A primarily American institution (though it appeared in other countries such as Japan and Italy), the drive-in theater now sits on the verge of extinction. During its heyday, drive-ins could be found in communities both large and small. Some of the larger theaters held up to 3,000 cars and were often filled to capacity on weekends. The history of the drive-in from its beginnings in the 1930s through its heyday in the 1940s and 1950s to its gradual demise in modern-day America is thoroughly documented here: the patent battles, community concerns with morality (on-screen and off), technological advances (audio systems, screens, etc.), audiences, and the drive-in's place in the motion picture industry.

The New York Times bestseller that gives readers a paradigm-shattering new way to think about motivation from the author of When: The Scientific Secrets of Perfect Timing Most people believe that the best way to motivate is with rewards like money—the carrot-and-stick approach. That's a mistake, says Daniel H. Pink (author of To Sell Is Human: The Surprising Truth About Motivating Others). In this provocative and persuasive new book, he asserts that the secret to high performance and satisfaction-at work, at school, and at home—is the deeply human need to direct our own lives, to learn and create new things, and to do better by ourselves and our world. Drawing on four decades of scientific research on human motivation, Pink exposes the mismatch between what science knows and what business does—and how that affects every aspect of life. He examines the three elements of true motivation—autonomy, mastery, and purpose-and offers smart and surprising techniques for putting these into action in a unique book that will change how we think and transform how we live.

When human bones are discovered on the grounds of the old Starlite Drive-in, only Callie Anne Benton knows the identity of the victim who mysteriously disappeared thirty-six years ago. It’s the sweltering summer of 1956 when a handsome drifter named Charlie Memphis arrives at the Starlite to help Callie Anne’s injured father run the theater. Both she and her mother, Teal, fall for Memphis’s rugged style and gentlemanly manners, but Callie Anne’s father—bitter in his role as caretaker for the rural drive-in and his agoraphobic wife—doesn’t like the drifter’s increasing interest in Teal. A disastrous turn of events changes their lives forever, and it’s up to the grown-up Callie Anne to unlock the secret of the decades-old mystery. Told through the voice of Callie Anne, a whip-smart tomboy reminiscent of Scout Finch, The Starlite Drive-in is a vivid snapshot of 1950s America. A compelling novel infused with hope, tragedy, and suspense, Callie Anne’s story will strike a chord with readers both young and old.

The first limited edition hardcover of all three Drive-In novels, signed by Joe R. Lansdale.

It's a summer night on the plains, a night for dreamers and lovers, a night for drive-in movies. In Chickasa, Oklahoma, and Turkey, Texas, Main Street is dark and shuttered. Out on the prairie there flickers the first reel of the movie. This is the boundless nostalgia of the drive-in, of the serene confidence of the United States in the 50s, when Korea was a far-off land and Vietnam wasn't on the map, General Dwight D. Eisenhower was in the White House, and Edward Hopper captured the spirit of the age. It was remembered again in The Last Picture Show and by the Boss, Bruce Springsteen, when he sang My Home Town. There were 6,000 drive-ins across the Union then. There are 547 now. Idaho has The Spud, Texas had The Trail, and even New York City has the walk-in show in Bryant Park. The drive-in was born in 1933 in Camden, New Jersey, when an enterprising gas station owner projected a movie on his wall to entertain impatient customers. Since then the drive-in has had its ups and downs, latterly torn down to be replaced by shopping malls and tatty developments. But that zeitgeist will not die, and in Drive-Ins Joan Liftin has rung again the town bell that remembers it. There are many who will agree with her, and shake their heads at the loss of the apparent innocence of that age. This is now a very different world in which her photographs recall the ephemeral evenings at the drive-in, of the heart-breaking back row kisses, of the beer-topped coolers and popcorn, and the giant images of Monroe, Clift, and Gable bestriding the wilderness. Joan Liftin took these photographs over 20 years, some off-hand, some desultory, some with a startling, mesmeric evocation of what the drive-in was and meant to a generation of Americans.

In Drive in Cinema, Marc James L ger presents Zizek-influenced studies of films made by some of the most influential filmmakers of our time, including Jean-Luc Godard, Pier Paolo Pasolini, Werner Herzog, Alexander Kluge, William Klein, Jim Jarmusch, Hal Hartley, Harmony Korine, and more. Working with radical theory and Lacanian ethics, L ger draws surprising connections between art, film, and politics, taking his analysis beyond the academic obsession with cultural representation and filmic technique and instead revealing film's potential as an emancipatory force.