"On Ruby's thirteenth birthday, a wish she didn't even know she had suddenly comes true: the couple who raised her aren't her parents at all. Her real mother and father are out there somewhere, and Ruby becomes determined to find them. Venturing into the forest with nothing but a suitcase and the company of her only true friend-- the imaginary Shadow Boy-- Ruby discovers a group of siblings who live alone in the woods. The children take her in, and while they offer the closest Ruby's ever had to a family, Ruby begins to suspect that they might need her even more than she needs them. And it's not always clear what's real and what's not-- or who's trying to help her and who might be a threat. Told from shifting timelines, and the alternating perspectives of teenage Ruby; her mother, Anna; and even the Shadow Boy ..."--

"On Ruby's thirteenth birthday, a wish she didn't even know she had suddenly comes true: the couple who raised her aren't her parents at all. Her real mother and father are out there somewhere, and Ruby becomes determined to find them. Venturing into the forest with nothing but a suitcase and the company of her only true friend--the imaginary Shadow Boy--Ruby discovers a group of siblings who live alone in the woods"--Amazon.com.

My name is Ruby. I live with Barbara and Mick. They're not my real parents, but they tell me what to do, and what to say. I'm supposed to say that the bruises on my arms and the black eye came from falling down the stairs. But there are things I won't say. I won't tell them I'm going to hunt for my real parents. I don't say a word about Shadow, who sits on the stairs, or the Wasp Lady I saw on the way to bed. I did tell Mick that I saw the woman in the buttercup dress, hanging upside down from her seat belt deep in the forest at the back of our house. I told him I saw death crawl out of her. He said he'd give me a medal for lying. I wasn't lying. I'm a hunter for lost souls and I'm going to be with my real family. And I'm not going to let Mick stop me.

"On Ruby's thirteenth birthday, a wish she didn't even know she had suddenly comes true: the couple who raised her aren't her parents at all. Her real mother and father are out there somewhere, and Ruby becomes determined to find them. Venturing into the forest with nothing but a suitcase and the company of her only true friend-- the imaginary Shadow Boy-- Ruby discovers a group of siblings who live alone in the woods. The children take her in, and while they offer the closest Ruby's ever had to a family, Ruby begins to suspect that they might need her even more than she needs them. And it's not always clear what's real and what's not-- or who's trying to help her and who might be a threat. Told from shifting timelines, and the alternating perspectives of teenage Ruby; her mother, Anna; and even the Shadow Boy ..."--

• An Amazon Best Book of the Year for 2016 • Costa Book Award for First Novel finalist • Dagger Award finalist Newly single mom Beth has one constant, gnawing worry: that her dreamy eight-year-old daughter, Carmel, who has a tendency to wander off, will one day go missing. And then one day, it happens: On a Saturday morning thick with fog, Beth takes Carmel to a local outdoor festival, they get separated in the crowd, and Carmel is gone. Shattered, Beth sets herself on the grim and lonely mission to find her daughter, keeping on relentlessly even as the authorities tell her that Carmel may be gone for good. Carmel, meanwhile, is on a strange and harrowing journey of her own—to a totally unexpected place that requires her to live by her wits, while trying desperately to keep in her head, at all times, a vision of her mother … Alternating between Beth’s story and Carmel’s, and written in gripping prose that won’t let go, The Girl in the Red Coat—like Emma Donoghue’s Room and M. L. Stedman’s The Light Between Oceans—is an utterly immersive story that’s impossible to put down . . . and impossible to forget. "Kate Hamer’s gripping debut novel immediately recalls the explosion of similarly titled books and movies, from Stieg Larsson’s The Girl With the Dragon Tattoo and its sequels, to The Girl on the Train to Gone Girl … "—Michiko Kakutani, The New York Times “Keeps the reader turning pages at a frantic clip... What’s most powerful here is not whodunnit, or even why, but how this mother and daughter bear their separation, and the stories they tell themselves to help endure it.” —Celeste Ng (Everything I Never Told You) “Compulsively readable...Beautifully written and unpredictable, I had to stop myself racing to the end to find out what happened.” —Rosamund Lupton (Sister) “Both gripping and sensitive — beautifully written, it is a compulsive, aching story full of loss and redemption.” —Lisa Ballantyne (The Guilty One) "Hamer’s dark tale of the lost and found is nearly impossible to put down.” —Booklist

"Wood's usual Lady Luckless is poor little rich girl Eve Klein, whose millions can't buy her relief from her other inheritance: the clairvoyant powers that have recently frightened off her husband, Sam. Hoping to confront him, Eve drives from her Connecticut estate to Sam's new house in Raven Lake, New York, where she's instantly felled by a vision of a woman mutilated and dying - the handiwork of local sociopath Adam Fuller, M.D., whose eyes ("empty ... dead ... glassy. Like a doll's eyes"') give away his utter inability to feel for others, the product of a buried childhood trauma: Fuller kills in the barren hope of feeling pity for his victims. Eve's call to the cops snares homicide legend Dave Latovsky, who takes her to see psychiatrist Terrence Bunner, who happens to have Fuller as a patient. When, at a party, Bunner lets on to Fuller that Eve - whom he won't identify - saw the killer in her vision, the mad M.D. tracks a gory path to the psychic, torturing and shooting Bunner, then a local newsman and his wife, to get Eve's name and address. Meanwhile, at Bunner's funeral, Latovsky notes Fuller's Ken-doll eyes and fingers him for the killer but can't nab him before Fuller snatches Eve, hauling her to his childhood home. There, Eve flashes on the child abuse that turned Fuller into a maniac ... A lurid, loose-jointed tale whose frantic action and emotionalism nearly obscure the familiarity (Koontz, King, etc.) of Wood's themes."--Kirkus