Die Epoche der Renaissance (spätes 14. bis frühes 17. Jahrhundert) war die intensivste Phase der Antikerezeption in der Geschichte Europas. Die Wiederentdeckung, Aneignung und Weiterentwicklung der Errungenschaften der Antike haben die Kultur der Frühen Neuzeit auf allen Gebieten entscheidend geprägt. Das Lexikon zum Renaissance-Humanismus verfolgt diese Entwicklung vom Wirken Petrarcas bis zur Zeit der Reformation und Konfessionalisierung in 130 ausführlichen Beiträgen zu Sachthemen, Schlüsselfiguren und zentralen Orten der humanistischen Bewegung.

By exploring and connecting original sources in Dutch, Afrikaans and English this work illuminates an ignored and forgotten era of Dutch 19th century history - the Dutch dream of a second Netherlands in southern Africa.

The Dutch Diaspora is a comprehensive and personal study of the former colonial empire of the Netherlands. The Netherlands is considered one of the most successful societies and at one point was the world's largest empire_stretching from Japan to the United States. The author, Howard Wiarda, who grew up in western Michigan and is himself of Dutch descent, combines thorough scholarship with first-hand experience of travels to the far-flung former colonies. The study analyzes how colonies reacted to the ideological beliefs implanted by the Dutch settlers and how those colonies evolved in terms of cultural, religious, and political beliefs. For example, the Dutch in the seventeenth century brought Calvinism to South Africa and entrepreneurialism to New Amsterdam and Cura_ao and in the nineteenth century supported slave plantation systems in Indonesia and Suriname, but as time passed the evolution of the colonies was telling. The United States outgrew Great Britain in wealth and power, but while Calvinism declined in the Netherlands it remained vibrant and progressive in the American Midwest. In many ways, the former colonies adapted to modernization better than the mother country. The Dutch Diaspora is an insightful and accessible study of colonialism useful to upper-level undergraduates and all students and researchers of Dutch history.

This edited collection explores the ways in which our understanding of the past in Dutch history and culture can be rethought to consider not only how it forms part of the present but how it can relate also to the future. Divided into three parts – The Uses of Myth and History, The Past as Illumination of Cultural Context, and Historiography in Focus – this book seeks to demonstrate the importance of the past by investigating the transmission of culture and its transformations. It reflects on the history of historiography and looks critically at the products of the historiographic process, such as Dutch and Afrikaans literary history. The chapters cover a range of disciplines and approaches: some authors offer a broad view of a particular period, such as Jonathan Israel's contribution on myth and history in the ideological politics of the Dutch Golden Age, while others zoom in on specific genres, texts or historical moments, such as Benjamin Schmidt’s study of the doolhof, a word that today means ‘labyrinth’ but once described a 17th-century educational amusement park. This volume, enlightening and home to multiple paths of enquiry leading in different directions, is an excellent example of what a past-present doolhof might look like.

Bridging the fields of conservation, art history, and museum curating, this volume contains the principal papers from an international symposium titled "Historical Painting Techniques, Materials, and Studio Practice" at the University of Leiden in Amsterdam, Netherlands, from June 26 to 29, 1995. The symposium—designed for art historians, conservators, conservation scientists, and museum curators worldwide—was organized by the Department of Art History at the University of Leiden and the Art History Department of the Central Research Laboratory for Objects of Art and Science in Amsterdam. Twenty-five contributors representing museums and conservation institutions throughout the world provide recent research on historical painting techniques, including wall painting and polychrome sculpture. Topics cover the latest art historical research and scientific analyses of original techniques and materials, as well as historical sources, such as medieval treatises and descriptions of painting techniques in historical literature. Chapters include the painting methods of Rembrandt and Vermeer, Dutch 17th-century landscape painting, wall paintings in English churches, Chinese paintings on paper and canvas, and Tibetan thangkas. Color plates and black-and-white photographs illustrate works from the Middle Ages to the 20th century.

Introduction: the world of White labour -- Making copper, making the copperbelt -- The wild west in Central Africa, 1926-39 -- A good war, 1940-47 -- Fruits of their labour, 1948-55 -- Trouble in paradise, 1956-62 -- Surviving independence, 1963-74.