The volume approaches Greeleys novels by comparing him to the 19th-century French writer Honoré de Balzac. A prolific and popular author, Balzac recorded his milieu in tremendous detail, created a fictional universe peopled by hundreds of characters, and explored the role of Catholicism in his world. Because of his training as a sociologist, Greeley brings to his novels a thorough knowledge of popular culture and social theory. And because of his experience as a Roman Catholic priest, he has gained special knowledge of vice, virtue, and the workings of the Church. Like Balzac—now a major canonical author—Greeley has created a world of numerous fictional persons, mapped the details of his culture, and explored the place of Catholicism in contemporary life.

Andrew M. Greeley's Blackie Ryan stories are reviewed and explicated in this study of the author's novels featuring the delightful and leprechaun like detective. The book surveys detective fiction in which the unique, irrestible, and sometimes irrepressible Blackie Ryan, who is sometimes, but not always, a persona for the author, appears. A composite portrait of Blackie is drawn for the reader. The themes—both sociological and religious—that occur in the fiction are highlighted and explored, as are the various literary devices that the author employs to create his stories. The book includes a "Foreword" written by Andrew M. Greeley, world renowned sociologist, priest, and Professor of Social Science at the university of Chicago.

In America, the long 1950s were marked by an intense skepticism toward utopian alternatives to the existing capitalist order. This skepticism was closely related to the climate of the Cold War, in which the demonization of socialism contributed to a dismissal of all alternatives to capitalism. This book studies how American novels and films of the long 1950s reflect the loss of the utopian imagination and mirror the growing concern that capitalism brought routinization, alienation, and other dehumanizing consequences. The volume relates the decline of the utopian vision to the rise of late capitalism, with its expanding globalization and consumerism, and to the beginnings of postmodernism. In addition to well-known literary novels, such as Nabokov's Lolita, Booker explores a large body of leftist fiction, popular novels, and the films of Alfred Hitchcock and Walt Disney. The book argues that while the canonical novels of the period employ a utopian aesthetic, that aesthetic tends to be very weak and is not reinforced by content. The leftist novels, on the other hand, employ a realist aesthetic but are utopian in their exploration of alternatives to capitalism. The study concludes that the utopian energies in cultural productions of the long 1950s are very weak, and that these works tend to dismiss utopian thinking as na^Dive or even sinister. The weak utopianism in these works tends to be reflected in characteristics associated with postmodernism.

Vols. 8-10 of the 1965-1984 master cumulation constitute a title index.

A biographical and bibliographical guide to current writers in all fields including poetry, fiction and nonfiction, journalism, drama, television and movies. Information is provided by the authors themselves or drawn from published interviews, feature stories, book reviews and other materials provided by the authors/publishers.