This study examines the complex relationship between theological conviction and artistic expression among a diverse group of religious dissidents. Kendall argues that there existed a distinctly radical tradition of dissent poetics whose presence may be discerned among the popularizers of Wycliffite ideas, the Edwardian hot gospelers, and the Elizabethan Puritans. These religious reformers challenged the mainstream of literary thought in the late Middle Ages and Renaissance. Originally published in 1986. A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.

Performance and identity in nineteenth and early twentieth-century Arican-American creative work.

"This book focuses on the attempts of three seventh-century Palestinian intellectuals--John Moschos, Sophronius of Jerusalem, and Maximus the Confessor--to determine the Church's power and place during a period of profound crisis, as the eastern Roman empire suffered serious reversals in the face of Persian and then Islamic expansion. Through their stories, Booth documents nothing less than a profound change in the very nature of the self-perception of a religious society. Although focused on the first half of the seventh century, this book throws bright light both behind itself--on the nature of the role of the holy man in late antiquity--and in front of itself--on the nature of the Byzantine Orthodoxy that would emerge in the middle ages, and which is still central to the churches of Greece and Eastern Europe"--

Based on newly discovered letters and memos, this riveting scholarly history of the conservative justice who became a free-speech advocate and established the modern understanding of the First Amendment reconstructs his journey from free-speech skeptic to First Amendment hero.

This is a collection of Terry Eagleton's best criticisms and book reviews. His skill in this field is notable: never content merely to assess the ideas of a writer, Eagleton, in his inimitable style, always paints a vivid theoretical fresco as the background to his engagement with the texts.

This pathbreaking work analyzes melodrama as not merely a theatrical genre but as a behavioral paradigm of the nineteenth century, manifest in the theater, in literature, and in society. It shows how the melodramatic mode reaffirmed the familial, hierarchical, and public grounds for ethical behavior and identity that characterized models of social exchange and organization.