Secret, strange, dark, impure and dissonant...Enter the haunted landscapes of folk horror, a world of ­pagan ­village conspiracies, witch finders, and teenagers awakening to evil; of dark fairy tales, backwoods cults and obsolete technologies. Beginning with the classics Night of the Demon, Witchfinder General, The Wicker Man and Blood on Satan's Claw, We Don't Go Back surveys the genre of screen folk horror from across the world. Travelling from Watership Down to The Texas Chain Saw Massacre, with every stop inbetween, We Don't Go Back is a thoughtful, funny and essential overview of folk horror in TV and cinema."A beautiful rumination on the dark films and television that shaped me and a generation of odd children, for good or ill, worth a year of your time, because you won't just read the book, you'll feel a burning desire to watch everything mentioned within." - Robin Ince"A comprehensive, accessible and often riotously funny tome weaving together folk horror in all its forms, from British television to the American backwoods, from Eastern European fairytales to the vengeful ghosts of East Asia. Ingham explores uncanny landscapes haunted by things buried, old cultures converging with the reluctance of contemporary reason, that very tension that gives his book its name. He attempts to both define folk horror and free it from definition, creating the ultimate guide to the genre's manifestations on film and offering a convincing argument as to why the genre resonates so compellingly with people today." - Kier-La Janisse, author of House of Psychotic Women

Lovecraft comics updated and adapted for a 21st century audience.

The story traces the history of the titular street in a New England city, presumably Boston, from its first beginnings as "but a path" in colonial times to a quasi-supernatural occurrence in the years immediately following World War I. As the city grows up around the street, it is planted with many trees and built along with "simple, beautiful houses of brick and wood", each with a rose garden. As the Industrial Revolution runs its course, the area degenerates into a run-down and polluted slum, with all of the street's old houses falling into disrepair. After World War I and the October Revolution, the area becomes home to a community of Russian immigrants. Among the new residents is the leadership of a "vast band of terrorists," who are plotting the destruction of the United States on Independence Day. When the day arrives, the terrorists gather to do the deed, but before they can get started, all the houses in the street collapse concurrently on top of each other, killing them all. Observers at the scene testify that immediately after the collapse, they experienced visions of the trees and rose gardens that had once been in the street.

Dunwich is a small village located along the Miskatonic, upriver from Arkham. Until 1806, Dunwich was a thriving community, boasting many mills and the powerful Whateley family. Those among the Whateleys came to know dark secrets about the world, and they fell into the worship of unwholesome creatures from other times and places. Retreating to the hills and forests surrounding the town, they betrayed their uncorrupted kin. Prosperity fled, and a dark despair seized the people. What remains is a skeleton town, mills closed, its citizens without hope or future. However, secrets of the Mythos survive, to be discovered by brave and enterprising investigators. H. P. Lovecraft's Dunwich begins with "The Dunwich Horror, " Lovecraft's masterful tale of life in the town and its surroundings. It expands upon the story with extensive information about the town: pertinent buildings, useful people, and important locations are described in detail. A 17X22" map depicts the area for miles around, and two scenarios are included. All statistics and gameplay notes for d20 Cthulhu are also provided.