Deep in the heart of Australia’s high country, along an ancient, hidden track, lives Molly Johnson and her four surviving children, another on the way. Husband Joe is away months at a time droving livestock up north, leaving his family in the bush to fend for itself. Molly’s children are her world, and life is hard and precarious with only their dog, Alligator, and a shotgun for protection – but it can be harder when Joe’s around. At just twelve years of age Molly’s eldest son Danny is the true man of the house, determined to see his mother and siblings safe – from raging floodwaters, hunger and intruders, man and reptile. Danny is mature beyond his years, but there are some things no child should see. He knows more than most just what it takes to be a drover’s wife. One night under the moon’s watch, Molly has a visitor of a different kind – a black ‘story keeper’, Yadaka. He’s on the run from authorities in the nearby town, and exchanges kindness for shelter. Both know that justice in this nation caught between two worlds can be as brutal as its landscape. But in their short time together, Yadaka shows Molly a secret truth, and the strength to imagine a different path. Full of fury and power, Leah Purcell’s The Drover’s Wife: The Legend of Molly Johnson is a brave reimagining of the Henry Lawson short story that has become an Australian classic. Brilliantly plotted, it is a compelling thriller of our pioneering past that confronts head-on issues of today: race, gender, violence and inheritance.

Henry Lawson's short story 'The Drover's Wife' is an Australian classic that has sparked interpretations on the page, on canvas and on the stage. But it has never been so thoroughly, or hilariously, reimagined as by Ryan O'Neill, remixing and revising Lawson's masterpiece in ninety-nine different ways. You'll be amused, delighted and surprised by a Year 8 essay, a sporting commentary, a pop song, a cento, a dance and many more. Inventive and unexpected, this is laugh-out-loud literature from one of Australia's finest satirists.

Since Henry Lawson wrote his story 'The Drover’s Wife' in 1892, Australian writers, painters, performers and photographers have created a wonderful tradition of drover's wife works, stories and images. The Russell Drysdale painting from 1945 extended the mythology and it, too, has become an Australian icon. Other versions of the Lawson story have been written by Murray Bail, Barbara Jefferis, Mandy Sayer, David Ireland, Madeleine Watts and others, up to the present, including Leah Purcell's play and Ryan O’Neill’s graphic novel. In essays and commentary, Frank Moorhouse examines our ongoing fascination with this story and has collected some of the best pieces of writing on the subject. This remarkable, gorgeous book is, he writes, 'a monument to the drovers' wives'.

Drovers hold an iconic place in our Australian identity, due to the courage and perseverance needed to transport cattle and sheep hundreds of kilometres through rural and outback areas. But what of the women and children who travelled with them?

Albert Facey’s story is the story of Australia.Born in 1894, and first sent to work at the age of eight, Facey lived the rough frontier life of a labourer and farmer and jackaroo, becoming lost and then rescued by Indigenous trackers, then gaining a hard-won literacy, surviving Gallipoli, raising a family through the Depression, losing a son in the Second World War, and meeting his beloved Evelyn with whom he shared nearly sixty years of marriage.Despite enduring unimaginable hardships, Facey always saw his life as a fortunate one.A true classic of Australian literature, Facey’s simply penned story offers a unique window onto the history of Australian life through the greater part of the twentieth century – the extraordinary journey of an ordinary man.

Henry Lawson's short story The Drover's Wife is an Australian classic that has sparked interpretations on the page, on canvas and on the stage. But it has never been so thoroughly, or hilariously, reimagined as by Ryan O'Neill, remixing and revising Lawson's masterpiece in 101 different ways. The variations include a a pop song, a sporting commentary, a 1980s computer game, an insurance claim, a Hollywood movie adaptation, a cryptic crossword and even the selection of paint swatches you can see on this back cover. Inventive and unexpected, this is laugh-out-loud literature from the author of the award-winning Their Brilliant Careers. Inventive and unexpected, this is laugh-out-loud literature from one of Australia's finest satirists.