Brian Morton's Starting Out in the Evening made its mark on the literary world, with a PEN/Faulkner Award nomination, a citation as one of the Best Books of the Year by Publishers Weekly, and other honors. This is what a novel is suppossed to be, raved Newsday -- and now, for the first time, Morton's debut novel is available in paperback. Telling the story of Sally Burke, a young woman raised by radicals who has inherited her parents' dissatisfaction with the world but not their passionate desire to change it, The Dylanist is a compelling portrait of a generation as lost, though not nearly as self-importantly tragic, as any that F. Scott Fitzgerald described. (L.A. Weekly)

Telling the story of Sally Burke, a young woman raised by radicals, who has inherited her parents' dissatisfaction with the world but not their passionate desire to change it, The Dylanist is a compelling portrait of a generation as lost, though not nearly as self-importantly tragic, as any that F. Scott Fitzgerald described (L.A. Weekly).

Collects works with a rock music theme from various authors, including Sherman Alexie, T.C. Boyle, Roddy Doyle, Pagan Kennedy, and Tom Perrotta.

A Washington Post Best Nonfiction Book of the Year In the spirit of Fierce Attachments and The End of Your Life Book Club, acclaimed novelist Brian Morton delivers a “superb” (Maureen Corrigan, Fresh Air), darkly funny memoir of his mother’s vibrant life and the many ways in which their tight, tumultuous relationship was refashioned in her twilight years. Tasha Morton is a force of nature: a brilliant educator who’s left her mark on generations of students—and also a whirlwind of a mother, intrusive, chaotic, oppressively devoted, and irrepressible. For decades, her son Brian has kept her at a self-protective distance, but when her health begins to fail, he knows it’s time to assume responsibility for her care. Even so, he’s not prepared for what awaits him, as her refusal to accept her own fragility leads to a series of epic outbursts and altercations that are sometimes frightening, sometimes wildly comic, and sometimes both. Clear-eyed, “deeply stirring” (Dani Shapiro, The New York Times Book Review), and brimming with dark humor, Tasha is both a vivid account of an unforgettable woman and a stark look at the impossible task of caring for an elderly parent in a country whose unofficial motto is “you’re on your own.”

A New York Times Notable Book: A friendship evolves between an aging author and a young grad student in a novel by the acclaimed author of Florence Gordon. A PEN/Faulkner Award Nominee and one of Publishers Weekly’s Best Books of the Year Leonard Schiller is a novelist in his seventies, a second-string but respectable talent who produced only a small handful of books. Heather Wolfe is an attractive graduate student in her twenties. She read Schiller’s novels when she was growing up and they changed her life. When the ambitious Heather decides to write her master’s thesis about Schiller’s work and sets out to meet him—convinced she can bring Schiller back into the literary world’s spotlight—the unexpected consequences of their meeting alter everything in Schiller’s ordered life. What follows is a quasi-romantic friendship and intellectual engagement that investigates the meaning of art, fame, and personal connection. “Nothing less than a triumph,” Starting Out in the Evening is Brian Morton’s most widely acclaimed novel to date (The New York Times Book Review).

Previously published as Invisible Republic and already considered a classic of modern American cultural criticism, this is an updated edition of Greil Marcus's acclaimed book on the secret music made by Bob Dylan and the Band in 1967, which introduced a phrase that has become part of the culture: "the old, weird America." Marcus's widely acclaimed book is about the secret music (the so-called "Basement Tapes") made by Bob Dylan and the Band while in seclusion in Woodstock, New York, in 1967 a folksy yet funky, furious yet hilarious music that remains as seductive and baffling today as it was more than half a century ago. As Mark Sinker observed in The Wire: "Marcus's contention is that there can be found in American folk a community as deep, as electric, as perverse, and as conflicted as all America, and that the songs Dylan recorded out of the public eye, in a basement in Woodstock, are where that community as a whole gets to speak." But the country mapped out in this book, as Bruce Shapiro wrote in The Nation, "is not Woody Guthrie's land for made for you and me . . . It's what Marcus calls 'the old, weird America.'" This odd terrain, this strange yet familiar backdrop to our common cultural history--which Luc Sante (in New York magazine) termed the "playground of God, Satan, tricksters, Puritans, confidence men, illuminati, braggarts, preachers, anonymous poets of all stripes"--is the territory that Marcus has discovered in Dylan's most mysterious music. And his analysis of that territory "reads like a thriller" (Ken Tucker, Entertainment Weekly) and exhibits "a mad, sparkling brilliance" (David Remnick, The New Yorker) throughout. This special edition includes a new introduction, an updated discography, and never-before-seen photographs of the legendary recording sessions. “This book is terminal, goes deeply into the subconscious and plows through that period of time like a rake. Greil Marcus has done it again.” -- Bob Dylan

The Washington Post hails Greil Marcus as our greatest cultural critic. Writing in the London Review of Books, D. D. Guttenplan calls him probably the most astute critic of American popular culture since Edmund Wilson. For nearly thirty years, he has written a remarkable column that has migrated from the Village Voice to Artforum, Salon, City Pages, Interview, and The Believer and currently appears in the Barnes & Noble Review. It has been a laboratory where Marcus has fearlessly explored and wittily dissected an enormous variety of cultural artifacts, from songs to books to movies to advertisements, teasing out from the welter of everyday objects what amounts to a de facto theory of cultural transmission. Published to complement the paperback edition of The History of Rock & Roll in Ten Songs, Real Life Rock reveals the critic in full: direct, erudite, funny, fierce, vivid, astute, uninhibited, and possessing an unerring instinct for art and fraud. The result is an indispensable volume packed with startling arguments and casual brilliance.