(Piano/Vocal/Guitar Artist Songbook). Features 15 cherished favorites from the beloved singing actress arranged for piano and voice with chord frames: Day by Day * Don't Take Your Love from Me * Fools Rush in (Where Angels Fear to Tread) * Happy Endings * I'll Never Stop Loving You * I'll See You in My Dreams * If I Give My Heart to You * It's Magic * Pillow Talk * Que Sera, Sera (Whatever Will Be, Will Be) * Quizas, Quizas, Quizas (Perhaps, Perhaps, Perhaps) * Secret Love * Sentimental Journey * Teacher's Pet * You Go to My Head. Also includes an extensive biography and stunning photos.

(Piano/Vocal/Guitar Artist Songbook). Features 15 cherished favorites from the beloved singing actress: Day by Day * Don't Take Your Love from Me * Fools Rush In (Where Angels Fear to Tread) * Happy Endings * I'll Never Stop Loving You * I'll See You in My Dreams * If I Give My Heart to You * It's Magic * Pillow Talk * Que Sera, Sera (Whatever Will Be, Will Be) * Quizas, Quizas, Quizas (Perhaps, Perhaps, Perhaps) * Secret Love * Sentimental Journey * Teacher's Pet * You Go to My Head. With an extensive biography and photos, this book makes a great gift for any Doris Day fan!

No one personified the hopes and dreams of post-war America more than Doris Day. She was ranked the biggest box-office star for four years (1960 and 1962-1964) and ranked in the top 10 for 10 years (1951-1952 and 1959-1966, became the top-ranking female box-office star of all time, and is currently ranked sixth among the all-time top 10 box-office performers. Having graduated from dance-band singer to Hollywood queen in 1948, Doris quickly became the nation’s big-screen sweetheart. Her movie career also featured two Oscar-winning songs – 'Secret Love' from 1953’s Calamity Jane and 'Que Sera, Sera (Whatever Will Be, Will Be)' from The Man Who Knew Too Much. Yet she impressed British director Alfred Hitchcock by being able to deliver the intensity of performance he wanted without guidance. Indeed, some critics went so far as to claim she was wasted on lighter fare. While America’s favorite blonde had little luck with her men in real life – she married four times – she was more than content to share the music and movie spotlight with co-actors. The late-1950s/early-1960s string of light romantic comedies she made, many with Rock Hudson, confirmed her reputation as an all-American screen queen and brought her an Oscar nomination for 1959’s Pillow Talk. She left Hollywood in 1968 on the death of her third husband Marty Melcher, after which she hosted a TV series, The Doris Day Show, for five years until 1973. She devoted her time to animal rights causes. Yet a strong fan following took Doris back to the charts in the current millennium, proving that class is timeless. This book catalogues her Hollywood career, her tangled love life, and the behind-the-scenes challenges she had to overcome to claim her iconic status.

An extensive biographical and critical survey of more than 300 jazz and popular singers is comprised of provocative, opinionated essays that incorporate the views of peers, fans and critics while assessing key movements and genres.

The American Song Book, Volume I: The Tin Pan Alley Era is the first in a projected five-volume series of books that will reprint original sheet music, including covers, of songs that constitute the enduring standards of Irving Berlin, Jerome Kern, the Gershwins, and other lyricists and composers of what has been called the "Golden Age" of American popular music. These songs have done what popular songs are not supposed to do-stayed popular. They have been reinterpreted year after year, generation after generation, by jazz artists such as Charlie Parker and Art Tatum, Ella Fitzgerald and Louis Armstrong. In the 1950s, Frank Sinatra began recording albums of these standards and was soon followed by such singers as Tony Bennet, Doris Day, Willie Nelson, and Linda Ronstadt. In more recent years, these songs have been reinterpreted by Rod Stewart, Harry Connick, Jr., Carly Simon, Lady GaGa, K.D. Laing, Paul McCartney, and, most recently, Bob Dylan. As such, these songs constitute the closest thing America has to a repertory of enduring classical music. In addition to reprinting the sheet music for these classic songs, authors Philip Furia and Laurie Patterson place these songs in historical context with essays about the sheet-music publishing industry known as Tin Pan Alley, the emergence of American musical comedy on Broadway, and the "talkie" revolution that made possible the Hollywood musical. The authors also provide biographical sketches of songwriters, performers, and impresarios such as Florenz Ziegfeld. In addition, they analyze the lyrical and musical artistry of each song and relate anecdotes, sometimes amusing, sometimes poignant, about how the songs were created. The American Songbook is a book that can be read for enjoyment on its own or be propped on the piano to be played and sung.

Movie studios are the wondrous, almost magical locales where not just films, but legends, are created. Unfortunately, these celebrity playgrounds are, and always have been, largely hidden from public view. Although some movie studios offer tours, few guests from outside the Hollywood community have ever been witness to the artistry, politics, and scandals that routinely go on behind the soundstage walls and away from the carefully orchestrated scenes visible to them from their tram carts. In this book, studio staff historian and Hollywood insider Steven Bingen throws open Hollywood’s iron gates and takes you inside the greatest and yet most mysterious movie studio of them all: Warner Bros. Long home to the world’s biggest stars and most memorable films and television shows, the Warner Bros. Studio lot functions as a small city and is even more fascinating, glamorous, and outrageous than any of the stars or movies that it has been routinely minting for more than ninety years. Accompanied by stunning behind-the-scenes photos and maps, and including a revealing backstory, this book is your ticket to a previously veiled Hollywood paradise.

The most celebrated "voice" in Hollywood speaks for herself! Everyone knows Marni Nixon...even if they think they don’t. One of the best-known and best-loved singing voices in the world, Nixon dubbed songs for Natalie Wood inWest Side Story, Audrey Hepburn inMy Fair Lady, and Deborah Kerr inThe King and I. She was the voice of Hollywood’s leading ladies, arriving in filmland after a debut with the Los Angeles Philharmonic at 17 and continuing her career with Leonard Bernstein, Aaron Copland, Charles Ives, Stephen Sondheim, Rogers and Hammerstein, and many others. Her inspiring autobiography reveals Nixon as a singer, an actress, and a woman fighting for artistic recognition. Today, a survivor of breast cancer, she works on Broadway and television’sLaw & Order SVU, tours with her own stage show, and teaches master classes in voice.I Could Have Sung All Nightreveals the woman behind the screen in a frank, funny biography that is as remarkable as the woman whose story it tells. • Beloved show-biz icon Nixon dubbed the singing of Natalie Wood inWest Side Story, Deborah Karr inThe King and I, and Audrey Hepburn inMy Fair Lady—she now tells her story for the first time • Entertaining behind-the-scenes celebrity stories from six decades of performing • Nostalgia appeal, plus insider's account of the music and film worlds of the 20th century • Breast cancer survivor Nixon is an inspiration to millions of women