A richly imaginative novel of love, loss, time and the rise and fall of a great maritime empire, that sends two thwarted lovers spiralling through the chaos of history. The story begins in 1429 on Madeira, when a peasant girl meets a boy- a Jewish outsider- from a Portuguese sailing ship. Esperança and Emmanuel know they must part when the ship sails. From that first meeting and parting, others follow... Emmanuel is in turn sailor, mapmaker, bookseller, jazz musician; Esperança an illiterate peasant, a rich girl in Faro and a clever, bookish recluse who confronts a murderer in nineteenth-century Lisbon. In twentieth-century London, Esperança is faced with a double incarnation, one of the true Emmanuel and the other a shadow. Over the centuries the couple face peril and tenderness. Each life is short. What survives is love.

The 132 poems, most of which here make their English-language debut, represent the three major languages of medieval Islam--Arabic, Persian, and Turkish--with the remainder from Hebrew. They span more than a thousand years, from the seventh to the early eighteenth century, when poetry, like so much else, was shattered and reshaped by the impact of the West. They range from panegyric and satire to religious poetry and lyrics about wine, women, and love. Lewis begins with an introduction on the place of poets and poetry in Middle Eastern history and concludes with biographical notes on all the poets.

In the first book of the Mountain Song Legacy series readers step into a small Kentucky coal mining town in the late 1800's where hope is found in the hearts of two young girls—the vibrant, red-headed Maggie MacAuley and her fragile friend Summer Rankin. When Jonathan Stuart, the latest in a succession of educators, actually wants to continue teaching in the one-room schoolhouse, then Maggie and Summer know that he is special. So when Jonathan's cherished flute is stolen, the girls try to find a way to restore music to his life. Sorrow and joy follow in the days to come, and through it all Maggie, Jonathan, and a community rediscover the gifts of faith, friendship, and unwavering love.

Fans of Louise Douglas, Dinah Jeffries and Kristin Hannah will love this heart-warming, captivating and compelling post-war saga by the million copy and Sunday Times bestselling author Charlotte Bingham. 'As comforting as a hot milky drink on a stormy night. Her legions of fans will not be disappointed.' -- DAILY EXPRESS 'Outstanding' -- ***** Reader review 'Another excellent read by Charlotte Bingham' -- ***** Reader review 'These are characters you will really care about' -- ***** Reader review 'Very enjoyable and hard to put down' -- ***** Reader review 'Incredibly well written and engrossing' -- ***** Reader review ******************************************************************************************* WHAT CAN OFFER THE ESCAPE THEY SEEK? The 1950s, post-War Britain: the only people in society who can be said to have a glamorous lifestyle are the very wealthy, the aristocracy, and people who worked in the theatre. Elsie Lancaster is the granddaughter of a hardened old professional actress who runs a seaside boarding house. Oliver is the third son of a Catholic aristocratic Yorkshire family whose mother has run off, so the theatre-mad butler has brought him up like a son to be a Great Actor. Coco Hampton, Oliver's best friend, has been raised in Sloane Street by Gladys, her profligate guardian, who is always borrowing money from Coco to buy more clothes. Gladys and Oliver have been fans of the theatre since they were knee-high, but Coco has only ever wanted to be a designer. When Coco joins Oliver at his drama school in London, to his chagrin she promptly gets cast in films because of her photogenic looks. Meanwhile, Elsie is 'discovered' in the provinces by Portly Cosgrove; shortly before meeting Oliver who promptly falls in love with her. And elsewhere, on location, Coco has her first affair with a handsome actor, which doesn't end well... A colourful cast of characters and a script you just couldn't make up...!

This study argues that the expression of voicelessness in Beckett is not silence. Rather, the negativity and negation so evident in his work are not simply affirmed, but the emptiness can all too easily itself become an affirmation of power.

This volume includes all of the surviving songs by German-American composer, performer, critic, and businessman Herrman S. Saroni (1823/24–1900), who is now most remembered as the owner and editor of Saroni’s Musical Times (one of America’s first significant music magazines). The entire date range of these songs is 1844–89, but the vast majority appeared in the 1840s and early 1850s. Saroni was among the first composers in America to combine aspects of German lieder and various features associated with popular song, and these works fuse accessibility to amateurs with sophisticated compositional techniques. Despite several indicators of success in his era, Saroni’s songs are almost completely unknown today. These works deserve reconsideration and modern performance both for their historical significance and for their aesthetic value. Most of the songs in this edition were published in Saroni’s lifetime, but an appendix includes a transcription of an unpublished holograph manuscript song, the original of which is also shown in two plate images.

Paying close attention to the extensive network of allusions Beckett derived from Joyce's writing, P.J. Murphy reveals how Beckett consistently echoed and engaged in dialogue with Joyce's works.