High and wild places have dominated Stephen Venables' life and now he has written a full autobiography which explores how and - more importantly - why he became a mountaineer, and reveals a series of never-recorded adventures on four continents. At its climax he revisits his dramatic success without oxygen on the Kangshung Face of Everest, described by Reinhold Messner as the most adventurous in Everest's history and by Lord Hunt as 'one of the most remarkable ordeals from which men or women have returned alive'. As Venables writes: 'Although we didn't go seeking deliberately an epic near-death experience, it did turn out that way - the ultimate endurance test for which all the previous adventures seemed, retrospectively, to be a preparation.'

In this thrilling collection of short stories, New York Times bestselling author Margaret Coel invites you to follow Father John O’Malley and Vicky Holden further into the hidden mysteries and crimes of the Wind River Reservation… When artifacts are stolen from the Arapaho Museum, Father John and Vicky are drawn down a path of two-bit hoodlums, drug dealers, and murder…An allergic reaction lands a young man in the ICU, but his life hinges on solving the mystery of a thirty-year-old murder…Vicky finds herself in a game of cat and mouse with Lonny Hereford, the murderer they call Bad Heart, whom she helped put away three years ago… Experience these and other tales of sin, secrets, and retribution by award-winning author Margaret Coel. Also included are two essays by the author revealing her insights on writing about the West.

Leaving The Nest, for Soar the beautiful creature who graced the Pigeon's lives, it was a difficult time. She loved her family and did her best to fit in, yet she always knew deep inside that she was so much more than her upbringing taught.

“The more the Eagle Academy approach and its successes can be shared, the more opportunities young people will have to find their way to their own triumphs.” —Wes Moore, New York Times bestselling author of The Other Wes Moore From New York City public schools chancellor David Banks—a respected educator who has advised Hillary Clinton and Cory Booker on scholastic issues—comes a “rare book that can bring tears to your eyes while showing the way to deep and meaningful social change” (New York Times bestselling author William Pollack). In this country, the failure of black and Latino men in schools has become the norm. Some go as far to say that young men of color are helpless cases and they are treated as such in school. Though this unfair experience hits brown and black boys the hardest, the underlying causes are shared by boys of many backgrounds. There needs to be a change, and David Banks had some ideas to help at-risk boys. In 2004, he petitioned New York City’s mayor to allow an all-boys public school to open in one of the most troubled districts in the country, the South Bronx. He had a point to prove: when rituals that boys are innately drawn to are combined with college prep-level instruction and community mentorship, even the most challenging students can succeed. The result? The Eagle Academy for Young Men—the first all-boys public high school in New York City in more than thirty years—has flourished and has been successfully replicated in five locations in the city and in Newark, New Jersey. In Soar, Banks shares the experiences of individual kids from the Eagle Academy as well as his own personal story. He reveals the specific approach he and his team use to drive students, from tapping into their natural competitiveness and peer-sensitivity, to providing rituals that mimic their instinctual need for hierarchy and fraternal camaraderie, to finding teachers who know firsthand the obstacles these students face. Results-oriented and clear-eyed about the challenges and promises of educating boys at risk, Soar is “a must-read for those concerned with the welfare of young men” (Kirkus Reviews).

But those who hope in the Lord will renew their strength. They will soar on wings like eagles; they will run and not be weary, they will walk and not be faint.(Isaiah 40:31 KJV)The eagle is a majestic bird that represents inspiration and courage. According to my research, it is the only bird that will not try to avoid a storm. Though eagles don't seek out a storm, when one occurs, they hang on until they can soar above it.It occurs to me that some people are like eagles. It isn't that they have no storms or difficulties in their lives; all of us do. What makes them “eagle people” is their tenacious hold on hope. When a storm comes, instead of worrying, they draw upon the inner resources that come from faith to rise above the storm and soar.In this book, we will explore the resources available to us as Christians when storms suddenly appear upon our horizons. Among these resources are the Bible, the revealed Word of God; prayer; worship; and the example and encouragement of Christian friends, family members, co-workers, and neighbors. When we use these God-given resources, we too can “soar like an eagle”!—adapted from the introductionEach chapter includes a key Scripture verse, personal stories and anecdotes, practical and spiritual insights for inspiration and encouragement in weathering the storms of life, and questions for reflection or discussion. Some chapters also include “An Eagle Challenge”—a specific suggestion for implementing a particular principle in your life.

The Nobel Prize–winning author created the words for this unique play about religion in the twentieth century. The choruses in this pageant play represent a new verse experiment on Mr. Eliot’s part; and taken together make a sequence of verses about twice the length of “The Waste Land.” Mr. Eliot has written the words; the scenario and design of the play were provided by a collaborator, and the purpose was to provide a pageant of the Church of England for presentation on a particular occasion. The action turns upon the efforts and difficulties of a group of London masons in building a church. Incidentally, a number of historical scenes, illustrative of church-building, are introduced. The play, enthusiastically greeted, was first presented in England, at Sadler’s Wells; the production included much pageantry, mimetic action, and ballet, with music by Dr. Martin Shaw. Immediately after the production of this play in England, Francis Birrell wrote in The New Statesman: “The magnificent verse, the crashing Hebraic choruses which Mr. Eliot has written had best be studied in the book. The Rock is certainly one of the most interesting artistic experiments to be given in recent times.” The Times Literary Supplement also spoke with high praise: “The choruses exceed in length any of his previous poetry; and on the stage they prove the most vital part of the performance. They combine the sweep of psalmody with the exact employment of colloquial words. They are lightly written, as though whispered to the paper, yet are forcible to enunciate . . . . There is exhibited here a command of novel and musical dramatic speech which, considered alone, is an exceptional achievement.”