Examine the cultural and political implications of male-to-female gender performance! The Drag Queen Anthology: The Absolutely Fabulous but Flawlessly Customary World of Female Impersonators examines the phenomena of male-to-female gender performance and the people who live it. This provocative collection of original essays explores the possibilities, limitations, ironies, and controversies surrounding men who perform as women to an audience that knows the truth but celebrates the illusion. The book’s contributors call on extensive backgrounds in sociology, anthropology, theater, literature—even military studies—and use a variety of approaches to address common themes and genres of presentation, performance, and style in a wide range of historical settings and cultures. The Drag Queen Anthology explores female impersonation in the past and present, addressing the often-contradictory cultural impulses found in the performance of femininity. The book examines the important issues of this unique form of gendering, including the cultural and sociopolitical implications of drag, the symbolic cultural ideals associated with women, the impact of the performer’s social identities on his performance, and the reactions of the GLBT, straight, and feminist communities to drag. The book looks at traditional drag performance, challenges accepted perceptions about female impersonation, and exposes the notion of the effeminate drag queen as an outdated myth. The Drag Queen Anthology examines the important issues of male-to-female gender performance, including: how drag queen performance is used to attain situational status and power how drag queens challenge contemporary notions of gender what embodiment occurs when men undertake performances of femininity how drag queen performance is viewed as a theatrical presentation of self what representations of drag queens in film suggest about current gender relations why communities organize around drag queen performers how drag queen performance differs on-stage and off how male-to-female gendered performance intersects with performances of sexual identity, social class, race, age, and ethnicity The Drag Queen Anthology: The Absolutely Fabulous but Flawlessly Customary World of Female Impersonators is an indispensable resource on drag’s core elements of performance and parody and how each affects contemporary notions of gender.

It's Saturday night in Key West and the Girlie Show is about to begin at the 801 Cabaret. The girls have been outside on the sidewalk all evening, seducing passersby into coming in for the show. The club itself is packed tonight and smoke has filled the room. When the lights finally go down, statuesque blonds and stunning brunettes sporting black leather miniskirts, stiletto heels, and see-through lingerie take the stage. En Vogue's "Free Your Mind" blares on the house stereo. The crowd roars in approval. In this lively book, Leila J. Rupp and Verta Taylor take us on an entertaining tour through one of America's most overlooked subcultures: the world of the drag queen. They offer a penetrating glimpse into the lives of the 801 Girls, the troupe of queens who perform nightly at the 801 Cabaret for tourists and locals. Weaving together their fascinating life stories, their lavish costumes and eclectic music, their flamboyance and bitchiness, and their bawdy exchanges with one another and their audiences, the authors explore how drag queens smash the boundaries between gay and straight, man and woman, to make people think more deeply and realistically about sex and gender in America today. They also consider how the queens create a space that encourages camaraderie and acceptance among everyday people, no matter what their sexual preferences might be. Based on countless interviews with more than a dozen drag queens, more than three years of attendance at their outrageous performances, and even the authors' participation in the shows themselves, Drag Queens at the 801 Cabaret is a witty and poignant portrait of gay life and culture. When they said life is a cabaret, they clearly meant the 801.

Scholars and practitioners explore the phenomenon of female-to-male performers in 20 essays discussing drag king scenes, desire and the audience, and theory. They also include first-person narratives, and a photo gallery. Annotation (c) Book News, Inc., Portland, OR (booknews.com).

This edited volume is an exploration of the social, cultural, political, and commercial implications of the trailblazing reality television series RuPaul's Drag Race. Going beyond mere analysis of the show itself, the contributors interrogate the ways RuPaul's Drag Race has affected queer representation in media, examining its audience, economics, branding, queer politics, and every point in between. Since its groundbreaking and subversive entry into the reality television complex in 2009, the show has had profound effects on drag and the cultures that surround it. Bringing together scholarship across disciplines--including cultural anthropology, media studies, linguistics, sociology, marketing, and theater and performance studies--the collection offers rich academic analysis of Ru Paul's Drag Race and its lasting influence on fan cultures, queer representation, and the very fabric of drag as an art form in popular cultural consciousness.

For two years Ester Newton did field research in the world of drag queens—homosexual men who make a living impersonating women. Newton spent time in the noisy bars, the chaotic dressing rooms, and the cheap apartments and hotels that make up the lives of drag queens, interviewing informants whose trust she had earned and compiling a lively, first-hand ethnographic account of the culture of female impersonators. Mother Camp explores the distinctions that drag queens make among themselves as performers, the various kinds of night clubs and acts they depend on for a living, and the social organization of their work. A major part of the book deals with the symbolic geography of male and female styles, as enacted in the homosexual concept of "drag" (sex role transformation) and "camp," an important humor system cultivated by the drag queens themselves. "Newton's fascinating book shows how study of the extraordinary can brilliantly illuminate the ordinary—that social-sexual division of personality, appearance, and activity we usually take for granted."—Jonathan Katz, author of Gay American History "A trenchant statement of the social force and arbitrary nature of gender roles."—Martin S. Weinberg, Contemporary Sociology

From the author of The Light Streamed Beneath, a collection of hilarious and heartfelt autobiographical essays about accepting our quirks & flaws. Comedian Shawn Hitchins explores his irreverent nature in this debut collection of essays. Hitchins doesn’t shy away from his failures or celebrate his mild successes—he sacrifices them for an audience’s amusement. He roasts his younger self, the effeminate ginger-haired kid with a competitive streak. The ups and downs of being a sperm donor to a lesbian couple. Then the fiery redhead professes his love for actress Shelley Long, declares his hatred of musical theatre, and recounts a summer spent in Provincetown working as a drag queen. Nothing is sacred. His first major break-up, how his mother plotted the murder of the family cat, his difficult relationship with his father, becoming an unintentional spokesperson for all redheads, and ̶m̶a̶n̶d̶y̶ ̶m̶o̶o̶r̶e̶ many more. Blunt, awkward, emotional, ribald, this anthology of humiliation culminates in a greater understanding of love, work, and family. Like the final scene in a Murder She Wrote episode, A Brief History of Oversharing promises everyone the a-ha! moment Oprah tells us to experience. Paired with bourbon, Scottish wool, and Humpty Dumpty Party Mix, this journey is best heard through a lens of schadenfreude. Praise for A Brief History of Oversharing “I am so glad I am not Shawn Hitchins, but I sure wish I could write like him. A Brief History of Oversharing is hilarious and heartwarming. Reading it is like sharing a warm bath with the man himself. At least I hope it’s the bath that’s warm.” —Michael Urie, actor (The Good Wife, Modern Family, Ugly Betty) “Hitchins’s mix of raw emotion and salty hilarity works beautifully. . . . Hitchins has a gift for telling outwardly repulsive stories in a way that actually draws people in. He doesn’t gloss over hard times, but he does counterbalance them with a self-deprecating, snarky humor that trades tears for laughter. He’s not kidding when he says he’s oversharing, but somehow he makes the mix of raw emotion and salty hilarity work.” —Foreword Reviews

imagine waking mañana and a drag queen is president. what would america look like with wild injections of colorful yes? emancipated lands of yes, and await you—whole celestial realms outside the absurd world of no. drag queen in the white house is a reimagining. a game. a queer piece of living theatre about what happens when we set fear down. there are 500,000 offices up for election, pick one. i'll go first. i'm 35 today, i think i'll run for president. why not? drain the anger. strain the disappointment. if not now, when? if not us, who? this book is our love letter to the universe. gutter to the gods—bop around the schizopedia. we lose to find. ∞ skitzy sandcastle 2020 » expressyourmess.com