The apostle Peter gradually became one of the most famous figures of the ancient world. His almost undisputed reputation made the disciple an exquisite anchor by which new practices within and outside the Church could be established, including innovations in fields as diverse as architecture, art, cult, epigraphy, liturgy, poetry and politics. This interdisciplinary volume inquires the way in which the figure of Peter functioned as an anchor for various people from different periods and geographical areas. The concept of Anchoring Innovation is used to investigate the history of the reception of the apostle Peter from the first century up to Charlemagne, revealing as much about Peter as about the context in which this reception took place.

From a bold new historian comes a vibrant history of Rome as seen through its most influential persona throughout the centuries: the pope. Rome is a city of echoes, where the voice of the people has chimed and clashed with the words of princes, emperors, and insurgents across the centuries. In this authoritative new history, Jessica Wärnberg tells the story of Rome’s longest standing figurehead and interlocutor—the pope—revealing how his presence over the centuries has transformed the fate of the city of Rome. Emerging as the anonymous leader of a marginal cult in the humblest quarters of the city, the pope began as the pastor of a maligned and largely foreign flock. Less than 300 years later, he sat enthroned in a lofty, heavily gilt basilica, a religious leader endorsed (and financed) by the emperor himself. Eventually, the Roman pontiff would supplant even the emperors as de facto ruler of Rome and pre-eminent leader of the Christian world. By the nineteenth century, it would take an army to wrest the city from the pontiff’s grip. As the first-ever account of how the popes’ presence has shaped the history of Rome, City of Echoes not only illuminates the lives of the remarkable (and unremarkable) men who have sat on the throne of Saint Peter, but also reveals the bold and curious actions of the men, women, and children who have shaped the city with them, from antiquity to today. In doing so, the book tells the history of Rome as it has never been told before. During the course of this fascinating story, City of Echoes also answers a compelling question: how did a man—and institution—whose authority rested on the blood and bones of martyrs defeat emperors, revolutionaries, and fascists to give Rome its most enduring identity?

What can contemporary media fandoms, like Anne Rice, Star Wars, Batman, or Sherlock Holmes, tell us about ancient Christianity? Tom de Bruin demonstrates how fandom and fan fiction are both analogous and incongruous with Christian derivative works. The often-disparaging terms applied to Christian apocrypha and pseudepigrapha, such as fakes, forgeries or corruptions, are not sufficient to capture the production, consumption, and value of these writings. De Bruin reimagines a range of early Christian works as fan practices. Exploring these ancient texts in new ways, he takes the reader on a journey from the 'fix-it fic' endings of the Gospel of Mark to the subversive fan fictions of the Testaments of the Twelve Patriarchs, and from the densely populated storyworld of early Christian art to the gatekeeping of Christian orthodoxy. Using theory developed in fan studies, De Bruin revisits fundamental questions about ancient derivative texts: Why where they written? How do they interact with more established texts? In what ways does the consumption of derivative works influence the reception of existing traditions? And how does the community react to these works? This book sheds exciting and new light on ancient Christian literary production, consumption and transmission.

The structural approach facilitates exposure of the elements of eschatological teaching characteristic of 2 Peter's author with its correct or incorrect interpretation. Narratives drawn from Jewish tradition aim to show two attitudes towards the announcement of destruction: a positive attitude, signifying salvation, and a negative attitude, signifying annihilation. This pattern is transferred to the attitude towards prophetic and apostolic eschatological teaching. Part 1 of the commentary (2 Pet 1–2) focuses on the misinterpretation of this teaching by false teachers and their followers. Their eschatological scepticism is ridiculed and their grim fate described. As the starting point for this description and Peter's whole line of argumentation 2 Pet 2:3b is taken – the thesis is that God's inaction is only apparent, while judgment and punishment are inevitable, although only God knows when they will be executed. Part 2 of the commentary (2 Pet 3) focuses on the proper interpretation of this teaching and on laying out the principles of the letter author's hermeneutics. This hermeneutic construes texts from Jewish tradition as foreshadowing and typologies of eschatological events. In explaining the principles of his hermeneutic, the letter's author drew on the creation story, which Jewish apocalypticism read inversely, to mark that the eschatological hermeneutics is rooted in tradition. The starting point of Peter's line of argumentation was taken to be 2 Pet 3:5.7 with its thesis of God's creative and destructive word and God's sovereign will regarding the preservation of creation and the appointment of the time of judgement. This thesis explains the apparent lack of divine action, which was also a major concern in Part 1 of the commentary (2 Pet 1–2).

This volume explores the creation of the collection now known as the New Testament. While it is generally accepted that it did not emerge as a collection prior to the late second century CE, a more controversial question is how it came to be. How did the writings that make up the New Testament—The Gospels, the so-called Praxapostolos (Acts and the canonical letters), the Epistles of Paul, and Revelation—make their way into the collection, and what do we know about their possible historical origins, and in turn the emergence of the New Testament itself? The New Testament as we know it first became recognisable in more detail in Irenaeus of Lyon towards the end of the second century CE. However, questions remain as to how and by whom was it redacted. Was it a slow, organic process in which texts written by different authors, members of different communities and in various places, grew together into one book? Or were certain writings compiled on the basis of an editorial decision by an individual or a group of editors, revised for this purpose and partly harmonised with each other? This volume sketches out the complex development of the New Testament, arguing that key second century scholars played an important role in the emergence of the canonical collection and putting forward the possible historical origins of the text’s composition. Christ’s Torah: The Making of the New Testament in the Second Century is of interest to students and scholars working on the New Testament and anyone with an interest in early Christianity more broadly.

Surveying theological literature produced in the Christian East from the first through the 20th century, Eastern Christianity in its Texts explores different theological themes (analytical and mystical), genres (epistles, treatises, and poetry), and milieux (Greek, Armenian, Western and Eastern Syriac, Russian and Romanian). The book illustrates the evolution of the Orthodox thought, how it influenced and was influenced by intellectual, social, and political environments. It demonstrates a theology in context, and yet displays consistency in the traditions spread through different epochs and countries. The book is divided in five parts, each standing for an epoch with distinct features: formation of the Christian identity in the era before Constantine, golden age of theology in the period of Late Antiquity, the pinnacle of erudism and mysticism in the eastern Middle Ages, wrestling with the Modernity imported from the West in the 18th-19th centuries, and finally theological polyphony in the 20th century.

Humour in the Beginning presents a multidisciplinary collection of fourteen in-depth case-studies on the role of humour – both benign and blasphemous, elitist and ordinary, orthodox and heterodox – in early, formative stages of Christianity, Islam, Buddhism, Hinduism and (late-antique) Judaism. Its coherence is strengthened by four preceding theoretical essays, many cross-references and a conclusion. Thus, the volume allows for a methodologically sound comparison and explanation of historical views on humour in the world’s most important religions. At first sight, the foundational period of religions do not seem to offer much opportunities for humour. A closer look on primary sources, however, reveals the ways in which people formulated answers to existing ideas on humour and laughter, in moments of religious renewal. Main topics include the incongruous nature of the divine, the role of anthropomorphism, superior and didactic humour, moderate laughter, responses from dissenters and the gap between religious regulations and reality.