A major resource, collecting essays, articles, manifestos, and works of art by Russian artists and critics in the early twentieth century, available again at the 100th anniversary of the Russian Revolution

An Ecology of the Russian Avant-Garde Picturebook takes a new approach to interpreting 1920s and 1930s picturebooks by prominent Russian writers, artists, and intellectuals by examining them within the ecological environment that, first, made them possible and, then, led to their demise. It argues that naturalistic models of the complex interactions of dynamic systems offer effective tools for understanding the fraught interrelations of art and censorship in the early Soviet period. Through illustrative case studies, it mounts a close analysis of word and image and their synergistic interplay in avant-garde picturebooks, while also recontextualizing them within the ecology of their original environment where extraordinary countervailing forces played out a drama of which these books survive as telling artifacts. Ultimately, it argues that the Russian avant-garde picturebook offers a uniquely illustrative example of literary ecology that sheds light on issues of creativity and censorship, politics and art, more broadly as well.

This is an examination of the paintings, books, poetry and theoretical work of Russian avant-garde artist, Olga Rozanova. The text assesses Rozanova's life and work, aiming to recreate the spirit of the counterculture milieu that contributed to the transformation of 20th-century art.

Hailed as a brilliant theoretician, Voldemārs Matvejs (best known by his pen name Vladimir Markov) was a Latvian artist who spearheaded the Union of Youth, a dynamic group championing artistic change in Russia, 1910-14. His work had a formative impact on Malevich, Tatlin, and the Constructivists before it was censored during the era of Soviet realism. This volume introduces Markov as an innovative and pioneering art photographer and assembles, for the first time, five of his most important essays. The translations of these hard-to-find texts are fresh, unabridged, and authentically poetic. Critical essays by Jeremy Howard and Irena Buzinska situate his work in the larger phenomenon of Russian ’primitivism’, i.e. the search for the primal. This book challenges hardening narratives of primitivism by reexamining the enthusiasm for world art in the early modern period from the perspective of Russia rather than Western Europe. Markov composed what may be the first book on African art and Z.S. Strother analyzes both the text and its photographs for their unique interpretation of West African sculpture as a Kantian ’play of masses and weights’. The book will appeal to students of modernism, orientalism, ’primitivism’, historiography, African art, and the history of the photography of sculpture.

Choice Outstanding Academic Title "State-of-the-art yet accessible analyses that significantly expand understanding of the role of anarchism in Latin America. . . . Will long be a standard text that provides [an] important reference for scholars and students of labor and social movement history."--Choice "A vivid picture of the transnational nature of the anarcho-syndicalist/anarchist movement."--Anarcho-Syndicalist Review "A pioneering collection of essays on the world of anarchists, anarcho-syndicalists and libertarian thinkers in Latin America."--Barry Carr, coeditor of The New Latin American Left: Cracks in the Empire "An important contribution to a recent trend which sees anarchism not as derived from a European center but as a genuine Latin American phenomenon."--Bert Altena, coeditor of Reassessing the Transnational Turn: Scales of Analysis in Anarchist and Syndicalist Studies "Thoughtful, well-researched, and well-written. As a collection, this goes a long way to furthering our understanding not just of anarchism in Latin America, but of anarchism more generally."--Mark Leier, author of Bakunin: The Creative Passion. In this groundbreaking collection of essays, anarchism in Latin America becomes much more than a prelude to populist and socialist movements. The contributors illustrate a much more vast, differentiated, and active anarchist presence in the region that evolved on simultaneous--transnational, national, regional, and local--fronts. Representing a new wave of transnational scholarship, these essays examine urban and rural movements, indigenous resistance, race, gender, sexuality, and social and educational experimentation. They offer a variety of perspectives on anarchism’s role in shaping ideas about nationalism, identity, organized labor, and counterculture across a wide swath of Latin America.

A Companion to Russian Cinema provides an exhaustive and carefully organised guide to the cinema of pre-Revolutionary Russia, of the Soviet era, as well as post-Soviet Russian cinema, edited by one of the most established and knowledgeable scholars in Russian cinema studies. The most up-to-date and thorough coverage of Russian, Soviet and post-Soviet cinema, which also effectively fills gaps in the existing scholarship in the field This is the first volume on Russian cinema to explore specifically the history of movie theatres, studios, and educational institutions The editor is one of the most established and knowledgeable scholars in Russian cinema studies, and contributions come from leading experts in the field of Russian Studies, Film Studies and Visual Culture Chapters consider the arts of scriptwriting, sound, production design, costumes and cinematography Provides five portraits of key figures in Soviet and Russia film history, whose works have been somewhat neglected