Simple Sabotage Field Manual was authored byby The United States Office of Strategic Services and is a must for any student of strategy and sabotage.

This final volume in the Fu-Manchu collection brings together some unpublished manuscripts, and stories which have previously appeared only in magazine form, by the late Sax Rohmer. The long title novella and three others feature the dastardly Dr. Fu-Manchu – and, of course, his unremitting opponent, Sir Denis Nayland Smith. There are eight more stories in this book, no less characteristic of Sax Rohmer's art.

"Imagine a person, tall, lean, and feline, high-shouldered, with a brow like Shakespeare and a face like Satan..." The year is 1941, and the world is engulfed in war. Having consolidated his forces, Fu-Manchu seeks to tip the balance of power by launching assaults from a hidden stronghold in the Carribean. His target: the United States Naval forces, just entering the global conflict. FU-MANCHU "Without FU-MANCHU we wouldn't have Dr. No, Doctor Doom, or Dr. Evil. Sax Rohmer created the first truly great evil mastermind. Devious, inventive, complex, and fascinating. These novels inspired a century of great thrillers!"—Jonathan Maberry, New York Times bestselling author of Assassin's Code and Patient Zero DARK RITUALS AND SUPER-SCIENCE To stop the Devil Doctor, Sir Denis Nayland Smith and his ally, Bart Kerrigan, pick up the trail in London during the blackout, following it to New York, then the Panama Canal, and finally the land of voodoo - Haiti. There they face the enemy's deadly combination of advanced technology and deep-rooted mysticism! ALSO IN THIS VOLUME: A LONG-LOST NAYLAND SMITH SHORT STORY!

Immediately before World War II, Fu-Manchu decides to kill or control the world’s war-mongering dictators, to pave the way for his own plans. The rapid-fire action moves from London to Venice to Paris, and involves various arcane and scientific forms of torture and death. BONUS FEATURE: "The Mark of the Monkey”, the second of three “lost adventures of Nayland Smith.” It appeared in Collier’s in 1931, then in the short story collection Tales of East and West.

Take one well-oiled effective killing machine, add a familiar hero on the ground, in the air, and on horseback; stir in a ghastly end that’s surely impossible to escape, add action, add passion, made on a shoestring budget at breakneck speed, and you’ve got the recipe for Republic Pictures. Who, after all, cannot forget The Atomic Kid, starring Mickey Rooney, or The Untamed Heiress, with an un-Oscar-worthy performance by ingénue Judy Canova? Exploding onto the movie scene in 1935, Republic Pictures brought the pop culture of the 30s and 40s to neighborhood movie houses. Week after week kids sank into their matinee seats to soak up the Golden Age of the Republic series, to ride off into the classic American West. And they gave us visions of the future. Visions that inspire film makers today. Republic was a studio that dollar for dollar packed more movie onto the screen than the majors could believe. From sunrise on into the night over grueling six day weeks, no matter how much mayhem movie makers were called upon to produce, at Republic Pictures it was all in a day’s work. Republic Pictures was the little studio in the San Fernando Valley where movies were made family style. A core of technicians, directors, and actors worked hard at their craft as Republic released a staggering total of more than a thousand films through the late 1950s. Republic Pictures was home to John Wayne for thirty-three films. Always inventing, Republic brought a song to the West. It featured the West’s first singing cowboy. Republic brought action, adventure, and escape to neighborhood movies houses across America. And they brought it with style. Scene from westerns such as The Three Mesquiteers and the Lawless Range gave screaming kids at the bijou a white-knuckle display of expert film making. Republic Pictures became a studio where major directors could bring their personal vision to the screen. Sometimes these were projects no other studio would touch such as The Quiet Man (which brought director John Ford an Oscar) and Macbeth. Killer Bs, Cowboys, Creatures and Classics: The Story of Republic Pictures is for anyone who likes B movies magic. It is the honest account of an extraordinary production house, one whose ability to turn out films quickly boded well for its transition into television production. Not only were its sets used for such shows as Leave it to Beaver and Gilligan’s Island, stock footage from Republic’s movies was used on such shows as Gunsmoke and The Life and Legend of Wyatt Earp.

A strange epidemic sweeps the French Riviera - a biological weapon created by Dr. Fu-Manchu. Dr. Petrie is called upon by the French authorities, and when the truth emerges, Denis Nayland-Smith is summoned to help stop his arch-foe before he can succeed in spreading his plague across Europe. As they struggle to contain the horror, Petrie's friend, the botanist Alan Sterling cannot stop thinking of the mysterious Fleurette, unaware that the beautiful girl he chanced upon was raised by the emperor of evil himself, Dr. Fu-Manchu. One of the finest novels in the series, its biological theme is a precursor to Ian Fleming's On Her Majesty's Secret Service, and Fu-Manchu himself is the prototypical Dr. No.