In 1998, a mysterious right-handed pitcher emerged from the ashes of the Cold War and helped lead the New York Yankees to a World Championship. His origins and even his age were uncertain. His name was Orlando El Duque Hernandez. He was a fallen hero of Fidel Castro's socialist revolution. The chronicle of El Duque's triumph is at once a window into the slow death of Cuban socialism and one of the most remarkable sports stories of all time. Once hailed as a paragon of Castro's revolution, the finest pitcher in modern Cuban history was banned from baseball for life for allegedly plotting to defect. Instead of accepting his punishment, he fearlessly fought back, defying the Communist party authorities, vowing to pitch again, and ultimately fleeing his country in the bowels of a thirty-foot fishing boat. Here, for the first time and in astonishing detail, the secrets behind El Duque's persecution and escape are revealed. Moving from the crumbling streets of post Cold War Havana to the polarized world of exile Miami, from the deadly Florida Straits to the hallowed grounds of Yankee Stadium, it is a story of cloak-and-dagger adventure, audacious secret plots, the pull of big money, and the historic collision of ideologies. Present throughout are the larger-than-life characters who converged at this bizarre intersection of baseball and politics: El Duque himself, Fidel Castro, the Miami sports agent Joe Cubas, the late John Cardinal O'Connor along with scouts, smugglers, and the Cuban ballplayers who gave up their lives as tools of socialism to test the free market and chase their major-league dreams. Reported in the United States and Cuba by two award-winning journalists who became part of the story they were covering, The Duke of Havana is a riveting saga of sports, politics, liberation, and greed.

Looks at portrayals of Havana in literature, music, and the visual arts in the post-Soviet era, as the city is reinvented as a destination for international tourists and business ventures.

DIVAn ethnography of sexual identity formation in contemporary Cuba./div

Tracking Cuban history from 1492 to the present, The Cuba Reader includes more than one hundred selections that present myriad perspectives on Cuba's history, culture, and politics. The volume foregrounds the experience of Cubans from all walks of life, including slaves, prostitutes, doctors, activists, and historians. Combining songs, poetry, fiction, journalism, political speeches, and many other types of documents, this revised and updated second edition of The Cuba Reader contains over twenty new selections that explore the changes and continuities in Cuba since Fidel Castro stepped down from power in 2006. For students, travelers, and all those who want to know more about the island nation just ninety miles south of Florida, The Cuba Reader is an invaluable introduction.

Geoffrey Baker traces the trajectory of the Havana hip hop scene from the late 1980s to the present and analyzes its partial eclipse by reggaet&ón.

A fascinating, powerfully evocative story of four generations of Cuban women, through whose lives the author illuminates a vivid picture--both personal and historical--of Cuba in our century. "When I want to read a culture," writes Wendy Gimbel in her prologue, "I listen to stories about families, sensing in their contours the substance of larger mysteries." And certainly in the Revuelta family she has found a source of both mystery and revelation. At its center is Naty: born in 1925, educated in the United States, a socialite during the Batista era, who after marriage to a prominent doctor and the birth of a daughter became intoxicated with Castro and his revolution (here, published for the first time, are the letters they exchanged while he was in jail). Though her husband and daughter immigrated to the United States after Castro's victory, Naty remained in Cuba to raise her second child, Castro's unacknowledged daughter, only to be ultimately confronted by his dismissive, withering judgment: "Naty missed the train." Her two daughters, one of whom settles well into life in America, while the other never recovers from her father's intransigent repudiation of her; her granddaughter, who Naty desperately believes will return to Cuba when--not if--Castro is removed from the island; and her mother, an unregenerate reactionary: these are the lives that complete this extraordinary story. Each of the women is irrevocably marked with a part of the island's terrible and poignant tale, and Wendy Gimbel has created a rich and intense narrative of their lives and times. Havana Dreams leaves us with an indelible impression of familial obligation and illicit love; of the heady but doomed romanticism of revolution; and of the profound consequences of Cuba's contemporary history for the ordinary and most intimate lives of its people.

“This evocative memoir is a joyous, rhythmic history” of the 11-sister dance band that broke musical and cultural barriers in 1930s Cuba and beyond (Publishers Weekly). In the 1930s, Havana was the place to be for tourists, ex-pats, celebrities, and excitement-seekers. Nights were filled with drinking, dancing, romance, and the roar of infectious music spilling from cafés into the streets. It was a time and place immortalized by Hemingway, and a macho mecca where only men took the stage. That is until Alicia Castro, a thirteen-year-old greengrocer’s daughter, picked up a saxophone and led her sisters into the limelight. With infectious melodies and saucy lyrics, the Sisters Castro—professionally known as Anacaona—became a dance-band of irresistible force. In her jubilant memoir, Queens of Havana, Alicia Castro tells of her incredible rise beyond her native city, to international stardom—swinging alongside legends from Dizzy Gillespie and Celia Cruz to Duke Ellington and Cab Calloway. In an age that insisted women be seen and not heard, Alicia Castro and her unstoppable sisters grabbed the world by the ears and got it dancing to their beat. At eighty-seven-years old, Alicia’s stories are intoxicating and gloriously punctuated with more than 100 vintage photos, posters, and other memorabilia in a book that “reverberates with exotic echoes of a fabulous long-ago era” (Publishers Weekly).