Ever since the cruel death of her beloved brother, David at the Battle of Waterloo, Lady Ilina Bury’s father, the fifth Duke of Tetbury, has taken out his grief on her and now he too has died and his will reiterates his contempt of her. He leaves the beautiful nothing but the extremely valuable collection of jewels that had been given to his ancestor, the second Duke of Tetbury, by the Nizam of Hyderabad. The trouble is that, although legendary, these jewels are also almost certainly mythical and Ilina and David have been searching Tetbury Abbey for them for years without any success. All but destitute she dreads the arrival of her father’s heir and rather than be a burden, she decides to pretend that she is a paid employee of the poverty-stricken estate. And when the handsome new Duke finally does arrive from the Far East, he is visibly disappointed by what he sees, but worse still he says that he intends to abandon the estate, all its loyal staff and close up The Abbey for ever. He very quickly sees through Ilina’s disguise and then she shows the Duke round the dilapidated house and estate and regales him with the family’s illustrious history over many centuries. Although she despises him, she uses all her charms to persuade the Duke to stay and do his duty for his distinguished and aristocratic family. And, as little by little he yields, so Ilina’s heart slowly opens to love.

The Duchess of Cosway yearns for a man she has never met . . . her husband. Married by proxy as a child, Lady Isidore has spent years fending off lecherous men in every European court while waiting to meet her husband. She's determined to accept him, no matter how unattractive the duke turns out to be. When she finally lures Simeon Jermyn back to London, his dark handsomeness puts Isidore's worst fears to rest—until disaster strikes. The duke demands an annulment. Forsaking his adventuresome past, Simeon has returned to London ready to embrace the life of a proper duke, only to find that his supposed wife is too ravishing, too headstrong, and too sensual to be the docile duchess he has in mind. But Isidore will not give up her claim to the title—or him—without a fight. She will do whatever it takes to capture Simeon's heart, even if it means sacrificing her virtue. After all, a consummated marriage cannot be annulled. Yet in forcing Simeon into a delicious surrender, will Isidore risk not only her dignity—but her heart?

Many Americans believe that foreign military intervention is central to protecting our domestic freedoms. But Christopher J. Coyne and Abigail R. Hall urge engaged citizens to think again. Overseas, our government takes actions in the name of defense that would not be permissible within national borders. Emboldened by the relative weakness of governance abroad, the U.S. government is able to experiment with a broader range of social controls. Under certain conditions, these policies, tactics, and technologies are then re-imported to America, changing the national landscape and increasing the extent to which we live in a police state. Coyne and Hall examine this pattern—which they dub "the boomerang effect"—considering a variety of rich cases that include the rise of state surveillance, the militarization of domestic law enforcement, the expanding use of drones, and torture in U.S. prisons. Synthesizing research and applying an economic lens, they develop a generalizable theory to predict and explain a startling trend. Tyranny Comes Home unveils a new aspect of the symbiotic relationship between foreign interventions and domestic politics. It gives us alarming insight into incidents like the shooting in Ferguson, Missouri and the Snowden case—which tell a common story about contemporary foreign policy and its impact on our civil liberties.

When Janice Sherwood's parents send her to the Duke of Halsey's country estate, in the hopes that she will win the duke's affections, she falls for a mysterious servant, Luke, who, unbeknownst to her, is the heir to the dukedom.

One of Amazon's Best Romances of 2017! “A romance that Kathleen Woodiwiss herself would be proud to have written.”—Booklist (starred) Katharine Ashe continues her lush and sensual Devil’s Duke series with a sweeping story of unbreakable love. Six years ago, when Lady Amarantha Vale was an innocent in a foreign land and Gabriel Hume was a young naval officer, they met . . . and played with fire. Now Gabriel is the dark lord known to society as the Devil’s Duke, a notorious recluse hidden away in a castle in the Highlands. Only Amarantha knows the truth about him, and she won’t be intimidated. He is the one man who can give her the answers she needs. But Gabriel cannot let her learn his darkest secret. So begins a game of wit and desire that proves seduction is more satisfying—and much more wicked—the second time around… “This is historical romance at its best.”—All About Romance

Since the rediscovery of Elizabethan stage conditions early this century, admiration for Measure for Measure has steadily risen. It is now a favorite with the critics and has attracted widely different styles of performance. At one extreme the play is seen as a religious allegory, at the other it has been interpreted as a comedy protesting against power and privilege. Brian Gibbons focuses on the unique tragi-comic experience of watching the play, the intensity and excitement offered by its dramatic rhythm, the reversals and surprises that shock the audience even to the end. The introduction describes the play's critical reception and stage history and how these have varied according to prevailing social, moral and religious issues, which were highly sensitive when Measure for Measure was written, and have remained so to the present day.