A leading scholar of Iran relates the reasons that helped to destroy the American-Iranian relationship and outlines measures to improve future foreign policy-making

Three Canadians – Lewis MacKenzie, Romeo Dallaire and Louise Arbour – were at the centre of the two greatest tragedies of the 1990s. Two of them could have stopped the killing. One was asked to bring the perpetrators to justice. In this riveting, original and explosive book, Carol Off explores the failure of peacekeeping missions in Sarajevo and Rwanda, and the international community’s attempt to redeem itself by prosecuting the people responsible for the genocides. Events turned on the action of two Canadian generals: the fox of the title, Lewis MacKenzie, who commanded the UN forces in Bosnia for the first crucial months of the conflict; and the lion, Romeo Dallaire, who developed an interventionary plan that he believed would have prevented the Rwandan genocide but was forced by the UN to stand by while 800,000 people were slaughtered. The eagle is Louise Arbour, a Canadian judge who became Chief Prosecutor for War Crimes in Rwanda and the former Yugoslavia.

The German and Spanish-speaking worlds have, over the centuries, developed an intrinsic relationship, one which predates the Habsburg dynasty and the Renaissance and baroque periods. The cross-fertilization and challenges have been both fruitful and complex with novel inventions surfacing in one culture often achieving their greatest prosperity in the other: Martin Luther's Protestant Reformation stimulated a response in Spain that was to define the European Counter Reformation; Spanish Baroque writers were seminal in the development of German Romanticism; Carl Christian Friedrich Krause and other nineteenth-century liberals provided the foundation for Spanish reformist efforts on the one hand, while German conservatives like Novalis and Adam Müller inspired conservatvies on the other; the music of Richard Wagner transformed Spanish music and the Spanish stage at the turn of the twentieth century; Pablo Picasso and other artists of the Spanish avant-garde sparkled the enthusiasm of the Germans before the Nazi era. Today, German and Spanish intellectuals and writers share a similar commitment to the creation of a European culture in the face of resistance from other members of the European Union. Viewed from a variety of disciplines this volume explores the relentlessly consistent, albeit often forgotten connections between the two linguistic and cultural groups revealing the myriad of ways in which they have shared and transformed literature, art, culture, politics, and history.

A study in international history and comparative analysis of the relations between China, Britain and America, in the period from 1949 to 1958. The author draws upon previously-classified documents and private papers to give a view of the Cold War from Chinese and Western standpoints.

The epic story of the imperial rivalry between two of the greatest empires of the ancient world – Parthian and Persian – and how they rose and eventually fell. The Roman empire shaped the culture of the western world against which all other great powers are compared. Stretching from the north of Britain to the Sahara, and from the Atlantic coast to the Euphrates, it imposed peace and prosperity on an unprecedented scale. However, the exception lay in the east, where the Parthian and then Persian empires ruled over great cities and the trade routes to mysterious lands beyond. This was the place Alexander the Great had swept through, creating a dream of glory and conquest which tantalised Greeks and Romans alike. Caesar, Mark Antony and a long succession of emperors longed to follow in Alexander's footsteps. All failed. Only here did the Roman empire slow down and eventually stop, unable to go any further. Following seven centuries of conflict that, ultimately, neither Rome nor Persia would win, The Eagle and the Lion delves into the clash, context and journeys of these entities of great power and the people caught in their wider struggle.

In this second volume of Tino Balio’s history of United Artists, he examines the turnaround of the company in the hands of Arthur Krim and Robert Benjamin in the 1950s, when United Artists devised a successful strategy based on the financing and distribution of independent production that transformed the company into an industry leader. Drawing on corporate records and interviews, Balio follows United Artists through its merger with Transamerica in the 1960s and its sale to MGM after the financial debacle of the film Heaven’s Gate. With its attention to the role of film as both an art form and an economic institution, United Artists: The Company That Changed the Film Industry is an indispensable study of one company’s fortunes from the 1950s to the 1980s and a clear-eyed analysis of the film industry as a whole. This edition includes an expanded introduction that examines the history of United Artists from 1978 to 2008, as well as an account of Arthur Krim’s attempt to mirror UA’s success at Orion Pictures from 1978 to 1991.

Ridgeway (Reggie) Callow began his film career in the early 1930s and for four decades worked as an assistant director on some of the most memorable films in Hollywood history. In the early 1970s, over a period of several months, film historian Rudy Behlmer conducted interviews with Callow, and the result is this edited version of many hours of relatively informal conversations recorded between the two men. In these extracts, Callow recounts what it was like to work on such celebrated films as Gone with the Wind, Rebecca, Mutiny on the Bounty, and The Sound of Music, recalling the work of filmmakers Alfred Hitchcock, Howard Hughes, David O. Selznick, Michael Curtiz, John Huston, Carol Reed, Lewis Milestone, and Robert Wise. Callow also provides first-hand knowledge and inside information about stars of the period, including Clark Gable, Humphrey Bogart, Spencer Tracy, Grace Kelly, James Cagney, Elizabeth Taylor, Bette Davis, Marlon Brando, Julie Andrews, and others. Callow does not romanticize the glamour of Hollywood or echo carefully nurtured myths of legendary pioneer creative figures but rather recounts the workaday world of film business with revelations about major productions and personalities.