The present work supplements the original volume of The Arabic Manuscript Tradition (AMT), both its glossary of technical terms and bibliography. It includes new entries of technical terms, additional definitions of, and/or citations for, the entries already found in AMT, and recent publications on various aspects of Arabic manuscript studies arranged by subject. Among additional features there are illustrations of various Arabic letterforms and an alphabetical index of all works cited in both AMT and its supplement.

Acquired by the Bodleian Library in 2002, the Book of Curiosities is now recognized as one of the most important discoveries in the history of cartography in recent decades. This eleventh-century Arabic treatise, composed in Egypt under the Fatimid caliphs, is a detailed account of the heavens and the Earth, illustrated by an unparalleled series of maps and astronomical diagrams. With topics ranging from comets to the island of Sicily, from lunar mansions to the sources of the Nile, it represents the extent of geographical, astronomical and astrological knowledge of the time. This authoritative edition and translation, accompanied by a colour facsimile reproduction, opens a unique window onto the worldview of medieval Islam. An extensive glossary of star-names and seven indices, on birds, animals and other items have been added for easy reference.

About a millennium ago, in Cairo, an unknown author completed a large and richly illustrated book. In the course of thirty-five chapters, this book guided the reader on a journey from the outermost cosmos and planets to Earth and its lands, islands, features, and inhabitants. This treatise, known as The Book of Curiosities, was unknown to modern scholars until a remarkable manuscript copy surfaced in 2000. Lost Maps of the Caliphs provides the first general overview of The Book of Curiosities and the unique insight it offers into medieval Islamic thought. Opening with an account of the remarkable discovery of the manuscript and its purchase by the Bodleian Library, the authors use The Book of Curiosities to re-evaluate the development of astrology, geography, and cartography in the first four centuries of Islam. Their account assesses the transmission of Late Antique geography to the Islamic world, unearths the logic behind abstract maritime diagrams, and considers the palaces and walls that dominate medieval Islamic plans of towns and ports. Early astronomical maps and drawings demonstrate the medieval understanding of the structure of the cosmos and illustrate the pervasive assumption that almost any visible celestial event had an effect upon life on Earth. Lost Maps of the Caliphs also reconsiders the history of global communication networks at the turn of the previous millennium. It shows the Fatimid Empire, and its capital Cairo, as a global maritime power, with tentacles spanning from the eastern Mediterranean to the Indus Valley and the East African coast. As Lost Maps of the Caliphs makes clear, not only is The Book of Curiosities one of the greatest achievements of medieval mapmaking, it is also a remarkable contribution to the story of Islamic civilization that opens an unexpected window to the medieval Islamic view of the world.

Vittorio Cotesta’s The Heavens and the Earth traces the origin of the images of the world typical of the Graeco-Roman, Ancient Chinese and Medieval Islamic civilisations. Each of them had its own peculiar way of understanding the universe, life, death, society, power, humanity and its destiny. The comparative analysis carried out here suggests that they all shared a common human aspiration despite their differences: human being is unique; differences are details which enrich its image. Today, the traditions derived from these civilisations are often in competition and conflict. Reference to a common vision of humanity as a shared universal entity should lead, instead, to a quest for understanding and dialogue.

The people who selected, edited, and published the new print books on and about Islam exerted a huge influence on the resulting literary tradition. These unheralded editors determined, essentially, what came to be understood by the early twentieth century as the classical written "canon" of Islamic thought. Collectively, this relatively small group of editors who brought Islamic literature into print crucially shaped how Muslim intellectuals, the Muslim public, and various Islamist movements understood the Islamic intellectual tradition. In this book Ahmed El Shamsy recounts this sea change, focusing on the Islamic literary culture of Cairo, a hot spot of the infant publishing industry, from the late nineteenth and twentieth centuries. As El Shamsy argues, the aforementioned editors included some of the greatest minds in the Muslim world and shared an ambitious intellectual agenda of revival, reform, and identity formation. .