Exploring Southwest Virginia and, after its formation, Washington County in particular, this volume traces the history of the region from its earliest period, when it embraced 19 present-day counties of Virginia and 17 of West Virginia. It also includes sections of other counties within these states.

Combining an adept use of anecdote and detail with analysis of the written record, Noe shows that many supporters of the Virginia and Tennessee Railroad viewed it as a political tool, believing it would spread slavery and unite the state. He focuses on the railroad's economic fruits - integration of the region into the tobacco kingdom, urbanization, a growth in industry, and the spread of slavery - and shows how these brought about political results.

Incorporating recent events in the Native American community as well as additional information gleaned from publications and public resources, this newly redesigned and updated second edition of First People brings back to the fore this concise and highly readable narrative. Full of stories that represent the full diversity of Virginia's Indians, past and present, this popular book remains the essential introduction to the history of Virginia Indians from the earlier times to the present day.

This new book brings to life the material-culture heritage of southwest Virginia and northeast Tennessee. In Backcountry Makers, Betsy K. White expands on her previous study of the region's rich decorative arts legacy, Great Road Style, to offer a closer look at the individual artisans responsible for the diverse works that constitute that legacy. Beautifully illustrated with some 230 photographs, most of them in color, this volume includes biographical sketches of seventy-five makers—potters, weavers, spinners, quilters, embroiderers, cabinetmakers, metalsmiths, clocksmiths, gunsmiths, and artists—who worked in the region from the earliest eighteenth-century settlement days to the late twentieth century. The entry for each artisan is accompanied by one or more images of a signed or marked work, or, in a number of instances, an unmarked work with certain provenance. These vignettes offer a fascinating glimpse of the people behind the various pieces, describing their background, family life, and where they learned their trade. Using census records and other documentary evidence, White has traced the earliest of these artisans from their origins in such places as Europe and Philadelphia down through the Great Valley of Virginia to their ultimate destinations in southwest Virginia and northeast Tennessee. Along with the photos displaying the products of their craftsmanship, the book also includes a number of evocative images of the artists and their homes and towns, thus giving the reader a fuller sense of the region where these gifted people lived and worked. One of the few studies to addresses handmade objects in this locale—and one of the even fewer works to focus on the artisans themselves— Backcountry Makers will be of great value not only to scholars of material culture and the arts in Appalachia but also to those who collect regional antiques and crafts and want to know more about the individuals who made them.