How do you bridge the gap between the life you remember as a child and a new life that circumstances have thrust upon you? Can the gap between living on one continent and adapting to life on another ever be fully embraced? Young Sammy is uprooted from his home in Zimbabwe and all that he has held dear. Some relationships are made stronger by the move. His aunt Maggie and the African, Morris who was born in the same province of Matabeleland, become his support. New friendships are forged. The deep compassion given by Jeffery, in California, helps him break through old resistance, especially with the troubling relationship with Maggie's friend, Peter. The path of finding peace and acceptance is the journey Sammy faces, that brings him full circle back to the home he was forced to leave. The heartfelt story of moving to South Africa and then to the United States--of finding forgiveness and learning to love--is one that many can relate to. Many, like Sammy, Maggie, and Morris, have chosen or been forced to leave the countries of their birth. Both sweet and painful memories carve the path to embracing what has been, while striving forward to create a brighter future.

Part field guide, part history, part ornithology primer, and altogether fun. Fact: Pigeons are amazing, and until recently, humans adored them. We’ve kept them as pets, held pigeon beauty contests, raced them, used them to carry messages over battlefields, harvested their poop to fertilize our crops—and cooked them in gourmet dishes. Now, with The Pocket Guide to Pigeon Watching, readers can rediscover the wonder. Equal parts illustrated field guide and quirky history, it covers behavior: Why they coo; how they flock; how they preen, kiss, and mate (monogamously); and how they raise their young (on chunky pigeon milk). Anatomy and identification, from Birmingham Roller to the American Giant Runt to the Scandaroon. Birder issues, like what to do if you find a baby pigeon stranded in the park. And our lively shared story together, including all the things we’ve taught them—Ping-Pong, for example. “Rats with wings?” Think again. Pigeons coo, peck and nest all over the world, yet most of us treat them with indifference or disdain. So Rosemary Mosco, a bird-lover, science communicator, writer, and cartoonist (and co-author of The Atlas Obscura Explorer’s Guide for the World’s Most Adventurous Kid) is here to give the pigeon's image a makeover, and to help every town- and city-dweller get closer to nature by discovering the joys of birding through pigeon-watching.

Offers advice on how to create home gardens that attract birds, discusses the rewards of backyard birds, provides instructions for building birdhouses and feeders, ponds, perches, and other features, identifies feed and seed options, and includes tips on bird watching and an encyclopedia of seventy-five flowers, trees, and shrubs.

Lady Boys, Tom Boys, Rent Boys: Male and Female Homosexualities in Contemporary Thailand offers methods that will help social workers, researchers, and students create HIV/AIDS intervention services for gay men, lesbians, and transgender individuals in or from Thailand. Many of these methods can also be used by practitioners or HIV/AIDS educators in North America and developing countries to address issues of culturally diverse clientele. In response to Western and Thai sexuality studies that fail to accurately represent the diverse sexualities of Thailand, this book discusses and describes certain factors that need to be taken into consideration when developing intervention programs. Demonstrating how cultural and social factors influence services, Lady Boys, Tom Boys, Rent Boys will help you provide clients with effective and relevant services. Drawing attention to Eurocentric ideology that may hinder cross-cultural collaboration for Thai-Western service provisions, this book offers you information that will help you understand how cultural, political, and economic systems shape sexuality and gender roles in Thai society. Lady Boys, Tom Boys, Rent Boys provides you with the necessary knowledge for providing successful services, including: how Thai sexualities are identified by examining the meaning of terms such as “toms” (masculine Thai lesbians), “dee” (feminine-identified women who have relations with other women), “kathoey” (males that dress like women and wear make-up), or “lady boys” (transsexual or transvestite males) how Thai society actually defines ”having sex” and recognizing the differences from Western connotations of sex to effectively teach individuals about the risk of HIV/AIDS ways Western views of confidentiality and privacy differ from Thai views in order to understand why individuals hesitate to get tested for or seek counselling about HIV/AIDS the relationship between occupation and sexual identity in movies and magazines that reveal how sexuality is characterized in Thailand the unique social identity of “toms” and how Thai society labels what is masculine and feminine reasons for hiding sexual identity, such as rejection, fear of stereotypes, and having a relationship that is viewed by society as wrong and meaningless protecting commercial sex workers (CSW) from infection by developing culturally appropriate interventions One of the only books to address HIV/AIDS issues of gay and transgender individuals in Thailand, Lady Boys, Tom Boys, Rent Boys will help you increase awareness about HIV/AIDS and create successful intervention programs for clients.

Thomas is a seventeen-year-old who doesn't want to grow up and has little aspirations for anything beyond standing outside the local liquor store and getting drunk. But when he meets Bernard, the old and well known fag artist, he is offered something he cannot turn down. -- The Epilogue follows this book, and there is a sequel, The Rainbow, coming soon. Please see thedovekeeper.com for more details.

In The Cooing of the Dove and the Cawing of the Crow Suzanne Pinckney Stetkevych offers original translations, close readings, and new interpretations of selected poems from the two contrasting diwans of the blind Late ʿAbbāsid master-poet, Abū al-ʿAlāʾ al-Maʿarrī (d. 449 H./1057 C.E.). The first is Saqṭ al-Zand (Sparks of the Flint), the highly esteemed collection of qaṣīdah poetry of his youth, which he later disavowed. The second is Luzūm Mā Lā Yalzam (Requiring What Is Not Required), the programmatic double-rhymed collection from his later period of withdrawal and seclusion. She argues that the contrasting ‘poetics of engagement’ and ‘poetics of disengagement’ of the two diwans reflect the transition from High Classical to Post Classical aesthetics.