When the night of the twelfth aeon fell, And silence, the high tide of night, swallowed the hills, The three earth-born gods, the Master Titans of life, Appeared upon the mountains. Rivers ran about their feet; The mist floated across their breasts, And their heads rose in majesty above the world. Then they spoke, and like distant thunder Their voices rolled over the plains.

Kahlil Gibran (1883-1931) was a Lebanese American of Assyrian descent, an artist, poet and writer. He was born Gibran Khalil Gibran in Lebanon (at the time a Syrian Province of the Ottoman Empire) and spent much of his productive life in the United States. While most of Gibran's early writings were in Syriac and Arabic, most of his work published after 1918 was in English. Gibran also took part in the New York Pen League, also known as the "immigrant poets" (al-mahjar), alongside other important Lebanese American authors such as Ameen Rihani ("the father of Lebanese American literature"), Mikhail Naimy and Elia Abu Madi. Gibran's best-known work is The Prophet, a book composed of 26 poetic essays, first written in English in 1923. The Prophet remains famous to this day, having been translated into more than 20 languages. Other works in English include: Spirits Rebellious, (1908), The Broken Wings (1912), A Tear and a Smile (1914), The Forerunner (1920), Sand and Foam (1926), Jesus the Son of Man (1928), The Earth Gods (1929), The Wanderer (1932) and The Garden of the Prophet (1933).

Noting that Christians in the 20th century have not been able to make up their minds whether God and our corporate lives have anything to do with each other, Dyrness explores the century's theological trends. Citing the impact of contemporary hermeneutics, Dyrness shows how the Bible still functions as a master narrative wherein Christians can find themselves. Dyrness addresses various aspects of contemporary culture, constructing a theology of embodiment that connects culture and worship in concrete ways. For all those concerned with issues of religion and culture, particularly of the raging Culture Wars, 'The Earth is God's' offers an informed Evangelical view that is at once balanced and hopeful.

The crowning work of the best-selling Earth Chronicles series • Reveals the existence of physical evidence of alien presence on Earth in the distant past • Identifies and describes the demigods, such as Gilgamesh, descended from these visitors • Outlines the tests of this physical evidence of alien presence that could unlock the secrets of health, longevity, life, and death In whose genetic image were we made? From his first book The 12th Planet on, Zecharia Sitchin has asserted that the Bible’s Elohim who said “Let us fashion The Adam in our image and after our likeness” were the gods of Sumer and Babylon--the Anunnaki who had come to Earth from their planet Nibiru. The Adam, he wrote, was genetically engineered by adding Anunnaki genes to those of an existing hominid, some 300,000 years ago. Then, according to the Bible, intermarriage took place: “There were giants upon the Earth” who took Adam’s female offspring as wives, giving birth to “heroes of renown.” With meticulous detail, Sitchin shows that these were the demigods of Sumerian and Babylonian lore, such as the famed Mesopotamian king Gilgamesh as well as the hero of the Deluge, the Babylonian Utnapishtim. Are we then, all of us, descendants of demigods? In this crowning oeuvre, Zecharia Sitchin proceeds step-by-step through a mass of ancient writings and artifacts, leading the reader to the stunning Royal Tombs of Ur. He reveals a DNA source that could prove the biblical and Sumerian tales true, providing conclusive physical evidence for past alien presence on Earth and an unprecedented scientific opportunity to track down the “Missing Link” in humankind’s evolution, unlocking the secrets of longevity and even the ultimate mystery of life and death.

God’s Good Earth offers Christians and their communities an engaging resource for prayer, reflection, and worship that reflects and nourishes their efforts to serve God and care for God’s creation. Compilers Anne and Jeffery Rowthorn have prepared 52 beautiful, ready-made prayer services, each around a specific theme, drawing from a rich variety of ecumenical resources: psalms and other responsive readings, Scripture, hymns, prayers, and reflections from the world's most engaging nature writers and interpreters of the social and cultural landscape. Each section can be used in full, or the user may select smaller sections; permission is granted to the purchaser to reproduce for use in public prayer. God's Good Earth forms hearts and minds to know that transformation is not only possible but essential if the Earth is to survive, healthy and whole. Those who enter into the book’s praise and prayer will have their faith in God the Creator strengthened, their gratitude for the wonders of God's creation deepened, and their commitment to act on behalf of God's good earth enhanced. The print edition is printed with high production standards on recycled, FSC-certified paper.

In this, our second volume of Witkin's photographs, the work is as controversial as ever. In often torturous or eroticized still lifes and tableaux, cadavers, physical anomalies, transsexuals and animals are carefully arranged to create a mythology that could originate only in the imagination of this singular artist. In Gods of Earth and Heaven, Witkin advances an aesthetic point of view in a manner that raises his artistic output to a new level of sophistication. As often praised as he is derided by critics, his work has become a basis for serious debate on issues of life and death, love and sexuality. At the very least Witkin's work challenges traditional canons of beauty and the spiritual in art. An updated bibliography and exhibition history are included.

Published in 1904, this forgotten classic is sci-fi and dystopia at its best, written by the creator and master of the genre Following extensive research in the field of "growth," Mr. Bensington and Professor Redwood light upon a new mysterious element, a food that causes greatly accelerated development. Initially christening their discovery "The Food of the Gods," the two scientists are overwhelmed by the possible ramifications of their creation. Needing room for experiments, Mr. Besington chooses a farm that offers him the chance to test on chickens, which duly grow monstrous, six or seven times their usual size. With the farmer, Mr. Skinner, failing to contain the spread of the Food, chaos soon reigns as reports come in of local encounters with monstrous wasps, earwigs, and rats. The chickens escape, leaving carnage in their wake. The Skinners and Redwoods have both been feeding their children the compound illicitly—their eventual offspring will constitute a new age of giants. Public opinion rapidly turns against the scientists and society rebels against the world's new flora and fauna. Daily life has changed shockingly and now politicians are involved, trying to stamp out the Food of the Gods and the giant race. Comic and at times surprisingly touching and tragic, Wells' story is a cautionary tale warning against the rampant advances of science but also of the dangers of greed, political infighting, and shameless vote-seeking.