Understand salvation in both the Old and New Testaments. God Is a Warrior traces the development of the "divine warrior" motif through the Old and New Testaments, beginning with Israel's conflicts with her enemies and ending with Christ's victorious return in Revelation. Against the broader background of Ancient Near Eastern warrior mythology, Part I discusses Yahweh's warfare on behalf of ancient Israel, and prophecies of the coming Divine Deliverer. Part II looks at the New Testament's Divine Warrior, Jesus Christ, and his war against his spiritual enemies in the Synoptic Gospels, in Paul's letters, and in the final apocalyptic battle in the book of Revelation.

Isaiah 59 portrays a deity in armour warring against rebellious human foes. In this historical investigation, Yoder Neufeld maps the transformation of an ancient tradition into a creative new reading in which God's people put on God's armour and go to battle against God's heavenly foes, as in Ephesians 6. The Pauline recasting of the Isaianic motif, argues the author, is a bracing one.

In Mapping Metaphorical Discourse in the Fourth Gospel, Beth M. Stovell examines the metaphor of Jesus as king throughout the Fourth Gospel using an interdisciplinary metaphor theory incorporating cognitive and systemic functional linguistic approaches with literary approaches.

In this study, Scott C. Ryan situates Paul's letter to the Romans as one voice among a number of Jewish voices that frame God as a divine warrior. He first investigates motifs related to divine conflict in Exodus 14-15, Amos, Isaiah, Ezekiel, and Daniel 7-12, along with 1 Enoch, Psalms of Solomon, Wisdom of Solomon, the War Scroll, and 4 Ezra. The author then places Romans in dialogue with the works of Paul's predecessors and near contemporaries. When Romans and these Jewish texts are placed alongside one another, Paul emerges as a writer who participates in Jewish divine conflict traditions. The apostle maintains Israel's eschatological hope in a warring deity even as he modifies that image in light of God's action in the Christ-event.

Isaiah 59 portrays a deity in armour warring against rebellious human foes. In this historical investigation, Yoder Neufeld maps the transformation of an ancient tradition into a creative new reading in which God's people put on God's armour and go to battle against God's heavenly foes, as in Ephesians 6. The Pauline recasting of the Isaianic motif, argues the author, is a bracing one.

The bestselling author of Misquoting Jesus, one of the most renowned and controversial Bible scholars in the world today examines oral tradition and its role in shaping the stories about Jesus we encounter in the New Testament—and ultimately in our understanding of Christianity. Throughout much of human history, our most important stories were passed down orally—including the stories about Jesus before they became written down in the Gospels. In this fascinating and deeply researched work, leading Bible scholar Bart D. Ehrman investigates the role oral history has played in the New Testament—how the telling of these stories not only spread Jesus’ message but helped shape it. A master explainer of Christian history, texts, and traditions, Ehrman draws on a range of disciplines, including psychology and anthropology, to examine the role of memory in the creation of the Gospels. Explaining how oral tradition evolves based on the latest scientific research, he demonstrates how the act of telling and retelling impacts the story, the storyteller, and the listener—crucial insights that challenge our typical historical understanding of the silent period between when Jesus lived and died and when his stories began to be written down. As he did in his previous books on religious scholarship, debates on New Testament authorship, and the existence of Jesus of Nazareth, Ehrman combines his deep knowledge and meticulous scholarship in a compelling and eye-opening narrative that will change the way we read and think about these sacred texts.