The secret biography of one of the Tibet's foremost saints, The Buddha Drukpa Kunley who is recognised as an incarnation of the great Mahasiddha, Saraha

A fascinating biography of Drukpa Kunley, a Tibetan Buddhist master and crazy yogi. The fifteenth-century Himalayan saint Drukpa Kunley is a beloved figure throughout Tibet, Bhutan, and Nepal, known both for his profound mastery of Buddhist practice as well as his highly unconventional and often humorous behavior. Ever the proverbial trickster and “crazy wisdom” yogi, his outward appearance and conduct of carousing, philandering, and breaking social norms is understood to be a means to rouse ordinary people out of habitual ways of thinking and lead them toward spiritual awakening. Elizabeth L. Monson has spent decades traveling throughout the Himalayas, retracing Drukpa Kunley’s steps and translating his works. In this creative telling, direct translations of his teachings are woven into a life story based on historical accounts, autobiographical sketches, folktales, and first-hand ethnographic research. The result, with flourishes of magical encounters and references to his superhuman capacities, is a poignant narrative of Kunley’s life, revealing to the reader the quintessential example of the capacity of Buddhism to skillfully bring people to liberation.

Dzogchen, a tradition of the Nyingma school of Tibetan Buddhism, is considered by many to be an extremely powerful path to enlightenment. This ground-breaking book offers translations of four sacred texts of the Dzogchen tradition: Secret Instruction in a Garland of Vision, The Flight of the Garuda, Emptying the Depths of Hell, and the Wish-Granting Prayer of Kuntu Zangpo. With an informative introduction by the translator, Flight of the Garuda is an invaluable resource for both practice and scholarship. Flight of the Garuda conveys the heart advice of one of the most beloved nonsectarian masters of Tibet. Ordained as a Gelug monk, the itinerant yogi Shabkar was renowned for his teachings on Dzogchen, the heart practice of the Nyingma lineage. He wandered the countryside of Tibet and Nepal, turning many minds toward the Dharma through his ability to communicate the essence of the teachings in a poetic and crystal-clear way. Buddhists of all stripes, including practitioners of Zen and Vipassana, will find ample sustenance within the pages of this book, and be thrilled by the lyrical insights conveyed in Shabkar's words. Along with the song by Shabkar, translator Keith Dowman includes several other seminal Dzogchen texts. Dzogchen practice brings us into direct communion with the subtlemost nature of our experience, the unity of samsara in nirvana as experienced within our own consciousness. Within the Nyingma school, it is held higher than even the practices of tantra for bringing the meditator face to face with the nature of reality.

Hildegard of Bingen, a Rhineland mystic of the twelfth century, has been called an ideal model of the liberated woman. She was a poet and scientist, painter and musician, healer and abbess, playwright, prophet, preacher and social critic. The Book of Divine Works was written between 1170 and 1173, and this is its first appearance in English. The third volume of a trilogy which includes Scivias, published by Bear & Company in 1985, this visionary work is a signal resounding throughout the planet that a time of healing and balance is at hand. The Book of Divine Works is a cosmology which reunites religion, science, and art, and readers will discover an astonishing symbiosis with contemporary physics in these 800-year-old visions. The present volume also contains 51 letters written by Hildegard to significant political and religious figures of her day and translations of twelve of her songs.

A journey can be many things. My journeys introduced me to Drukpa Kunley the irreverent patron saint of Bhutan. He understood that the easiest path to enlightenment was through surprise and humor. Through the constant use of his "magic thunderbolt," Kunley would shock people away from life's distractions. Many Bhutanese attribute the importance of the phallus to the "madcap lama" and his exploits through the western half of the Himalayan kingdom during the 15th and 16th centuries. The demons and ogres of the day didn't stand a chance against the magic thunderbolt of the Divine Madman; nor did his female disciples! To this day, devotees of Kunley adorn their buildings and houses with phallic paintings. Even children and domestic animals use the phallic tailsmans to enjoy protection from hostile spirits. This artistic tradition is ubiquitous throughout Bhutan, land of Gross National Happiness. It's about time Western culture is exposed to this art so that at least momentarily one's attachments are forgotten and the mind is set free!!

Describes the life of Yeshe Tsogyel, the consort of a distinguished Tibetan guru, and portrays her path to enlightenment

Despite Mongolia's centrality to East Asian history and culture, Mongols themselves have often been seen as passive subjects on the edge of the Qing formation or as obedient followers of so-called "Tibetan Buddhism," peripheral to major literary, religious, and political developments. But in fact Mongolian Buddhists produced multi-lingual and genre-bending scholastic and ritual works that profoundly shaped historical consciousness, community identification, religious knowledge, and practices in Mongolian lands and beyond. In Sources of Mongolian Buddhism, a team of leading Mongolian scholars and authors have compiled a collection of original Mongolian Buddhist works--including ritual texts, poetic prayers and eulogies, legends, inscriptions, and poems--for the first time in any European language.