Fyodor Mikhailovich Dostoevsky (1821ndash;1881), one of the greatest novelists of the 19th century, continues to be one of the writers most focused upon in academia throughout the world. With the recent opening of numerous archives in the former Soviet Union, much new material has come to light that has not yet been incorporated in publishes works or standard curricula. The Dostoevsky Archive comprehensively documents the entire life of the Russian novelist, using contemporary Russian source documents, the author's own letters and notes and those of his family, and the memoirs of his contemporaries. This fullscale reference work includes a detailed chronology, an annotated bibliography, and brief biographies of important contemporaries. Fully indexed.

Set in the 1870s, a time of social disorder in Russia, An Accidental Family is the story of Arkady Dolgoruky, an awkward, illegitimate twenty-year-old on a desperate search for his family. This new translation of Dostoevsky's last completed novel fully captures the raciness and youthful vigor of the original text, and expresses "the innermost spiritual world of someone on the eve of manhood at that tumultuous time."

First published in 1962, the present volume is a collection of critical essays on selected works by Fyodor Dostoevsky (1821-1881), the famous 19th century Russian novelist, short story writer, essayist, journalist and philosopher. Critical evaluation of Fyodor Dostoevsky has been marked by sharp and violently bitter extremes. René Wellek has assembled a wide spectrum of these varied critical attitudes toward the works of the great Russian “tragedian of ideas.” Dostoevsky’s work is seen from psychoanalytical, existential, theological, and Marxist points of view. Professor Wellek’s introduction sketches the history of Dostoevsky criticism and influence in all main countries—a task never before attempted. The essays in this collection are: PHILIP RAHV—Dostoevsky in Crime and Punishment MURRAY KRIEGER—Dostoevsky’s “Idiot”: The Curse of Saintliness IRVING HOWE—Dostoevsky: The Politics of Salvation ELISEO VIVAS—The Two Dimensions of Reality in The Brothers Karamazov D. H. LAWRENCE—Preface to Dostoevsky’s “The Grand Inquisitor” SIGMUND FREUD—Dostoevsky and Parricide GEORG LUKÁCS—Dostoevsky DMITRI CHIZHEVSKY—The Theme of the Double in Dostoevsky V. V. ZENKOVSKY—Dostoevsky’s Religious and Philosophical Views DEREK TRAVERSI—Dostoevsky

Dostoevsky and Romantic Realism is Donald Fanger's groundbreaking study of the art of Dostoevsky and the literary and historical context in which it was created. Through detailed analyses of the work of Balzac, Dickens, and Gogol, Fanger identifies romantic realism, the transformative fusion of two generic categories, as a powerful imaginary response to the great modern city. This fusion reaches its aesthetic and metaphysical climax in Dostoevsky, whose vision culminating in Crime and Punishment is seen by Fanger as the final synthesis of romantic realism.

For contents, see Author Catalog.

This collection, unique to the Modern Library, gathers seven of Dostoevsky's key works and shows him to be equally adept at the short story as with the novel. Exploring many of the same themes as in his longer works, these small masterpieces move from the tender and romantic White Nights, an archetypal nineteenth-century morality tale of pathos and loss, to the famous Notes from the Underground, a story of guilt, ineffectiveness, and uncompromising cynicism, and the first major work of existential literature. Among Dostoevsky's prototypical characters is Yemelyan in The Honest Thief, whose tragedy turns on an inability to resist crime. Presented in chronological order, in David Magarshack's celebrated translation, this is the definitive edition of Dostoevsky's best stories.