The Divine Dance has become a classic for fans of Richard Rohr and an important book on Christian mysticism, it provides a fresh perspective for anyone studying or teaching the trinity. The Trinity is the central doctrine of Christianity, but it is still widely considered a mystery we won't ever fully understand. Should we still try to understand it, even so? If we could, how would it transform our relationship with God? In this stimulating and thought-provoking book, internationally recognised teacher Richard Rohr explores the nature of God and the paradoxical idea of the Holy Trinity as both three and one. With clear, surefooted wisdom, he encourages us to build on the early Christian understanding of the relationship between Father, Son and Spirit as a flow and dance - a Divine Dance - that we are invited to join in. An engaging, accessible look at the nature of God, The Divine Dance will challenge the way you think about the Trinity and give you a much fuller understanding of the triune relationship that is at the heart of Christian doctrine. It will leave you with a faith that is renewed and strengthened, and show you how you can engage more deeply in your relationship with God and the world through the Trinity.

What if changing our perception of God has the potential to change everything? God is not what you think. Visions of an angry, distant, moral scorekeeper or a supernatural Santa Claus handing out cosmic lottery tickets to those who attend the right church or say the right prayer dominate our culture. For many others, God has become irrelevant or simply unbelievable. In The Divine Dance, Fr. Richard Rohr (with Mike Morrell) points readers to an unlikely opening beyond this divinity impasse: the at-times forgotten, ancient mystery of the Trinity—God as utterly one, yet three. Drawing from Scripture, theology, and the deepest insights of mystics, philosophers, and sages throughout history, Fr. Rohr presents a compelling alternative to aloof and fairytale versions of God: One God, belovedly in communion, as All-Vulnerable, All-Embracing, and All-Given to you and me. The Divine Dance makes accessible and practicable the Christian tradition's most surprising gift... God as Community...as Friendship...as Dance. Are you ready to join in?

NEW YORK TIMES BESTSELLER • From one of the world’s most influential spiritual thinkers, a long-awaited book exploring what it means that Jesus was called “Christ,” and how this forgotten truth can restore hope and meaning to our lives. “Anyone who strives to put their faith into action will find encouragement and inspiration in the pages of this book.”—Melinda Gates In his decades as a globally recognized teacher, Richard Rohr has helped millions realize what is at stake in matters of faith and spirituality. Yet Rohr has never written on the most perennially talked about topic in Christianity: Jesus. Most know who Jesus was, but who was Christ? Is the word simply Jesus’s last name? Too often, Rohr writes, our understandings have been limited by culture, religious debate, and the human tendency to put ourselves at the center. Drawing on scripture, history, and spiritual practice, Rohr articulates a transformative view of Jesus Christ as a portrait of God’s constant, unfolding work in the world. “God loves things by becoming them,” he writes, and Jesus’s life was meant to declare that humanity has never been separate from God—except by its own negative choice. When we recover this fundamental truth, faith becomes less about proving Jesus was God, and more about learning to recognize the Creator’s presence all around us, and in everyone we meet. Thought-provoking, practical, and full of deep hope and vision, The Universal Christ is a landmark book from one of our most beloved spiritual writers, and an invitation to contemplate how God liberates and loves all that is.

Are you ready to enter the dance of becoming fully alive? Have you ever wondered, if we have the God of heaven and earth living inside us, why aren’t we experiencing more in life? Why aren’t we seeing more transformation in ourselves, or in others for that matter? What does it look like to have “Jesus in me” anyway, as an individual and also as a woman? These are the questions life coach and pastor Terri Sullivant was asking herself when God answered her in a profound, life-changing way. The Divine Invitation provides a pathway to find what your heart deeply longs for in every area of life. It’s a metaphor showing the way for every woman to enter the dance of becoming fully alive. Learning this dance is about developing a relationship with Jesus, like two people dancing skillfully and gracefully. It’s about becoming so entwined with the thoughts, words, emotions, and behaviors of Jesus that the two of you are one. You find that this deep connection transcends all of life, enabling you to live joyfully and freely, come what may.

The heart of this book is a dramatic love poem, the Rasa Lila, which is the ultimate focal point of one of the most treasured Sanskrit texts of India, the Bhagavata Purana. Judged a literary masterpiece by Indian and Western scholars alike, this work of poetic genius and soaring religious vision is one of the world's greatest sacred love stories and, as Graham Schweig clearly demonstrates, should be regarded as India's Song of Songs. The story presents the supreme deity as the youthful and amorous cowherd, Krishna, who joins his beloved maidens in an enchanting and celebratory "dance of divine love." Schweig introduces this work of exquisite poetry and profound theology to the Western world in the form of a luminous translation and erudite scholarly treatment. His book explores the historical context and literary genre of the work and elucidates the aesthetic and emotional richness of the composition, highlighting poignant details of this drama of divine love. Schweig illuminates the religious dimensions and ethical nuances of the drama, drawing widely from the commentaries and esoteric vision of masters of the Caitanya school of Vaishnavism, a prominent devotional Hindu tradition. Themes such as transcendence of death through love, the yoga of devotion, the contrast between worldly love and passionate love for God, and the dialectical tension between ethical boundaries and boundless love are presented. The final event of the Rasa dance, the author concludes, presents a dynamic symbol of supreme love that provides the basis for a theological vision of genuine religious pluralism.

Dancing With God is an exploration of the divine gifts of courage and grace in the face of evil. Moreover, it is a doctrine of God as the source of that courage. Baker-Fletcher presents an understanding of the work of the Trinity with regard to the problem of crucifixion, a metaphor she uses for unnecessary violence. She develops a process of relational, womanist theology that considers the empathetic omnipresence of God in the midst of unnecessary suffering and the healing power of God in movement of the Holy Spirit. She engages the contributions of a diversity of theologians like Paul Tillich, Karl Barth, Gordon Kaufman, John Cobb, Jr., Majorie Suchocki, Charles Hartshorne, Andrew Sung Park, and Katie Cannon in her discussion of the dance of the Trinity in creation, and the problem of sin, evil, and suffering. Through creative works like that of Alice Walker's The Color Purple and journalist Joyce King's account of the James Byrd, Jr. murder in Jasper County, Texas, Baker-Fletcher reveals the healing, encouraging power of the Holy Spirit in the lives of survivors of unnecessary violence.