From one of the most powerful and original talents in science fiction comes the story of a new world--a strange world where solar radiation fluctuations have melted the polar ice caps, flooding the land and raising the temperature of the atmosphere.

“A fast, fun read for fans of Foster’s fantastic alien worlds . . . Driven by political intrigue and wilderness adventure, this is SF of noble vintage.”—Booklist Fluva, the Drowning World, is a rain-drenched planet on the fringes of the Commonwealth whose indigenous species, the warlike Sakuntala, and its immigrant species, the hardworking Deyzara, stand on the brink of civil war. The wettest place on Fluva is Viisiiviisii, an immense jungle thriving with exotic plants and deadly predators. Endless rains have made the jungle a treasure trove of rare and valuable botanicals. A man can get rich there. Or die trying. Bio-prospector Shadrach Hasselemoga has come to seek his fortune—if he survives the terrain once his sabotaged ship goes down. When a Sakuntala and a Deyzara are dispatched to rescue the unfortunate soul, their ship crashes, too. Now, in order to survive, the three unlikely allies must do something that no one has ever done before: escape the Viisiiviisii before it consumes them. . . . “[A] rousing SF adventure packed with action, intriguing human and alien characters, and a message of strength through diversity.”—Library Journal “Surefire entertainment . . . The author’s mastery of his exotic setting cannot be denied.”—Publishers Weekly

New York Times bestselling author Mira Grant, author of the renowned Newsflesh series, returns with a novel that takes us to a new world of ancient mysteries and mythological dangers come to life. The ocean is home to many myths, But some are deadly. . . Seven years ago the Atargatis set off on a voyage to the Mariana Trench to film a mockumentary bringing to life ancient sea creatures of legend. It was lost at sea with all hands. Some have called it a hoax; others have called it a tragedy. Now a new crew has been assembled. But this time they're not out to entertain. Some seek to validate their life's work. Some seek the greatest hunt of all. Some seek the truth. But for the ambitious young scientist Victoria Stewart this is a voyage to uncover the fate of the sister she lost. Whatever the truth may be, it will only be found below the waves. But the secrets of the deep come with a price.

When the Dragon Ships began to tear through the trade lanes and ravage coastal towns, the hopes of the archipelago turned to the Windspeakers on Tash. The solemn weather-shapers with their eyes of stone can steal the breeze from raiders' sails and save the islands from their wrath. But the Windspeakers' magic has been stolen, and only their young apprentice Shina can bring their power back and save her people. Tazir has seen more than her share of storms and pirates in her many years as captain, and she's not much interested in getting involved in the affairs of Windspeakers and Dragon Ships. Shina's caught her eye, but that might not be enough to convince the grizzled sailor to risk her ship, her crew, and her neck. PRAISE FOR THE DROWNING EYES "The Drowning Eyes is a magic- and wind-filled adventure, peopled with excellent and strong characters. The story made me want to sail the coastline on a boat of my own and see if I could call up a storm. In Emily Foster's debut novella, apprentice Windspeaker Shina must return her people's power to them before the Dragon Ships destroy everything . . . unless Shina destroys it by accident first. So vividly rendered, you'll be tempted to wash the salt-spray from your clothing after reading The Drowning Eyes." - Fran Wilde, author of Updraft At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

A gripping suspense story about a woman who returns to Galveston, Texas after a personal tragedy and is irresistibly drawn into the insular world she’s struggled to leave. Photographer Clare Porterfield's once-happy marriage is coming apart, unraveling under the strain of a family tragedy. When she receives an invitation to direct an exhibition in her hometown of Galveston, Texas, she jumps at the chance to escape her grief and reconnect with the island she hasn't seen for ten years. There Clare will have the time and space to search for answers about her troubled past and her family's complicated relationship with the wealthy and influential Carraday family. Soon she finds herself drawn into a century-old mystery involving Stella Carraday. Local legend has it that Stella drowned in her family's house during the Great Hurricane of 1900, hanged by her long hair from the drawing room chandelier. Could Stella have been saved? What is the true nature of Clare's family's involvement? The questions grow like the wildflower vines that climb up the walls and fences of the island. And the closer Clare gets to the answers, the darker and more disturbing the truth becomes. Steeped in the rich local history of Galveston, The Drowning House portrays two families, inextricably linked by tragedy and time. "The Drowning House marks the emergence of an impressive new literary voice. Elizabeth Black's suspenseful inquiry into dark family secrets is enriched by a remarkable succession of images, often minutely observed, that bring characters, setting, and story sharply into focus." —John Berendt, author of Midnight in the Garden of Good and Evil

When you look through the porthole of your berth aboard the ship, what do you see? The raging ocean? A lone iceberg? The world as it once was, now receding into the distance? Likewise, when you peer through your telescope at the distant boat, what do you see? An approaching storm? A drowning man? The future, drifting forever out of reach? In their latest book, Doctor Falke's Oraculum, Kahn & Selesnick invite you to look through the peep hole where you shall find scenes of people trying to parse that which is to come, speak with those departed, or just finding their pleasure amid the florid decay of a world in decline. For when personal and societal mythologies supersede facts, when the promise of virtual realities threaten to supersede the real thing, what better way to approach an uncertain future than through the arcane method of augury-after all, is not prophecy the original fake news?The Oraculum continues the adventures of the Truppe Fledermaus, a cabaret troupe of anxious mummers and would-be mystics who catalogue their absurdist attempts to augur a future that seems increasingly in peril due to environmental pressures and global turmoil. Presented as an unbound collection of photographs and text, the Oraculum is by turns a travelogue, an oracle, an art book, a box of prints, a meditation on the future, and an instruction manual of interpretative dance moves. The loose nature of the pages allow the viewer to treat this volume as a bibliomancy oracle where pages can be shuffled and selected at random to receive messages and prophecy, much as one uses the tarot and other cartomancy decks.The artists also examine the notion of the carnivalesque-traditionally the carnival was a time when the normal order of society was upended and reversed, so that at least for a day the fool might become king, men and women might cross dress, and sacred ceremonies and normal mores were spoofed. The Truppe ask you to consider: is it the carnival that is upside-down, or perhaps the real world that it purports to burlesque?