Psychologist Leslie Harper takes pity on Kitty Rose, a homeless street singer, and finds herself drawn into a world of old mystery and present danger. Temporarily separated from her husband until they can work out problems that negatively affect their asthmatic son, Leslie suddenly finds herself the target of her husband's wealthy family, whose powerful and unscrupulous lawyers set out to remove her from her son's life. Torn between helping the girl and fighting her own battles, Leslie takes on a challenge that could prove fatal to both of them.

This title contains Michael Jackson's personal writings and over 100 photographs, drawings, and paintings from his own collection. The book is a personal view of the world around us and the universe within each of us.

"Ms. Ferguson has written an un-put-downable book." --Romantic Times on Call Back Yesterday A world lost . . . "DREAM SINGER is full of adventure and plot twists . . ." --Paranormalromance.org First Daughter Nerienne, heir to the Tiria of Gayome, faces the destruction of everything she knows when her mother's enemies kill the Tiria. Nerienne is left with just her magic and with Bidge, a mysterious creature that speaks only to her. She is rescued by Durgan Ketassian, leader of the rebels in the northern woods, but can she trust this man whom her mother condemned to die? A dream found . . . Durgan knows he cannot trust Nerienne. Her mother had been his enemy ever since she began slaying dreamsingers, skilled musicians who sing the future through one's dreams. He has vowed to see his people free of the Tiria's domination, never guessing the Tiria's daughter could awaken parts of his heart he'd shut away. A song without end . . . To save Gayome, Nerienne and Durgan must work together to defeat their common enemy. But to become allies opens them to the greatest threat of all . . . falling in love. Award winning author J. A. Ferguson lives in Nevada with her husband, children, and a fat cat. She is not sure which is most spoiled.

Winner of the New York Drama Critics Award for Best Musical, 1966 "To me the most interesting aspect of the success of Man of La Mancha is the fact that it plows squarely upstream against the prevailing current of philosophy in the theater. That current is best identified by its catch-labels--Theater of the Absurd, Black Comedy, the Theater of Cruelty--which is to say the theater of alienation, of moral anarchy and despair. To the practitioners of those philosophies Man of La Mancha must seem hopelessly naive in its espousal of illusion as man's strongest spiritual need, the most meaningful function of his imagination. But I've no unhappiness about that. "Facts are the enemy of truth," says Cervantes-Don Quixote. And that is precisely what I felt and meant."--Dale Wasserman, from the Preface.

This is the story of a poor country boy with nothing but a guitar, talent, and a dream. He found fame and fortune, made mistakes, and finally found true happiness.