The Dust of Kandahar provides a personal account of one diplomat’s year of service in America’s longest war. Ambassador Addleton movingly describes the everyday human drama of the American soldiers, local tribal dignitaries, government officials, and religious leaders he interacted and worked with in southern Afghanistan. Addleton’s writing is at its most vivid in his firsthand account of the April 2013 suicide bombing outside a Zabul school that killed his translator, a fellow Foreign Service officer, and three American soldiers. The memory of this tragedy lingers over Addleton’s journal entries, his prose offering poignant glimpses into the interior life of a U.S. diplomat stationed in harm’s way.

One of the most critical battles of the Afghan War is now revealed as never before. Lions of Kandahar is an inside account from the unique perspective of an active-duty U.S. Army Special Forces commander. As then-Captain Rusty Bradley he began his third tour of duty in southern Afghanistan in 2006, the Taliban were poised to reclaim Kandahar Province, their strategically vital onetime capital. To stop them, the NATO coalition launched Operation Medusa, the largest offensive in its history. This is the story of a two-week battle that raged in scorching heat over a territory the size of Rhode Island.--From publisher description.

"Building on interviews with military officers, civilian officials, and politicians, Saideman shows how key actors in Canada's political system, including the prime minister, the political parties, and parliament, responded to the demands of a costly and controversial mission. Some adapted well; others adapted poorly or--worse yet--in ways that protected careers but harmed the mission itself."-

Read Evan Wright's posts on the Penguin Blog. The New York Times bestselling author of Generation Kill immerses himself in even more cultures on the edge. Evan Wright's affinity for outsiders has inspired this deeply personal journey through what he calls "the lost tribes of America." A collection of previously published pieces, Hella Nation delivers provocative accounts of sex workers in Porn Valley, a Hollywood über-agent-turned-war documentarian and hero of America's far right, runaway teens earning corporate dollars as skateboard pitchmen, radical anarchists plotting the overthrow of corporate America, and young American troops on the hunt for terrorists in the combat zones of the Middle East

SHORTLISTED FOR THE DUKE OF WELLINGTON MEDAL FOR MILITARY HISTORY 2021, THE BRITISH ARMY BOOK OF THE YEAR 2021, AS A FINALIST FOR THE 2020 ARMY HISTORICAL FOUNDATION DISTINGUISHED WRITING AWARDS. FIRST RUNNER UP IN THE TEMPLER MEDAL BOOK PRIZE 2021. 'With a soldier's eye for telling operational details, Ben Barry offers an authoritative, compelling and inevitably bleak account of the American and British campaigns in Iraq and Afghanistan.' Sir Lawrence Freedman, Emeritus Professor of War Studies, King's College London Newly revised and updated with in-depth analysis of the current situation in Afghanistan after American withdrawal, Blood, Metal and Dust is an authoritative account of how the wars in Iraq and Afghanistan were played out, explaining their underlying politics and telling the story of what happened on the ground. From the high-ranking officer who wrote the still-classified British military analysis of the war in Iraq comes the authoritative history of two conflicts which have overshadowed the beginning of the 21st century. Inextricably linked to the ongoing 'War on Terror', the wars in Iraq and Afghanistan dominated more than a decade of international politics, and their influence is felt to this day. Blood, Metal and Dust is the first military history to offer a comprehensive overview of the wars in Afghanistan and Iraq, providing in-depth accounts of the operations undertaken by both US and UK forces. Brigadier Ben Barry explores the wars which shaped the modern Middle East, providing a detailed narrative of operations as they unfolded. With unparalleled access to official military accounts and extensive contacts in both the UK and the US militaries, Brigadier Barry is uniquely placed to tell the story of these controversial conflicts, and offers a rounded account of the international campaigns which irrevocably changed the global geopolitical landscape.

Taking its title from The Face of Battle, John Keegan's canonical book on the nature of warfare, The Other Face of Battle illuminates the American experience of fighting in "irregular" and "intercultural" wars over the centuries. Sometimes known as "forgotten" wars, in part because they lackedtriumphant clarity, they are the focus of the book. David Preston, David Silbey, and Anthony Carlson focus on, respectively, the Battle of Monongahela (1755), the Battle of Manila (1898), and the Battle of Makuan, Afghanistan (2020) - conflicts in which American soldiers were forced to engage in"irregular" warfare, confronting an enemy entirely alien to them. This enemy rejected the Western conventions of warfare and defined success and failure - victory and defeat - in entirely different ways. Symmetry of any kind is lost. Here was not ennobling engagement but atrocity, unanticipatedinsurgencies, and strategic stalemate.War is always hell. These wars, however, profoundly undermined any sense of purpose or proportion. Nightmarish and existentially bewildering, they nonetheless characterize how Americans have experienced combat and what its effects have been. They are therefore worth comparing for what they hold incommon as well as what they reveal about our attitude toward war itself. The Other Face of Battle reminds us that "irregular" or "asymmetrical" warfare is now not the exception but the rule. Understanding its roots seems more crucial than ever.

“I wish with all my heart that you were in school. I love my country, Daughter, but here we have been robbed of our most precious gifts: thought and imagination. Only in an atmosphere of peace and security can artists, poets, and writers flourish. Without our artists and storytellers, we have no history, and without history our future is unmoored—we drift. It is art, never war, that carries culture forward.”