Ground-breaking scholarship about how the Torah became the Jewish canon.

This book explores the mythical realm, unveiling the fascinating interactions between mortals and gods in mythology and literature. It delves into the origins and hierarchy of the gods, their power and influence, interventions in humanity, and creation and destruction of the world. It examines divine marriages, love affairs, jealousy and betrayal among the gods. Also the divine wisdom, trials and challenges faced by gods and heroes. It analyzes the transformations and metamorphoses of the gods, their epic battles, revelations and prophecies that shaped civilizations. It details the worship, rituals and pilgrimages that connect the mortal to the divine. It explores the divine encounters in ancient texts, epic tales, poetry, drama and modern interpretations. The book delves into the rich symbolism and imagination of mythology, examining how humans have portrayed these divine encounters and their impact on human culture and imagination.

The Divine Symphony begins with this one presupposition; that all that God has revealed about Himself, and all that He yearns for His People to be, is offered through the Catholic Mass. The exposition of that presupposition resulted in this unique book on the Theology of the Catholic Mass. The Divine Symphony presents a wonderful and seamless presentation of the liturgical continuity of the history, meaning, and mystery of the central and highest expression of worship and prayer in the Catholic Church. For the past century and longer, nearly every book written by Catholics about the Catholic Mass has taken to the approach to explain the liturgy by dissecting it into separate parts and pieces. Contrary to this staunchly popular style of teaching, the Catholic Mass is not a disjointed litany of things laity says, things the Priest says, times they stand, times they kneel, things they do, and things they don’t do. Rather, in all of its liturgical expressions, from East to West, the Catholic Mass is a singular and Divinely inspired composition; a familial song of prayers and confessions. It truly is a Divine Symphony called the ‘Ite, Missa est.’ This is what makes David L. Gray’s work groundbreaking, in that finally there comes along a book that presents a harmonious symphony of the Catholic Mass. Although Mr. Gray uses the Novus Ordo rite as the outline to narrate and guide the reader through the liturgical movements, he also draws into text much older Latin and Eastern rites, for the objectives of deeper study and explanation of the purpose, meaning, mystery, and orientation of the sacred liturgy. Such incorporation of so many various rites demonstrates, most beautifully, the universality and continuity of Christ Jesus’ memorial sacrifice. A second unique feature of this work is Mr. Gray’s use of the classical symphony orchestra as a way to explain the structure and flow of the Catholic Mass. Even if the reader is not trained in the classical works, Gray gives them enough history and examples to give the reader a good reason to appreciate and understand their many similarities of form and purpose. A third unique aspect of the book is that rather than attempt to explain the Mass through Scriptural proof-texts, the author has rightly moved to explain the Scriptures through the Mass. For, as the Scriptures tells the story of salvation history, it is the Mass, which brings the promise of the story to their fulfillment. Through beautiful prose and a concrete presentation of the Divine Symphony’s history, meaning, mystery, and liturgical continuity, David L. Gray, in this exordium, gives reason to all to know, love and pray the Mass. This well written and accessible a book is not only for Catholics, but for anyone who is looking to developing a deeper understanding and appreciation for what the Priests, Deacons, and the People are doing when they pray and confess the Ite, Missa Est. To know the Mass is to love it and to love it is to pray it.

"Sensing God is a discovery of Jesus in all of the sensory points embedded into each of us. It shows how the holiest acts in our daily lives are often the simplest: reveling in the beauty of nature; listening to our favorite music; eating a nourishing meal with family. These are potentially heartbeats of a living faith, and when we learn to recognize and respond to God’s goodness in them, it draws us into redemptive participation with Him, the source of all beauty"--Amazon.com.

The two-fold task of A Symphony of Distances is to provide an overview of Hans Urs von Balthasar’s use of distance imagery with regard to personal distinctions in the Holy Trinity and to offer a critical analysis of him as a modern Catholic theologian. A metaphor of “distance” integrates all of Balthasar’s theological thought as a primary cipher for the many symbols through which he reads the Christian theological tradition in a trinitarian and eschatological mode. The book follows a chronological, four-stage development of Balthasar’s trinitarianism through the lens of this distance metaphor as it occurs across representative texts. The critical analysis employs the conceit of a symphony of four musical movements that correspond to four varieties of theological distance. These distances show certain correspondences of God’s creation and redemption of the world—marked by the first two “distances”—with the relations of the divine persons to each other in the economy of salvation and in the eternal Trinity itself—marked by the third and fourth distances. “Listening” to the four movements of Balthasar’s theological distances enables his readers to “hear” the themes of all four movements in the ascending order of richness, complexity, and inclusivity over the long development of his thought. This fundamentally positive approach of A Symphony of Distances allows for a thorough critique of the internal consistency of Balthasar’s applied method, of the controversial use of gendered trinitarian notions in his speculations on divine pathos, and of his adequacy to the tasks of modern theology. The final judgment is that Balthasar’s theology of distance can be accepted, with reservations, as a positive element of his contribution to contemporary trinitarian theology. The book can thus serve as a critical reference for readers who find Balthasar’s notion of trinitarian distance, and indeed his trinitarianism as a whole, to be compelling, confusing, or frustrating.

"Show me anyone who sought refuge in me and it was futile". This is Baba's promise, and he fulfilled it then and continues to do so even today. Everyone deals with crises in their lives that could be professional or personal. At such times some turn to their Guru or God to give them comfort and peace of mind, while others turn to spiritual books for solace and solutions. This book comprises a wide range of leelas that describe how devotees over the ages have sought refuge in Baba, and Baba has kept his promise at all times. The book speaks of how Baba delved in the centre of his devotees' hearts and empathised with them. With his 'all-knowing, all-pervasive and all-embracing' qualities he helped them irrespective of who they were. It is comforting for us to know that another promise that he fulfilled after 1918 is that he is immortal and comes to the aid of his devotees even today.

Psychoanalytic Studies on Dysphoria: The False Accord in the Divine Symphony depicts the profound dysphoria afflicting certain individuals, and includes the author's own personal experience of this as a German Jewish child during the Holocaust. Marion M. Oliner explores the impact of catastrophic events on the lives of individuals and their descendants from a broadly psychoanalytic perspective. The book focuses on the interplay between the experience and the unconscious meaning attributed to the trauma, and the ways in which patients may feel guilt, and blame themselves for the events and effects of their trauma. Drawing on the work of Freud and Winnicott, and with emphasis on the traumas suffered during the Second World War, Oliner offers new ways of understanding how resistant to treatment such traumas can be, and how the analyst can understand the experiences. The chapters span the evolution undergone in the nearly four decades of practice by the author. The book references a range of works including some taken from the German and French psychoanalytic literature, some never published in English. Taken together they aim at keeping the vitality of psychoanalysis without idealization, while discarding concepts whose essence is static, and therefore unhelpful. Psychoanalytic Studies on Dysphoria will appeal to psychoanalysts as well as other mental health professionals working with self-defeating behavior as a result of trauma.