Excerpt from The Dramatic Works of Beaumont and Fletcher, Vol. 3 of 3 Eng. For bringing this, be still my friend no more A servant to me. Bob. What's the matter? Eng. Here, E'en here, where I um ha py to receive Assurance of my Alvare return, [thoughts I will kneel down; and may those holy 'that now possess me wholly, make this place A temple to me, where I may give thanks For this unhop'd - for blessing, Heav'n's kind Hath pour'd upon me! {hand Lucio. Let my duty, madam, Presume, if you have cause of joy, to entrant I may share in it. [him yet. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Excerpt from The Dramatic Works of Beaumont and Fletcher, Vol. 1 of 3: Printed From the Text, and With the Notes of the Late George Colman, Esq. Mr. Dryden, in his Essay of Dramatic Poetry, page 17, (in the first volume of the 'folio edition of his works) in a comparison of the French and English comedy, says, As for corned repartee is one of its chiefest graces. The greatest fpleasure of an audience is a chase of wit kept up on both sides, and swi tly managed: And this our forefathers (if not we) have had in Fletcher's plays, to a much higher degree of perfection than the French poets can arrive at. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Excerpt from The Dramatic Works of Ben Jonson, and Beaumont and Fletcher, Vol. 3 of 4 Words are but words, but coward is a name I could not brook. W'ith this addition the whole context seems consonant to itself. Seward. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Excerpt from The Works of Francis Beaumont and John Fletcher, Vol. 3: The Faithful Shepherdess; The Mad Lover; The Loyal Subject; Rule a Wife and Have a Wife; The Laws of Candy The volume also contains a number of other prologues and epilogues to Beaumont and Fletcher's plays, written for post-restoration revivals. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Excerpt from The Dramatic Works of Beaumont and Fletcher, Vol. 1 of 10 The Prologue and Epilogue Writers may perhaps be more de pended upon, but they don't go quite through with their work fm' wither the quarto copies, nor the thirty-fear Play: in the 1647 edition. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Excerpt from The Works of Beaumont and Fletcher, Vol. 3 of 14: Containing, the Laws of Candy; The Beggars' Bush; The Spanish Curate; The Humorous Lieutenant Mess. Master secretary, The senate is about to sit, and crave Your presence. Gasp. What, so suddenly? Mess. These letters Will shew the causes why. Gasp. [reads the dzspatches] Heav' 11, great, And worthy to be thank' d! About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.