One June 25, 1950, a massive surprise North Korean invasion sent Allied forces reeling back to a last-ditch defensive perimeter around the far-southern port city Pusan.

This book explains why China has resorted to the use of large-scale military force in foreign affairs. How will China use its growing military might in coming crisis and existing conflicts? This book contributes to the current debate on the future of the Asia-Pacific region by examining why China has resorted to using military force in the past. Utilizing fresh theoretical insights on the causes of interstate war and employing a sophisticated methodological framework, the book provides detailed analyses of China’s intervention in the Korean War, the Sino-Indian War, China’s border clashes with the Soviet Union and the Sino-Vietnamese War. It argues that China did not employ military force in these wars for the sake of national security or because of material issues under contestation, as frequently claimed. Rather, the book’s findings strongly suggest that considerations about China’s international status and relative standing are the principal reasons for China’s decision to engage in military force in these instances. When reflecting the study’s central insight back onto China’s contemporary territorial conflicts and problematic bilateral relationships, it is argued that the People’s Republic is still a status-seeking and thus highly status-sensitive actor. As a result, China’s status ambitions should be very carefully observed and well taken into account when interacting with the PRC. This book will be of much interest to students of Chinese foreign policy, Asian politics, military and strategic studies and IR in general.

A dark and riveting fantasy of three dragon siblings, from the author of The Vampire Earth novels The fourth in the Age of Fire series following Dragon Champion, Dragon Avenger, and Dragon Outcast... Scattered across a continent and scarred by their harsh experiences on the path to adulthood, the three dragon siblings are among the last of a dying breed, the final hope for their species’ survival. After being separated by dwarf slave traders who found their nest, the three—AuRon, the rare scaleless gray; Wistala, the green female; and Copper, the embittered cripple—are reunited. But their reunion is not a happy one, since the three find themselves at odds over the coming human war. AuRon thinks dragons should have no part in the affairs of humans. Wistala believes dragons and man can peacefully co-exist. And Copper has designs of his own on the world. And the civilized humans who have turned to Copper for assistance against their savage enemies have just given him the perfect opportunity to fulfill his plans…

The Encyclopedia covers the genre from 1920 to 1994. The genre, however, can be very confusing: films often have several titles, and many of the stars have more than one pseudonym. In an effort to clarify some of the confusion, the authors have included all the information available to them on almost 3,300 films. Each entry includes a listing of the production company, the cast and crew, distributors, running times, reviews with star ratings whenever possible, and alternate film titles. A list of film series and one of the stars' pseudonyms, in addition to a 7,900 name index, are also included. Illustrated.

"This is fabulously funny stuff." — John D. MacDonald. Good-natured and witty, this expert compilation samples the best of the worst in 20th-century mystery writing. Introduction by Ed McBain.

First came video and more recently high definition home entertainment, through to the internet with its streaming videos and not strictly legal peer-to-peer capabilities. With so many sources available, today’s fan of horror and exploitation movies isn’t necessarily educated on paths well-trodden — Universal classics, 1950s monster movies, Hammer — as once they were. They may not even be born and bred on DAWN OF THE DEAD. In fact, anyone with a bit of technical savvy (quickly becoming second nature for the born-clicking generation) may be viewing MYSTICS IN BALI and S.S. EXPERIMENT CAMP long before ever hearing of Bela Lugosi or watching a movie directed by Dario Argento. In this world, H.G. Lewis, so-called “godfather of gore,” carries the same stripes as Alfred Hitchcock, “master of suspense.” SPINEGRINDER is one man’s ambitious, exhaustive and utterly obsessive attempt to make sense of over a century of exploitation and cult cinema, of a sort that most critics won’t care to write about. One opinion; 8,000 reviews (or thereabouts.