated volume includes chapters ranging from Labrador to British Columbia, some of which focus on such notable British authors as Rupert Brooke and Rudyard Kipling, and others on talented American writers such as Charles Dudley Warner. Based not only on the views of the landscape but on the racist descriptions of the Indigenous peoples and the romanticization of the Canadian ‘folk’, Little argues that the national image that emerged was colonialist as well as colonial in nature.