I'm Anastasia Noble, and after becoming a familiar, I thought I'd found my home. I was wrong. The famous Familiar Empire is full of secrets but none as deadly as my own past that is slowly creeping up on me.Alexander, Liam and Mason made a vow that means they cannot help me now.No matter what they promised. But can my angel in the shadows guide my way? Welcome to the world of the Familiars...where no one has seen the worst yet to come. 18+ RH Romance

In a strangely heart-warming story, a duck strikes up an unlikely friendship with Death. Death, Duck and the Tulip will intrigue, haunt and enchant readers of all ages. Simple, warm, and witty, this book deals with a difficult subject in a way that is elegant, straightforward, and life-affirming.

I'm Anastasia Noble, and shortly after moving to college, my life changed forever.I became a familiar, bonded to a wolf for life and arrested simply for existing.I woke up in the famous Familiar Empire community where I have to learn to bond with my wolf, or I can never leave.Never again see those whom I love.Bonding is my only option, if you could even call it an option, but add in familiars going missing every week, plus being stuck in a cabin with three mysterious, attractive, male familiars and their maddening animals...this is not going to be easy.17+ RH. This is the full collection and it includes-The Missing WolfThe Dying WolfThe Shadow WolfExclusive Bonus Scenes

They took everything—killed his wife, enslaved his daughter, destroyed his life. Now he’s a man with nothing left to lose ... and that’s what makes him so dangerous. Ten years after the collapse, Huxley had built a good life again. He had a loving wife, a farm with fields of golden barley, and a daughter with a strange and wonderful gift. Then the slavers came. Working out in the fields during the attack, Huxley returns too late. His daughter has been taken and his wife is bleeding out, her last whispered words about a man with a scorpion tattoo on his neck. Where do the slavers go? Huxley has no idea. He only knows that they headed east and so will he, setting out on foot across the desert of the Wastelands. Eighteen months into his journey, he has no hope of ever seeing his daughter alive. Dying of thirst in the open desert, he doesn’t even expect to see another day. Then a man appears out of the desert and offers Huxley water from his canteen, an unheard of kindness in these savage times. Jay is an odd man, full of violence and guided by his hatred of the slavers, but he helps Huxley survive. And he gives Huxley a new purpose: nothing can bring back the dead, but we can chase down the slavers and make them bleed. Together, Huxley and Jay carve a path of destruction across the remains of a once-great land. The slavers are brutal, but they have no idea what’s coming for them. Huxley has found something to live for again: blood and vengeance. In his most powerful work yet, New York Times bestselling author D. J. Molles delivers a carefully woven novel of violence and redemption, bringing to life a devastating portrait of a man pushed to the edge of his own humanity.

ONE OF TIME'S 10 BEST FICTION BOOKS OF 2020. Longlisted for the Joyce Carol Oates Prize. Named a Best Book of 2020 by NPR, Bustle, Good Housekeeping, the New York Public Library, Library Journal, Lit Hub, Electric Literature, and Tor.com "As enchanting as fairy tales, as mysterious as dreams, these exquisitely composed fictions are as urgent and original as any being written today.” —Sigrid Nunez, author of The Friend, winner of the 2018 National Book Award for Fiction An urgent and unsettling collection of women on the verge from Laura van den Berg, author of The Third Hotel I Hold a Wolf by the Ears, Laura van den Berg’s first story collection since her prizewinning book The Isle of Youth, draws readers into a world of wholly original, sideways ghost stories that linger in the mouth and the mind. Both timeless and urgent, these eleven stories confront misogyny, violence, and the impossible economics of America with van den Berg’s trademark spiky humor and surreal eye. Moving from the peculiarities of Florida to liminal spaces of travel in Mexico City, Sicily, and Iceland, I Hold a Wolf by the Ears is uncannily attuned to our current moment, and to the fears we reveal to no one but ourselves. In “Lizards,” a man mutes his wife’s anxieties by giving her a LaCroix-like seltzer laced with sedatives. In the title story, a woman poses as her more successful sister during a botched Italian holiday, a choice that brings about strange and destructive consequences, while in “Karolina,” a woman discovers her prickly ex-sister-in-law in the aftermath of an earthquake and is forced to face the truth about her violent brother. I Hold a Wolf by the Ears presents a collection of women on the verge, trying to grasp what’s left of life: grieving, divorced, and hyperaware, searching, vulnerable, and unhinged, they exist in a world that deviates from our own only when you look too closely. With remarkable control and transcendent talent, van den Berg dissolves, in the words of the narrator of “Slumberland,” “that border between magic and annihilation,” and further establishes herself as a defining fiction writer of our time.

Wuruyaaria: city of werewolves, whose raiders range over the dying northlands, capturing human beings for slaves or meat. Wuruyaaria: where a lone immortal maker wages a secret war against the Strange Gods of the Coranians. Wuruyaaria: a democracy where some are more equal than others, and a faction of outcast werewolves is determined to change the balance of power in a long, bloody election year. Their plans are laid; the challenges known; the risks accepted. But all schemes will shatter in the clash between two threats few had foreseen and none had fully understood: a monster from the north on a mission to poison the world, and a stranger from the south named Morlock Ambrosius.