This extraordinary autobiographical story, compelling, candid, and deeply personal, plunges us into that tumultuous moment in China out of which the modern People's Republic finally emerged. It is the first time a novelist has ever described that distant world in words that open it up to Western readers in the clearest, most vivid terms. Shanghai, 1949: we look through the eyes of Guan Ling-ling, a headstrong, idealistic seventeen-year-old. As her family departs for Hong Kong, Ling-ling boldly chooses to stay, and joins a revolutionary theater group which soon leaves the city to carry out the new reforms in the Chinese countryside. After a scant few weeks' preparation, this city-bred schoolgirl suddenly finds herself in one of China's most remote and impoverished areas, a world so far from her own experience that she can barely understand the lives she has been sent to change. On her very first night in Longxiang ("the Dragon's Village"), a dusty hamlet far in the northwest, Ling-ling's life is threatened by agents of a defiant landlord. From that moment on, an unrelenting flood of events engulfs her: plot and counterplot, acts of violence, midnight raids, dramatic personal revelations, even glimmers of first love, all set against a canvas of revolutionary upheaval. Chen carries us on an incredible voyage against China at a critical moment in modern history. No novelist has focused so clearly or so closely on the faces of revolution, or on the physical and social landscapes in which it was played out, from the urbane circles of Shanghai to the parched fields and desolate families in tiny Longxiang. We are wholly involved in Ling-ling's struggle to assume the unfamiliar garb of soldier and teacher, and can recognize in it an adolescent's painful path to maturity. Yuan-tsung Chen was born in Shanghai and educated in a missionary school for girls there. She has just graduated from high school in 1949, and soon went to work at the Film Bureau in Peking. In 1951, she joined she joined land reform workers in Gansu Province, the setting of this, her first book. It was the first of several agrarian campaigns in which she took part over the next twenty years.

In 2009, on the outskirts of the southern metropolis of Guangzhou, Xian villagers secretly prepared for the Dragon Boat Festival. For them, the commemoration of the 221 BC poet Qu Yuan, who threw himself into a river to protest official corruption, held particular resonance. Guangzhou's drive to become a 'National Model City' ahead of the 2010 Asia Games accelerated a voracious demand for land, turning the ground beneath the villagers' feet into a commodity as valuable as diamonds, a treasure too rich for local officials to ignore. Dragons in Diamond Village is about the courage of individuals: Huang Minpeng, a semi-literate farmer turned self-taught rights defender; He Jieling, a suburban housewife who just wanted to open a hair salon; Xian villagers like Lu Zhaohui who refuse to give up the land their families have cultivated for generations. Theirs is a community bound by shared history and a belief in the necessity of change, a band of unlikely activists fighting for their place in China's new cities. 'A beautifully written account of how China's traditional rural past is meeting – and struggling with – its urbanising present . . . Via deftly told tales of China's little-known urban villages, Bandurski expertly guides readers through a mostly overlooked landscape and modern history.' Adam Minter, author of Junkyard Planet 'David Bandurski is a modern-day Marco Polo taking us into the heart of new China.' Kevin Sites, author of Swimming with Warlords and In the Hot Zone 'Vivid depictions of how villagers and migrants, living through the lawless and violent storms of Chinese urban land development, turn into political resistors. An important book of social reportage in the traditions of Liu Binyan and Studs Terkel.' Susan Shirk, author of China: Fragile Superpower and former Deputy Assistant Secretary of State during the Clinton administration 'Bandurski combines his deep knowledge of China's history and culture with graceful writing to produce a thoroughly enjoyable book, and an important one for understanding the tension at the heart of China's breakneck pace of change.' Keith B. Richburg, author of Out Of America: A Black Man Confronts Africa and former China correspondent for the Washington Post

Stealing a baby dragon was easy! Hiding it is a little more complicated, in this sequel to reviewer favorite Dragons in a Bag. Jaxon had just one job--to return three baby dragons to the realm of magic. But when he got there, only two dragons were left in the bag. His best friend's sister, Kavita, is a dragon thief! Kavita only wanted what was best for the baby dragon. But now every time she feeds it, the dragon grows and grows! How can she possibly keep it secret? Even worse, stealing it has upset the balance between the worlds. The gates to the other realm have shut tight! Jaxon needs all the help he can get to find Kavita, outsmart a trickster named Blue, and return the baby dragon to its true home.

Fifteen-year-old Creel is floored when her aunt suggests they sacrifice her to a dragon to attract the attention of a marriageable knight. But when the dragon appears, Creel bargains for her life - and ends up with an unusual pair of blue slippers. It’s not until the slippers are stolen by a princess that Creel learns a terrible truth: the slippers are made from the hide of a dragon queen, and enable the wearer to control all the dragons in the land. Now under the command of the princess, who is eager to start a war, the dragons begin to attack the city. Creel must join forces with the king’s son and others to break the slippers’ hold before the princess and the dragons destroy the city - or before the king’s archers kill the dragons - whichever comes first.

The dragons only emerged from their deep caverns when the weather was right, with thick clouds and sweltering heat. It was on such a day that Arlian's home village was destroyed, his family and friends slaughtered. He survived, though, and swore vengeance on the dragons, and on the looters and slavers who had captured him in the ruins. But no one had ever slain a dragon; how could a mere slave hope to do so?

The fearsome Book Dragon snatches books from villagers in the middle of the night to add to her own stash. Only brave young Rosehilda vows to challenge her in this fun fairy tale that delivers a loving message about not judging a book by its cover. Full color.

This extraordinary autobiographical story, compelling, candid, and deeply personal, plunges us into that tumultuous moment in China out of which the modern People’s Republic finally emerged. It is the first time a novelist has ever described that distant world in words that open it up to Western readers in the clearest, most vivid terms. Shanghai, 1949: we look through the eyes of Guan Ling-ling, a headstrong, idealistic seventeen-year-old. As her family departs for Hong Kong, Ling-ling boldly chooses to stay, and joins a revolutionary theater group which soon leaves the city to carry out the new reforms in the Chinese countryside. After a scant few weeks’ preparation, this city-bred schoolgirl suddenly finds herself in one of China’s most remote and impoverished areas, a world so far from her own experience that she can barely understand the lives she has been sent to change. On her very first night in Longxiang (“the Dragon’s Village”), a dusty hamlet far in the northwest, Ling-ling’s life is threatened by agents of a defiant landlord. From that moment on , an unrelenting flood of events engulfs her: plot and counterplot, acts of violence, midnight raids, dramatic personal revelations, even glimmers of first love, all set against a canvas of revolutionary upheaval. Chen carries us on an incredible voyage against China at a critical moment in modern history. No novelist has focused so clearly or so closely on the faces of revolution, or on the physical and social landscapes in which it was played out, from the urbane circles of Shanghai to the parched fields and desolate families in tiny Longxiang. We are wholly involved in Ling-ling’s struggle to assume the unfamiliar garb of soldier and teacher, and can recognize in it an adolescent’s painful path to maturity. Yuan-tsung Chen was born in Shanghai and educated in a missionary school for girls there. She has just graduated from high school in 1949, and soon went to work at the Film Bureau in Peking. In 1951, she joined she joined land reform workers in Gansu Province, the setting of this, her first book. It was the first of several agrarian campaigns in which she took part over the next twenty years.